Renseignements

  • Dernière connexion: Il y a 7 heures
  • Genre: Homme
  • Lieu:
  • Contribution Points: 6 LV1
  • Rôles:
  • Date d'inscription: juin 21, 2020
Complété
1 Litre no Namida
0 personnes ont trouvé cette critique utile
sept. 26, 2020
11 épisodes vus sur 11
Complété 0
Globalement 7.5
Histoire 7.0
Acting/Cast 9.5
Musique 7.5
Degrés de Re-visionnage 6.0
Cette critique peut contenir des spoilers
It’s fitting that both my first review on this website and the first drama I’ve ever finished is not only a drama with the number 1 in it, but is a highly rated drama in one of my favorite genres: the melodrama. I love this genre, even though I stare stony faced at almost all pathos-filled developments. I just like unabashed emotion and how it defies the typical barriers we have set on our everyday life. You should let the tears flow, though I’m not the best practitioner of this precept.

The saddest part of the drama is that it is based on a real person, as they emphasize at the end of the episodes, and concerns a real disease, which I’ve never heard of before. These facts ground the show, giving an air of realism to the plot. However, I have one objection to the plot, and that is the character of Asou. He’s not a poorly-written character- I just don’t like that he was written, as opposed to being real. Yes, I know the family of Aya gave their blessing and that it makes for a less-depressing and more interesting drama. However, I prefer shows or movies that don’t offer a respite, and fully convey an experience that seems far away, even though it’s actually just hidden from my sight. This is purely a personal preference, and I’ll admit I liked the romance. Maybe it’s pedantic, but I’ll be the first to admit I’m very, very pedantic.

I want to single out praise for the acting in this drama, especially Erika Sawajiri and Hiroko Yakushimaru. As Aya’s condition deteriorates, Sawajiri shows more and more of her ability as a good actress. However, I found Yakushimaru’s performance underrated. I was impressed by her portrayal of Aya’s mother, who is desperately trying to protect her daughter. Her devastation as it slowly dawns on her that she can do nothing for Aya is heartbreaking. In fact, it’s the nearest in the drama proper I came to crying. But, alas, I am made of stone, and could not cry physically, although I cried in spirit.

1 Litre of Tears is an emotional and effective exploration of a horrific, yet little-known disease. For that alone, it deserves kudos. Despite a few quibbles I had with the drama, it’s a decent watch. And if you like melodramas, it’s definitely worth your time.

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