Death Proof.
This is a good but very dark comedy, one that I am pleasantly surprised to see in a Chinese production. Although with some modification, this is an obvious knock off of a fantastic but much darker Western production that many are likely to be familiar with. I don't have a huge problem with that and must applaud the effort to localise the story and tone it down for Chinese audiences. That said, it is an incredibly dark theme and at times the macabre gallows humor accentuates rather than distracts from the underlying despondency.
Mi Chong is an introverted, anti-social young man who can just no longer be bothered to live. He meticulously winds up his affairs and plans his exit but is rudely interrupted by a drowning girl, Zhi Liao. Zhi Liao is his polar opposite, a bad-ass, extroverted and rebellious girl who is nothing but trouble. As he gets reluctantly drawn into her affairs, the hapless Mi Chong cannot seem to be able depart in peace; all of his efforts to do away with himself are comically disrupted. As he gets swept up in a whirlwind of danger and whacky mis-adventures that seem to plague Zhi Liao, he begins to wonder if he suddenly became death proof. While they go on the run together, this unlikely couple starts to recognise they are each other's mutual salvation. As their enemies encircle them, is the final irony that Mi Chong ends up fighting to save his life rather than end it?
Most of the time the whacky plot hits the right notes in terms of dark humor, irony and quirkiness. That said, there were also many times I found nothing funny about the depth of Mi Chong's despair and I am surprised something this dark got pass censorship. And I was not satisfied that Zhi Liao does not have the slightest inkling what Mi Chong was going through. It is a big flaw in the relationship design, the fact that she never comes to appreciate how disturbed he was. While the actress Vivienne Tien did a good job overall, she overacted notably in the ending arc and her rage and anger failed to move me. Although it became clear that they grew to trust and rely on each other, the chemistry between the couple didn't change enough to convince me that the dynamics turned romantic. The surrounding cast was unexceptional with some cringe performances, notably Zhi Liao's brother. This is clearly a modest production but overall a uniquely enjoyable, quirky short watch.
My rating for this is a 7.5 for a delightful attempt at dark comedy. It still has rough edges and the wit and humor in places veers too far off to the slapstick and does not match the wit, audacity and sheer magic of the drama it obviously drew its inspiration from. Where it does exceed it is that it closes with a very positive message about life, how it should be lived and how not to let the past define the future.
Mi Chong is an introverted, anti-social young man who can just no longer be bothered to live. He meticulously winds up his affairs and plans his exit but is rudely interrupted by a drowning girl, Zhi Liao. Zhi Liao is his polar opposite, a bad-ass, extroverted and rebellious girl who is nothing but trouble. As he gets reluctantly drawn into her affairs, the hapless Mi Chong cannot seem to be able depart in peace; all of his efforts to do away with himself are comically disrupted. As he gets swept up in a whirlwind of danger and whacky mis-adventures that seem to plague Zhi Liao, he begins to wonder if he suddenly became death proof. While they go on the run together, this unlikely couple starts to recognise they are each other's mutual salvation. As their enemies encircle them, is the final irony that Mi Chong ends up fighting to save his life rather than end it?
Most of the time the whacky plot hits the right notes in terms of dark humor, irony and quirkiness. That said, there were also many times I found nothing funny about the depth of Mi Chong's despair and I am surprised something this dark got pass censorship. And I was not satisfied that Zhi Liao does not have the slightest inkling what Mi Chong was going through. It is a big flaw in the relationship design, the fact that she never comes to appreciate how disturbed he was. While the actress Vivienne Tien did a good job overall, she overacted notably in the ending arc and her rage and anger failed to move me. Although it became clear that they grew to trust and rely on each other, the chemistry between the couple didn't change enough to convince me that the dynamics turned romantic. The surrounding cast was unexceptional with some cringe performances, notably Zhi Liao's brother. This is clearly a modest production but overall a uniquely enjoyable, quirky short watch.
My rating for this is a 7.5 for a delightful attempt at dark comedy. It still has rough edges and the wit and humor in places veers too far off to the slapstick and does not match the wit, audacity and sheer magic of the drama it obviously drew its inspiration from. Where it does exceed it is that it closes with a very positive message about life, how it should be lived and how not to let the past define the future.
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