Renseignements

  • Dernière connexion: Il y a 17 heures
  • Genre: Homme
  • Lieu: Denmark
  • Contribution Points: 17 LV1
  • Anniversaire: May 31
  • Rôles:
  • Date d'inscription: octobre 15, 2021
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Neko Kare: Shonen wo Kau
4 personnes ont trouvé cette critique utile
par RBR8man
févr. 13, 2024
12 épisodes vus sur 12
Complété 0
Globalement 7.0
Histoire 6.5
Acting/Cast 5.5
Musique 6.5
Degrés de Re-visionnage 5.0
Cette critique peut contenir des spoilers

ML's actor ruined it

The premise was interesting, but as soon as I saw the ML's real age, I knew literally nothing substantial would come of this show.
If you're reading this review, you've probably read the synopsis, so I won't repeat it. Nekokare is, I suppose, what you could call a guilty pleasure, or at least in premise. In execution, it's just boring puppy love because everything is being legally limited by one factor: the ML's real age. (He was born in 2007, so he was 16 during filming.)

Now, I won't delve into the political/ethical issues this story presents. If you can learn to separate reality from fiction, you can get a pretty good story out of it. Look at Chūgakusei Nikki. for example. The main tween that and this show, though, is that the ML in that show WAS of age during filming, while this one isn't. Considering it's a ROMANCE drama with a 30-year-old year old FL, it closes practically every single door of opportunity. So, all we the viewers are left with is an attractive face and a very awkward viewing experience. literally should have just picked an actor from like 2005. and I bet you it would have been a much better romance.

Anyway, besides that KILLING the show, the story itself was actually kinda bad bad, haha. These kinds of large age gap dramas usually only when both characters (mainly the older one) are troubled people, We see this in Kōkō Kyōshi and Chūgakusei Nikki. But here, the FL has NOTHING WRONG with her life. Even the ML's problems are extremely minor, so for them to actually develop mutual feelings doesn't feel right.

The acting was alright, no one stood out as great, though the ML was particularly annoying. Maybe it's because he's still rather new in the industry, or maybe it's just how they wrote his character. But I swear he had the same annoyed/depressed demeanor the ENTIRE SHOW. I don't want to get canceled, so all I'll just say is that he looks and acts like a pushover, kinda of annoying.

From a technical standpoint, everything was up to mrn J-Drama standards: really strange colour grading, generally good lighting, good cinematography, decent music, etc.

Overall, it's not worth it. I would only recommend this show if you want to learn Japanese.

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0.5 no Otoko
3 personnes ont trouvé cette critique utile
par RBR8man
janv. 30, 2024
5 épisodes vus sur 5
Complété 0
Globalement 10
Histoire 10
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 10

Everyone has their reasons, but everyone has a reason.


In our world, every single human being, whether they be a newborn or someone in hospice, has their own story and reasons as to why they are in that position. But one thing is certain: all of us will find our purpose somewhere along our journey through life.

This drama, although rather short, tells us viewers the entire story of Masaharu's rather unfortunate-seeming life, along with the evolving lives of his extended family living with him. Without spoiling much, we see Masaharu go from a complete recluse to a functioning member of society who finally feels like he has meaning in life after he is exposed to and forced to deal with situations concerning his past, others' futures, or others. And although he is the main character, we do see similar developments in some of the other leads (again, I don't want to spoil much, so I won't say).

I find this style of storytelling amazing: a realistic plot with realistic characters and situations. Nothing is blown out of proportion for "drama," and no obvious plot devices are used—not even the addition of music to induce emotion is used often. All they relied on was the camerawork, acting, and story itself, which is absolutely beautiful.

From a more technical aspect, I can say that literally everything was perfect: cinematography, lighting, sound, etc. They even managed to include the rather unique element of a cross-sectional house set into the story without it feeling out of place or useless.

This J-Drama is rather peculiar to me because I'm neither used to this genre nor this level of production quality with J-Drama. Honestly, I think this surpassed many of the K-Dramas I've seen too!

Anyway, you already know I have to give this a 10/10. It's also now #2 on my list of favorite dramas—both incredible feats.
I highly recommend this to absolutely everyone.

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Takane no Hana-san 2
2 personnes ont trouvé cette critique utile
par RBR8man
mars 12, 2024
12 épisodes vus sur 12
Complété 0
Globalement 9.0
Histoire 8.5
Acting/Cast 9.5
Musique 7.5
Degrés de Re-visionnage 10

Easy Watch

TL;DR for those who watched S1 or like the manga: Same kind of comedic adventures as S1, much more comedic than the Manga. Also has an original ending (source is ongoing).

