For the hype that this had, the reviews and the amount of times this was featured in this year's poll, I had some expectations with this one but they were not met. This is the 4th drama of 2016 I watch with the same "jerk male lead + sweet female lead + 'nice guy' = triangle" trope and, from best to worst, I rank this one 3rd out of 4. My biggest issue with this drama (apart from the fact that I’m not a fan of leads who act like jerks and who we’re supposed to find romantic rather than toxic) is that the story is all over the place. There’s a story-line involving the three brothers, with a mystery in the middle, which gets resolved halfway through and ends up going nowhere. There’s a story-line about the restaurant they have and trying to make it succeed while not selling out, and it also ends up going nowhere. There’s a story-line about the female lead’s quest for professional growth which ends up only serving the “romantic” story-line. There’s a backstory of a character to make them less two dimensional which also ends up going nowhere. All in all, it’s like every ingredient which could have turned this into less of a cliche and more innovative was pushed aside in the benefit of the overused story-line of the love triangle. Out of all the characters, the only one I found memorable and whose performance I enjoyed enough was Nomura Shuhei’s Touma (the youngest sibling). He’s the only one I feel has a story arc which involves making personal changes, realizing mistakes and repairing damages he has caused. The rest, I can’t say much. It seemed Miura Shohei’s character was going towards a reasonable development and in the last few episodes his entire character turned 180° for the sake of the cliche romance. It seemed that Kiritani Mirei’s character had more substance to her than being the sweet main lead who tends to be too kind for her own good, but all about her drive and career seemed to just serve the cliche romance. And Yamazaki Kento’s character deserves a paragraph on his own. He is the jerk male lead, the one we’ve seen at least 4 times this year: we saw him in Dean Fujioka’s Mamiya Hokuto in Happy Marriage, in his Kurosawa Ayumu in Please Love the Useless Me and in Shiraishi Shunya’s Uehara Hisashi in Good Morning Call. I really dislike this trope, I think it’s toxic as heck, but the rest of the dramas at least tried for me to feel for the guy. They intended to introduce a backstory (mostly tied in with family grief) in which I could say “oh, so this is why he’s a jerk”. It never worked, but they tried. Here, everything that happens to this character, all the troubles and external arcs to change him, happen in the timeline of the drama. There is no reason why he acts this way and he doesn’t change his attitude with anything that happens to him. He has that kind of extremely subtle character change which stans of him will call development but I call bad writing. The reason why this drama isn’t my complete least favorite of the bunch is because it’s very nicely filmed and, mostly, decently performed. The shots were brilliant and they paid attention to detail, the cinematography was very enjoyable. There are some things in the story I found interesting, like the family mystery I mentioned, the somewhat complex way in which they tried to introduce the “ex girlfriend” cliche and the youngest brother’s character growth. But it doesn’t have enough to be different from the rest of the dramas with the same trope. All in all, if this is a trope you enjoy and male leads being jerks is your thing, for some reason, this is a very well done one of those. If you’re looking for something innovative, different and devoid of love triangles, dates in aquariums, firework festivals being a “big romantic deal” and lots and lots of misunderstandings and “I hurt you because I want to protect you” scenes, there’s not much here for you. Except for an omelette with a burger inside, which is pretty good.