1
SKITC
Probably within reach of a coffee
We grow up when we realize that adults don't know what to do either
As children, we hear our teachers give us instruction with such confidence. “These facts are the things that happened. These numbers add up to this sum. Our governments follow these rules that we call laws.” Outside on the playgrounds, we make up new games and the rules are made up on the spot. But around adults, it appears that there are systems and pieces that fit together and when we grow up, we’ll know the answers to how things work and where we fit.
And then we reach adulthood ourselves and find that adulthood is lot like the playground games where we’re all making it all up as we go as often as not. Some of us excel at it and a lot more of us struggle to figure out who we are and how we find success or even just live in such a world. At the same time, we find moments, ephemeral as they may be, of unexpected grace and beauty and kindness.
“My Liberation Notes” is an exploration of this reality we live in and it is a stunningly beautiful rendition. Few dramas can combine such lush cinematography with immaculate editing, astonishingly original dialogue, a marvelously composed score and backdrops that might be ordinary in purpose, but are stunning with the vividness of their color. Even had it been sixteen episodes without characters or dialogue, there’s a bevy of gorgeous photography and musical accompaniment worthy of viewing pleasure.
As for the narrative, three unhappy siblings that live in the countryside divide their lives between long commutes to unrewarding jobs in Seoul and toiling on the family farm with a taciturn father and persevering mother. As adults, they all find themselves unsure of their place and their purpose. The oldest sibling is Ki Jung who has a talent for loudly saying the worst possible thing in a public place. The only son, Chang Hee, is a grown man that usually behaves like a squirming, uncomfortable child in church that simply wants to leave. The youngest and main character is Mi Jung, a soft-spoken but unbending and fearless woman that’s never found anyone that understands her. Dropped into this mix is a man known only by his last name, Gu, who is incredibly diligent and skilled but also an unapologetic alcoholic.
As for the plot, it’s very strictly and very real slice of life stuff. It’s getting through petty work disagreements. It’s complaining about the heat or suffering from the cold. It’s waxing nostalgic with old friends. It’s yearning for a few minutes of happiness a day or a new relationship. There are few destinations and the journeys rarely follow a particular direction for any length of time. There’s not so much buildups and reveals and cliffhangers. Rather, there’s symbolism and hidden meanings and guarded dialogue. When a shocking event does happen, it’s revealed initially so matter of factly that a viewer not intently watching might even miss how quickly the news had dropped.
The cast performances are outstanding. Lee Min Ki and Lee El, as Chang Hee and Ki Jung, are the extroverts and thrash and churn through their characters’ frustrations, joys and fears. Several supporting cast members shine too, especially Han Sang Jo as a longtime friend and occasional accomplice to Chang Hee, and Chun Ho Jin, as the siblings’ father. And it cannot be overlooked how much Park Soo Young and Lee Ji Hye shine brightly in very limited supporting roles as members of Mi Jung’s Liberation Club.
Kim Ji Won’s performance as Mi Jung is subdued as the character is extremely guarded and only very slowly reveals herself to Gu. It’s a very good performance and certainly one that should stand out on her resume. But despite having some of the best dialogue of recent memory, Mi Jung never comes across as a relatable human. Whether that’s due to Kim Ji Won’s restrained manner or just that the character’s humanity seems broken or whether this is a production that just isn’t interested in having characters that viewers should root for, that’s the end result - with a central figure that’s emotionally distant.
Meanwhile, Son Seok Koo as Gu is downright brilliant. He barely speaks for several episodes but his smirks and squints and head shakes and intensity belie that this is not simply a normal man with little to say. As his story unfolds and his internal struggles are revealed, it’s a devastating performance. None so far in 2022 can come close to matching it.
Overall, there’s very, very little to find fault with in “My Liberation Notes”. It is exquisitely produced from almost every angle. And it is highly recommended.
And then we reach adulthood ourselves and find that adulthood is lot like the playground games where we’re all making it all up as we go as often as not. Some of us excel at it and a lot more of us struggle to figure out who we are and how we find success or even just live in such a world. At the same time, we find moments, ephemeral as they may be, of unexpected grace and beauty and kindness.
“My Liberation Notes” is an exploration of this reality we live in and it is a stunningly beautiful rendition. Few dramas can combine such lush cinematography with immaculate editing, astonishingly original dialogue, a marvelously composed score and backdrops that might be ordinary in purpose, but are stunning with the vividness of their color. Even had it been sixteen episodes without characters or dialogue, there’s a bevy of gorgeous photography and musical accompaniment worthy of viewing pleasure.
As for the narrative, three unhappy siblings that live in the countryside divide their lives between long commutes to unrewarding jobs in Seoul and toiling on the family farm with a taciturn father and persevering mother. As adults, they all find themselves unsure of their place and their purpose. The oldest sibling is Ki Jung who has a talent for loudly saying the worst possible thing in a public place. The only son, Chang Hee, is a grown man that usually behaves like a squirming, uncomfortable child in church that simply wants to leave. The youngest and main character is Mi Jung, a soft-spoken but unbending and fearless woman that’s never found anyone that understands her. Dropped into this mix is a man known only by his last name, Gu, who is incredibly diligent and skilled but also an unapologetic alcoholic.
As for the plot, it’s very strictly and very real slice of life stuff. It’s getting through petty work disagreements. It’s complaining about the heat or suffering from the cold. It’s waxing nostalgic with old friends. It’s yearning for a few minutes of happiness a day or a new relationship. There are few destinations and the journeys rarely follow a particular direction for any length of time. There’s not so much buildups and reveals and cliffhangers. Rather, there’s symbolism and hidden meanings and guarded dialogue. When a shocking event does happen, it’s revealed initially so matter of factly that a viewer not intently watching might even miss how quickly the news had dropped.
The cast performances are outstanding. Lee Min Ki and Lee El, as Chang Hee and Ki Jung, are the extroverts and thrash and churn through their characters’ frustrations, joys and fears. Several supporting cast members shine too, especially Han Sang Jo as a longtime friend and occasional accomplice to Chang Hee, and Chun Ho Jin, as the siblings’ father. And it cannot be overlooked how much Park Soo Young and Lee Ji Hye shine brightly in very limited supporting roles as members of Mi Jung’s Liberation Club.
Kim Ji Won’s performance as Mi Jung is subdued as the character is extremely guarded and only very slowly reveals herself to Gu. It’s a very good performance and certainly one that should stand out on her resume. But despite having some of the best dialogue of recent memory, Mi Jung never comes across as a relatable human. Whether that’s due to Kim Ji Won’s restrained manner or just that the character’s humanity seems broken or whether this is a production that just isn’t interested in having characters that viewers should root for, that’s the end result - with a central figure that’s emotionally distant.
Meanwhile, Son Seok Koo as Gu is downright brilliant. He barely speaks for several episodes but his smirks and squints and head shakes and intensity belie that this is not simply a normal man with little to say. As his story unfolds and his internal struggles are revealed, it’s a devastating performance. None so far in 2022 can come close to matching it.
Overall, there’s very, very little to find fault with in “My Liberation Notes”. It is exquisitely produced from almost every angle. And it is highly recommended.
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