Takane no Hana San 2 is a continuation of the prior season just this time following the gang through their HOP project and other trials.
Can't really say much about the story beyond that, it's just a good comfort watch haha.

Characters are the same, all funny with their own quirks.
Audio is still anime like, and if you don't know what I possibly mean, it's the overuse of sound effects. Not a bad thing considering the story, just very out of the J-Drama norm haha.

Overall, heartwarming. Despite there being no JP subtitles, I recommend this to Japanese learners, the language used is easy enough for pure raw.

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Mama wa Idol
2 personnes ont trouvé cette critique utile
par RBR8man
oct. 31, 2023
10 épisodes vus sur 10
Complété 0
Globalement 8.5
Histoire 7.5
Acting/Cast 8.0
Musique 10
Degrés de Re-visionnage 9.0
Cette critique peut contenir des spoilers

When Japan had money

A reason why I mostly watch Japanese media (anime and J-Drama) from the 80s is thanks to their obscene amount of money at the time meaning they could literally make the most random of projects financially feasible instead of now where they gotta stick to the main pool of genres because those are what makes money (yes I know this is a phenomenon all over the world but idc), semi 4th wall breaking shows that serve no purpose but pure entertainment (with of course some story) like this can be made, what a simple time… But I’m digressing so I’ll shut up haha.

Anyways Mama wa Idol was a good, light hearted show with an obviously unique spin on things; it didn’t have any overarching message it was trying to push besides I guess the difficulty to having kids accept remarriage (though that was practically demoted to a character trait of one character after ~4 episodes) no it was just Nakayama Miho (google her, literally plays herself) becoming a housewife in secret and the comedy that ensued. Some minor development was present but never really directly mentioned like Miho’s cooking becoming better (and other housewife tasks) and Kenichirou getting more used to his new mum (which happened in the background, realistic for a 20 year old). Over the 10 episodes the only 2 reoccurring things I found annoying was that crazy nosy neighbour and Shuichi’s (dad) vein popping annoying inability to firmly turn down women (plus his occasional thoughts on how to parent but I’m 20 with no kids, so I see things like the naïve Miho does meaning I cannot comment) but both of these are easily overlooked and are funny in their own right (at times). Ending was very wholesome too, love that they directly called out the stigmas in the idol industry plus the real live performance Miho gave.

From a technical aspect everything was done at or above J-Drama standards: typically great 80s music, unique acting, etc. no complaints there. Overall a fun and relaxing show highly recommend this to other old J-Drama fanatics, I will be buying this on DVD for sure.

Also I should point out: yes Miho at the time was 17 (I think she was implied to be 19 in the show) but not only was it poked fun at in the show at times (Kenichirou is older than her in the show and real life) no lines were also crossed, it was kept at a convincing distance for any scenes that could have hinted at intimacy. Also Miho and Kunihiko literally play the lead roles in another drama the very next year so they’re obviously comfortable with each other lol.

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Ciguatera
1 personnes ont trouvé cette critique utile
par RBR8man
mars 8, 2024
12 épisodes vus sur 12
Complété 0
Globalement 6.5
Histoire 4.0
Acting/Cast 7.0
Musique 6.0
Degrés de Re-visionnage 1.0
Cette critique peut contenir des spoilers

The worst definition of episodic

Just gonna preface this and say I watched 11 of the episodes in a row, then GAVE UP for like an entire month until I got to 12. I wrote 99.9% of this review after ep9 though so it's not based on fuzzy memory.

Being straight up, I was naive thinking this, a non shounen manga origin, would actually focus on motorbikes for more than 2 seconds, but I would have liked for it to be AT LEAST more of an element than throwing everything else at us.
To say this straight up, I lost 70% of interest by episode 6, not because of them seemingly always throwing some random seemingly heavy topic at us then IMMEDIETLY forgetting about it, no, but because the ML was cringe lmao. Like ofc I know Japanese guys aren't that flaky irl, but gawd damn this is challenging my knowledge and confidence haha.
Anyways story was crap, like I said earlier they literally glossed over every single important sounding event in 20 minutes or somehow wrote it in a way that made it sound like something would happen, but nothing happens. Like one episode we meet the FL's new boss, awkward guy, he did give 'incel' vibes at first but whatever yk maybe he's just really awkward. 3 minutes before the end of the episode another character comes in and tells everyone he's a serial peeper/molester and was arrested after they found hard drives filled with it, literally haven't heard anything since about it, this happens EVERY EPISODE.
Characters are lackluster. yk what I feel about the ML already but the FL is no better, she seems like a 'yes man' type of character, just somehow actually doesn't mind "hey I know I just met you 3 days ago and I know I'm your boss that you dislike but can I perhaps have sex with you?" "yeah sure why not" (exaggerated interaction she had with her boss) so sad. every other character is 100% forgettable. And that really sucks because the ML and FL performers are really good, I hope they get cast for better roles in the near future.

