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  • Dernière connexion: Il y a 14 heures
  • Genre: Femme
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  • Date d'inscription: juillet 21, 2022
  • Awards Received: Flower Award1
Castaway Diva korean drama review
Abandonné 2/12
Castaway Diva
13 personnes ont trouvé cette critique utile
by MinJi23
oct. 31, 2023
2 épisodes vus sur 12
Abandonné 7
Globalement 5.0
Histoire 6.0
Jeu d'acteur/Casting 5.0
Musique 6.0
Degrés de Re-visionnage 1.0
Cette critique peut contenir des spoilers

just doesn't work for me


the tearjerking story of the two kids in the first episode strangely didn't touch me at all. It's really strage, as the story itself of violent parents is definitely something normally getting to me, but here - nothing. I also didn't find the two actors very convincing, and it just seemed... 'invented' and also exaggerated, especially when they are on that ship to flee, and that very young boy gets beaten almost to death by the girl's psycho dad. I didn't understand, why he didn't just tell the girl on the ship when he saw her father outside at the port, they both could easily have hidden in the ships toilet until it had taken off, and nothing bad would have happened? Next thing, the boy super tragically leaves the girl without warning her, and then he is the one going straight towards her dad at the port and bringing his attention to them both, thus confirming with his behaviour the girl is on the ship? Then we see how is is badly beaten, holding the aggro-dad off from going onto the ship... we see how the ship with the still clueless girl is finally leaving the port - and then all of a sudden, the dad is on the ship? How?? How did he even get on, without a ticket, and when the ship had actually already taken off? Didn't make any sense to me and it all seemed to be a forced story to make it extra extra tragic.

The dad can then even chase his daughter like a serial killer all around that huge ship without anyone hindering him? No personell there? No security? After he almost killed a boy for all to see at the port, leaving him there presumably dead?
The girl jumps into the water to escape the dad - cut - she is alone on a remote island.
There she has some interesting items, tea pots and whatnot, no one knows wherefrom she has all these things as she actually dropped the huge bagpack that was filled with all the good stuff on the ship, when she ran from her father.

Another cut, and it's 15 years later, so we jumped from around 2008 to 2023. Interestingly enough our now 15 years older island girl has a great haircut with nice longer wavy bangs - one wonders how she managed that all alone? Even more, she still has that same set of clothing, the only clothing she had actually for 15 (fifteen!!) years, and these clothes are perfectly fine, not torn, or ripped, colours not washed out =D

So, after these 15 long years, finally, and no one knows why it didn't happen all the years before, some dorkies with their drones are suddenly there, and our island girl is supposed to see the first human after those many years alone. They take her back into civilisation and .... I re-checked like how long was she supposed to be gone? And since when, which year? So, she was lost there since 2008. A rather modern time I'd say? Yet, when she is back in the city, she suddenly acts like a person from rather 1800, not 2008, trying to use a water tap in the bathroom, not knowing how to actually use it and then spreading water all around the bathroom like an idiot? Did she not know water taps back in 2008? they make her seem like she grew up in the jungle since she was a toddler, why?

And I could go on with these things...I really like Park Eun-bin, she had some great dramas in the past and she is good actress, but here, the story is so lacking basic sense, even she can't save it for me.

I am really annoyed meanwhile that many promising new dramas do not pay attention to anything concering logic and intelligence. Things don't have to be perfect but the mistakes just can't be that obvious and jumping at me like that, at least I get so annoyed and distracted I don't want to go on watching at all.

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