Pinoy BL Series
Thailand
Cette critique peut contenir des spoilers
Boys’ Lockdown (2020): A Super Cute Pinoy BL Series
“Boys’ Lockdown” was a super cute Filipino (Pinoy) boys’ love (BL) series. It’s charming and endearing. It isn’t pretentious. It’s made to provide its audience joy and romantic excitement by depicting two innocent and good-looking leads falling in love against all odds.
Like most Pinoy BL series, “Boys’ Lockdown” was also contextualized during the Philippines’ enhanced community quarantine (ECQ) because of the COVID-19 pandemic. The plot/storyline was simple -- a chance meeting between two boys who eventually fell in love with each other even with all the environmental, psychological, societal, and even technological challenges thrown at them. While its plot/storyline was straightforward, “Boys’ Lockdown” didn’t lack political substance. It had subtle digs about the government’s handling of the Philippines’ response to the COVID-19 pandemic. Wifi network names such as NeverAgain, NasaanAngPlano (Where’sThePlan), and DefendPressFreedom somehow revealed its politics. And with the long, natural-looking, and wonderful kiss at the end, even with due considerations for personal safety measures, “Boys’ Lockdown” was also defiant.
There were a few cheesy dialogues here and there but the screenplay was generally natural and realistic -- at least for middle to upper class Pinoys. I would have preferred less coño talk (that of middle to upper class Pinoy who speaks Taglish -- a combination of the English and Filipino Tagalog languages -- in a fussy way) but I can live with it. Pinoy coños need representations too, lol. There were cute lines (“Bump me once, shame on you, but bump me twice, it’s a sign!”), defiant lines (“I felt like I was giving the coronavirus a big middle finger in its giant ugly face because I won.”), and dramatic lines (“This stupid pandemic! This fucking lockdown! Everything feels a thousand times harder…”).
The entire cast delivered with their acting -- not particularly outstanding, but largely alright. Both Ali and Alec were adorable and fit their roles perfectly. Both were really charming and endearing. Ali and Alec had good chemistry together. Teetin was at her best during the dramatic scenes. All the supporting cast members are gorgeous. Crystal and Teetin are beautiful. Carlo, Ivoy, and Luis are hot. I still don’t know why Dicky and Whilce kept taking off their shirts but I have no complaints, lol! And Laksa, who needs more screen time, was lovable!
“Boys’ Lockdown” was also pretty solid in terms of the quality of production. Audio-visuals were cool and clean. Cinematography was neat and nice. Editing was precise. The soundtrack “Home” by Reese Lansangan was also ok.
On the whole, I would certainly recommend rewatching “Boys’ Lockdown.” It’s a super cute Pinoy BL series made to provide its viewers joy and romantic excitement. I’m glad it will have a second season which I’m so looking forward to next year.
Like most Pinoy BL series, “Boys’ Lockdown” was also contextualized during the Philippines’ enhanced community quarantine (ECQ) because of the COVID-19 pandemic. The plot/storyline was simple -- a chance meeting between two boys who eventually fell in love with each other even with all the environmental, psychological, societal, and even technological challenges thrown at them. While its plot/storyline was straightforward, “Boys’ Lockdown” didn’t lack political substance. It had subtle digs about the government’s handling of the Philippines’ response to the COVID-19 pandemic. Wifi network names such as NeverAgain, NasaanAngPlano (Where’sThePlan), and DefendPressFreedom somehow revealed its politics. And with the long, natural-looking, and wonderful kiss at the end, even with due considerations for personal safety measures, “Boys’ Lockdown” was also defiant.
There were a few cheesy dialogues here and there but the screenplay was generally natural and realistic -- at least for middle to upper class Pinoys. I would have preferred less coño talk (that of middle to upper class Pinoy who speaks Taglish -- a combination of the English and Filipino Tagalog languages -- in a fussy way) but I can live with it. Pinoy coños need representations too, lol. There were cute lines (“Bump me once, shame on you, but bump me twice, it’s a sign!”), defiant lines (“I felt like I was giving the coronavirus a big middle finger in its giant ugly face because I won.”), and dramatic lines (“This stupid pandemic! This fucking lockdown! Everything feels a thousand times harder…”).
The entire cast delivered with their acting -- not particularly outstanding, but largely alright. Both Ali and Alec were adorable and fit their roles perfectly. Both were really charming and endearing. Ali and Alec had good chemistry together. Teetin was at her best during the dramatic scenes. All the supporting cast members are gorgeous. Crystal and Teetin are beautiful. Carlo, Ivoy, and Luis are hot. I still don’t know why Dicky and Whilce kept taking off their shirts but I have no complaints, lol! And Laksa, who needs more screen time, was lovable!
“Boys’ Lockdown” was also pretty solid in terms of the quality of production. Audio-visuals were cool and clean. Cinematography was neat and nice. Editing was precise. The soundtrack “Home” by Reese Lansangan was also ok.
On the whole, I would certainly recommend rewatching “Boys’ Lockdown.” It’s a super cute Pinoy BL series made to provide its viewers joy and romantic excitement. I’m glad it will have a second season which I’m so looking forward to next year.
Cet avis était-il utile?