TL;DR unless you're like me and watching stuff for Japanese immersion, avoid this, literally nothing is good about it.

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Itaike ni Koishite
1 personnes ont trouvé cette critique utile
par RBR8man
févr. 3, 2024
10 épisodes vus sur 10
Complété 0
Globalement 7.0
Histoire 7.0
Acting/Cast 6.5
Musique 7.5
Degrés de Re-visionnage 6.0

decent time killer but nothing more

This was an alright show, nothing special about it besides the one glaringly obvious rarity (a black guy who speaks good Japanese as a main character lol).
Being 10 episodes at 45min each it was on the more average side of length, though typical with these kind of dream, the perceived length varied between episodes; some felt like 20min while others 70+ though thankfully it wasn't an increasing trend and only happened with like 3 random episodes in the show.
The story itself is obviously episodic and usually easily predictable, just thankfully there isnt any unnecessary drama thrown in. the background blot with that lead's girlfriend doesn't really show itself until the end, it was alright but again nothing to write home about.
From a technical standpoint everything was good, lighting did look washed out at times leading me to think they forgot to actually EDIT the raw footage in post ? but it's probably just a (bad) style. Acting is decent, what I'd expect from a drama of this caliber especially from the black guy (the japanese usually suck ass at writing foreigners ive noticed lol) also the dialouge at times was odd sounding, like the japanese was normal (im like around n3 but from what i can tell for sure is that they dont speak casual enough) but holy shit the English, you guys LITERALLY HAD A NATIVE ON SET have him proof the script, that scene in ep9 was WAAYY too hard to watch. Everything else was, you guessed it, average.

Anyways it's an alright timekiller, I watched it with Japanese subs so idk if English ones exist.



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Bokura ni Ai o!
1 personnes ont trouvé cette critique utile
par RBR8man
oct. 24, 2023
11 épisodes vus sur 11
Complété 0
Globalement 7.5
Histoire 7.0
Acting/Cast 8.0
Musique 8.0
Degrés de Re-visionnage 7.0
Cette critique peut contenir des spoilers

An easy watch throughout

Started watching this at the beginning of this year, GAVE UP, then came back, so my memory of the start of the story is fractured.
Overall it was a good watch, I liked all of the characters (especially Akaji's character idk why lol). story was ok too, the moral of the story was kinda basic (carve your own path in life) with rather simple mini stories but surprisingly none of them were annoying, made it rather relaxing.
Ending was obviously idealistic, almost Deus ex Machina for one, felt bad for that guy getting cucked in the end but o wel, could see it coming. Wholesome nonetheless.

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29-sai no Christmas
1 personnes ont trouvé cette critique utile
par RBR8man
oct. 13, 2023
10 épisodes vus sur 10
Complété 2
Globalement 7.0
Histoire 5.0
Acting/Cast 7.0
Musique 8.0
Degrés de Re-visionnage 6.0
Cette critique peut contenir des spoilers

Kind of a letdown but an easy watch

Normally if I write a review it's for shows I really enjoy, posted only in a discord of mine, and a lot better written. But because this rare drama has no review, I shall write a very basic one. ( so sorry in advance if it's not up to this website's par haha).

First I'll just say I basically lost interest at ep6, half watched half used my phone (like to write this) afterwards. The story was obviously heading nowhere and none of the main characters showed much change, and I was right, like Shintani just ended up messing around with that woman who he said would make his, Noriko suddenly became attracted to Kisa whom she was completely uninterested in an ep prior, and Aya continued to mess with that married man despite knowing it's a depressing matter, etc.
Also I felt that most of the characters were two dimensional , especially the more side ones like Nagahori but also ones like Kisa and Kana, their characters were too predictable and 'scripted' if that makes sense. Then the Kisa family was straight up one dimensional, they literally existed to be a plot device this entire show.
I have other grievances with this show but they're all too small to speak about individually so to summarise them: every side plot was just added in an effort to bring more depth to the show but all ended up just being random side events.

