The first half of episode 10 is actually quite good. I enjoyed catching up what I had missed in the 7 episodes I skipped over, but when the second half of the episode rolled around, I just got more and more frustrated at the drama series. Why are Korean dramas so frustratingly illogical and coincidental?!
Korean dramas have a habit of prolonging even the most intense scenes and story plots, ironically making them less intense with characters staring at a point slightly off-camera. Or they'll blur out knives (!) but not guns (!) in a show about murderers. Or they'll have characters just sitting idly in cars while waiting for important phone calls. Or they'll have V.I.P. victims taking instructions from a stranger over the phone, even after he says "I can't... I can't trust any of you!" (but you're trusting a random stranger on the phone, bruh). Or they'll have a character about to shoot a guy's head off, but oh-so-conveniently, they'll have another guy enter the scene just in time to stop him, but even when that's convenient (and I look past that), when the character falls onto the ground during the attack, and the gun is still near his hand, he doesn't grab the gun to retaliate, he just gets up and allows himself to be punched again.
Stop stretching out these scenes! Stop treating audiences like dimwits and that we can't solve things by ourselves. These scriptwriters need to stop laying out the details of a murder plot line-by-line as if the audiences can't figure it out ourselves, and as if we need a constant reminder of what happened the previous episodes.
Also, I bet if Korean dramas could take this entire series and trimmed out all the camera shots of characters staring emptily slightly off camera, I bet each episode could probably be at least 10 minutes shorter. Thus, the entire drama maybe one or two episodes shorter. Instead, they could use these two episodes and fill it with actual character development and actual story development, instead of filling it with prolonged over-dramatic stares.
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Ikigami: The Ultimate Limit
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Story is what pulled me into this movie. Cast was what kinda kept me through the film. Music was ok; there was this scene were the violin piece just came in from nowhere and it was just so blatantly obvious, it made it horribly melodramatic.
Positive thing: I want to run my hands through Takayuki Yamada's long hair. I mean, even though his character looks and acts like a complete douchebag, just look at that hair. It's so shiny and it looks like he rewashes it for every scene. Glorious.
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