Being honest, the only reason I finished this and got a 7 is because of Yamaguchi's (Noriko) performance, me having a significant interest in 80-90s entertainment (music included), the occasional comedic scenes, and the fact that I downloaded it (would be a waste otherwise haha). I'll probably end up rewatching this in the future and when I do I'll be sure to rewrite this or at the very least edit this to say my opinion has remained unchanged.

Also this is a nitpick but why is it called My 29th Christmas when it hardly mentions or shows it until the final few minutes
(シ_ _)シ (not counting the music)

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Ita buru Koi no, Yona Mono
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par RBR8man
mai 2, 2024
4 épisodes vus sur 4
Complété 0
Globalement 6.0
Histoire 4.5
Acting/Cast 7.5
Musique 7.0
Degrés de Re-visionnage 5.0
Cette critique peut contenir des spoilers

This is up there on the peculiar list

This has got to be one of the most peculiar J-Drama I've seen in awhile; It doesn't seem traditionally structured like a normal 4ep drama would be (eg. Friends 2002) but it also isn't avant garde enough for it to get a pass, it just seems like a indie film project that was for some reason split up into 4 episodes instead of just a movie.
The plot itself seems strange. Because I am no where near fluent in Japanese, the more minor nuances of the story were more or less missed at first, but I managed to somewhat get it in the end: ML suspects his girlfriend of cheating, and in typical liberal arts student fashion, he begins something unexpected in response, a documentary of the timeline. Despite it being only 4 episodes long, 23 minutes each, there is a lot of jumping back to the past when they first met and present day, though from all I could tell, most of the past is just his good memories and completely irrelevant to the story (kinda annoying when they could take up 1/3rd+ of the episode). Characters were written in attempt to be deep/thought provoking I feel, but failed. FL just seems manipulative and ML a naive pushover (which was practically pointed out by the tritagonist in ep4).
Technical aspects were good, think I'm gonna stop pointing out how 'good' newer J-Drama are at lighting and all that since that seems uniform in all of them.
Acting I personally think was alright, seemed again like an amateur film project so picking actresses and actors with little experience fit it (not saying they were bad, they all did very well)

Overall I recommend this to people doing Japanese immersion, otherwise don't bother

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Inu to Kuzu
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par RBR8man
mai 1, 2024
8 épisodes vus sur 8
Complété 0
Globalement 6.0
Histoire 4.0
Acting/Cast 8.0
Musique 7.0
Degrés de Re-visionnage 5.0
Cette critique peut contenir des spoilers

Good for Japanese immersion, bad for entertainment.

Saying this without meaning anything negative, I usually have pretty low standards for modern J-Drama, that is because from what I find, they are ALWAYS poorly made in many categories, including story, but still manage to be logical enough and/or funny enough for me to enjoy it (ex. NekoKare, Super no Kago, etc.), this one couldn't manage even that.

Inu to Kuzu is a short drama that by going off of purely the description: appears to be about adultery between a man and his best friends wife.
This is partially true, the part about a "relationship" between the wife and man, not the adultery because the friend is dead! (Wow big spoiler, it plays a very minor part in the story who cares).
The true story is that there is none, I'm writing this on episode 7 and I STILL don't know, ML and his past with the friend and wife get established and that's it, suddenly they're living together too Yada Yada Yada FL is apparently pregnant, ML lost a VERY SPECIFIC part of his memory in an unimaginable way (and managed to not have any hints in his mind about leading up and from it, very convenient) yeah you get the point.
If anything we can sort of see the story build in ep7, as they introduce an important character for the very first time ?.
Everything in the story reeks plot convenience too, like a little bit here and there is good, yk to get the ball rolling, but how on God's green earth can you have 90% of every happening in this show be so coincidental (I will not list them because that would go on forever, but some are FL and ML's first encounter, FLs wealth, the crazy Yandere happening to work at ML's work, etc.) Like I'd first believe Densha Otoko being a true story than people thinning this drama was realistic ?
I won't speak more about the story because I've practically spoiled all of it.

Beyond that, everything was pretty good, Acting was really good, surprised the FL is a year older than me but so good at acting already, others were alright too, ML was so pushoverlike (his character) that I genuinely disliked him. The friend was the only really bad character, not from acting but because they purposely wrote him to be so dislikable that it's obvious he's supposed to be the villain.

Technical aspects were great, lighting, sound, cinematography, etc. All on point.


TL;DR skip this crap, watch only for Japanese immersion as even though I disliked it, I understood 85% of the Japanese (wirh subtitles), usually it would be less for bad content.

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Star no Koi
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par RBR8man
avril 22, 2024
11 épisodes vus sur 11
Complété 0
Globalement 8.5
Histoire 8.0
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 8.5
Cette critique peut contenir des spoilers

Perfect, Until the End

Prefacing this by saying that I watched this with 0 subs of anykind, though I was able to understand ~70% of the words alone (intuition fills the gaps).

Star no Koi was genuinely an amazing watch, a true diamond in the rough, nearly everything about it was unique about it for the time and even now (especially the camera work, very similar to IWGP) and was on track to getting a 9.5 (10 is reserved in my rating scheme) all the way until the final ~4 episodes.

The story was genuinely interesting through and through, I REALLY liked how Sosuke's work life wasn't immediately cast to the background in favour of the more "special" person (we see this all the time, the higher profile person gets more screen time for their profession, which in turn makes it less "special") and despite it being so average of a job, it was genuinely interesting, same can be said for his workmates who had depth.
This isn't to say Hikaruko's work lacked depth, her profession was equally televised and people like her bodyguard had good character depth.
The thing that immediately caught my eye though was the camera work. Out of all the J-Drama and other Asian dramas I've seen, only ONE, has had a similar out of the ordinary camera work (previously mentioned IWGP) that really added life and uniqueness to the entire experience.

Now for the thing I disliked: the unexplained drama. As far as I know this could be just a discrepancy in my Japanese knowledge, but I really doubt that. First we have the mandatory love triangle, in anime I'm fine with that, not live action, partly because it's more unrealistic, but mainly because it's hardly done right, and this is no exception. Tsubomi all of a sudden fears competition and decides to really pursuit Sosuke after being in the company for x amount of years, yeah ok, and naturally of course she has to state the obvious that suddenly makes the ML reconsider and allow the way for more drama to ensue. Because I'm so used to this trope by now it alone doesn't bother me, but this time it did because of the fact that Sosuke SITS on that fact and misses signals that are more blinding than staring at a solar eclipse, and when practically confronted with it, he somehow manages to gaslight himself into believing otherwise. Doing this made it so painfully obvious they had to pad for time, especially considering this all occurred 2 episodes before the finale. Update after finishing the show: Yeah got even more annoying in the final 2 episodes, because both reasons are related to the climax I won't spoil it, but this one more happening alone dropped its score even more.

Regardless of that, I still think this is a 8.5, the technical aspects of the show saved it (music, top tier acting, camera work, etc.) Along with my general interest in it prior to the final arc and the genuinely funny comedic moments throughout.
If you can understand Japanese then I 100% recommend this show to you.

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Midnight Motel
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par RBR8man
avril 1, 2024
6 épisodes vus sur 6
Complété 0
Globalement 6.0
Histoire 4.0
Acting/Cast 6.5
Musique 7.0
Degrés de Re-visionnage 5.0
Cette critique peut contenir des spoilers

Not the best, but still entertaining

prefacing this by saying that out of the 6 episodes, I properly watched 1-4, and 6.

Going into this drama knowing it was only 6 episodes, I wasn't expecting much, and I got exactly that. Though, I will say that it still managed to disappoint me.
The story started off rather promising if I'm being honest; the leads meet, and they create an app, so naturally I thought that app would end up being the focus of the show with the drama stemming off from that, but I was wrong.
maybe 2-3 episodes in, the whole app concept thing is practically left in the dust as it now focuses on some murder and other relationships that didn't nearly have enough backstory for it to justify their significant presence.
I won't go into much detail as to what else made me annoyed as that would spoil too much, but to summarise, 8/10 situations could have been solved using common sense and survival instincts.

Acting was alright, I've only seen 2 other T-Dramas prior so I don't have the right to judge much, but it did feel exaggerated at times.
minor elements such as cinematography and sound we're all good, J-Drama has something to learn from them haha.

TL;DR it's an alright show for killing time.

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P.S. Genki Desu, Shunpei.
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par RBR8man
janv. 20, 2024
12 épisodes vus sur 12
Complété 5
Globalement 8.0
Histoire 7.5
Acting/Cast 8.0
Musique 10
Degrés de Re-visionnage 7.0
Cette critique peut contenir des spoilers

Was an alright drama.

Prefacing this with the fact that I watched this without subs as apart of my Japanese immersion, plus for reasons I imply later I lost most interest around episode 8 so my thoughts may be flawed.

This was a pretty decent drama, I found all the characters enjoyable, the setting believable, and the story decently relaxing/fun, overall good. considering this literally only came onto the internet this month (meaning it's very obscure) makes me wonder how many other good "lost" J-Dramas are out there (lost in brackets because a DVD will always exist haha) but alas I do not have money to BURN by going around and buying random 20,000¥ blu-rays weekly (university student lol) I will not think much about it, but I digress.

If you're familiar with 90s J-Drama then you seeing a 7.5 (average rating when I publish this) will indicate that it's your average developments, and you're not wrong haha. Same old same old developments with past lovers and whatnot, climaxing with something completely random happening to the side characters, etc. etc. Even the ending was predictable. Just thankfully it never felt depressing, though it did get boring around episode 8 with the relationship drama growing to a head, then just never dying down for the rest of the show. Despite me saying this all though, I still recommend it if you understand Japanese, it is funny at times and like I said before it is relaxing most of the time, a good time killer.

Acting is standard for 90s K-Drama, Asaka's in particular carried but everyone else did a great job too. Music is an easy 10/10, the opening really reminds me of early 2000s anime (which reminds me of a rather peaceful time in my life) plus 90s jpop is just good haha. Everything else is average for 90s J-Drama, lighting felt a bit better but still nothing to write home about.

Overall a good drama, I recommend it.

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Perfect love
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par RBR8man
janv. 6, 2024
12 épisodes vus sur 12
Complété 0
Globalement 7.5
Histoire 7.0
Acting/Cast 8.0
Musique 8.5
Degrés de Re-visionnage 5.0
Cette critique peut contenir des spoilers

Alright drama, nothing more, nothing less

First I'd like to note that the subs were out of sync 95% of the time (different sources so too much time needed to resync) and the other 5% I didn't look at them lol. so some details might be slightly mixed in my head.

It was an alright drama, been about 2 months since I've watched a proper J-Drama but from memory, this plot is pretty average. You could say it flows similarly to 29th Christmas with the kind of plot developments, but no where NEAR as annoying and melodrama filled. Nothing that good stands out with the story, because it's so average, but the bad pacing does stand out.
I really disliked the fact that Chigusa and Taketo (along with the secondary couple too) kept on having trust issues and breaking up then getting back together basically every episode until the very end. I'm surprised though how they managed to not make it overly dramatic with this kind of story lmao.
Acting and all that was good, Yoshino's (Chigusa) acting felt well above par while everyone else had the standard Japanese drama acting. Masaharu's (Taketo) acting bothered me mainly because he seemed to slur words together like every other sentence, same with his dad but I'm just gonna write this off as being an element of the Kyushu dialect (which I've never heard prior)
Etcetera etcetera standard production quality of 90s J-Drama, good music, etcetera etcetera.
Overall it was alright, good time killer if anything, but nothing unique like Koukou Kyoshi. Could have easily been 8 episodes

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Shimaizaka
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par RBR8man
déc. 27, 2023
Complété 0
Globalement 6.0
Histoire 5.5
Acting/Cast 7.0
Musique 7.0
Degrés de Re-visionnage 3.0

Decent time killer and nothing more.

I almost never watch movies and to my knowledge never a Japanese one plus I ended up only half watching cuz of how boring it was, so bear with me in my ramblings.
It was 1am and wanted to watch either an episode of K-Drama or a short movie, so I chose the movie (for other reasons too like Asano Atsuko), was it good? No lol. It wasn't the worst thing I've seen before it just didn't have a clear plot, too many leads and to quick of an introduction for a 100 minute film (like the 2 male romance interests seconds into the movie ALREADY get the ball moving then practically disappear like what) even though they seemed to only focus on one for the last 50 minutes. Instead of focusing on all 4 sisters and somewhat fleshing out their backstory (not really) it would have been much better if they focused on one sister for the entire film.
I can't really comment on the technical side of the movie because 1) I hardly watch movies and 2) the few movies I've seen from the era are James Bond blockbusters so its unfair, though I will say lighting is about average for 80s jdrama and same for the cinematography, sound had some oddities (Blu-ray seems to have been mastered with an audio delay lol) but not bad.
For the life of me I couldn't figure out what decade this took place in, I'd like to say the 70s-80s but idk cuz of the dated fashion seen and everything else screamed 60s. Also couldn't figure out what on earth the whole meaning of this movie was but I guess that's just because I'm trying to grade it like it's Interstellar.
Overall it's an ok time killer, if you know Japanese then just throw it on in the background while doing something else, it's ironically a more interesting watch that way.

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