Cette critique peut contenir des spoilers
High quality filmmaking, Solid Acting, Mediocre casting, Storyless Story
Hello,
For us Westerners China has this very frustrating style of romantic story telling. I had to go into spoiler mode to explain myself.
In the West screenwriters are aware that a romance cannot be the only plot of the story. In fact it can't be the main plot. You need something bigger and more compelling than their love. In this case it's boy and girl meet, boy falls for girl, boy invests a lot of time and effort to get girl to like him, she finally does, boy mysteriously disappears, boy and girl reunite.
That's not a lot. Consider CASABLANCA. Man tries to run a business during a war and not take a political side. A fugitive shows up and begs for help. He doesn't want to but with the fugitive is an old flame that broke his heart into a thousand pieces. Man tries desperately not to fall in love with her again and discovers that the right thing to do is to set her and her fugitive free, taking a political position because... he loves her enough to let her go.
See the difference? The love story is buried inside a plot full of risks, twists, and turns. BEST SUMMER almost doesn't have a plot. Yes it's a different style of story but young lovers exist within far more compelling plots than simply eyeing each other.
So what makes matters worse for Western eyes is that if you're going to have a movie just be about a couple -- for the love of God -- at least have them kiss at the end. I've since learned that real Chinese people can see 'kissing' as 'sex', which in the West is laughable and ridiculous. Yes, if the two are kissing in a hotel or a lovely bedroom, I get it. But if they're standing in a public park by a tree -- grow up and let them have a kiss.
Regarding kissing, a funny side note here about something that happened in this movie also happened in THE GREAT CRAFTSMAN. In this film there's a kissless love happening and the girl can no longer stand it and LUNGES at her boy and plants one on him anyway. An extremely mild form of assault. CRAFTSMAN did the same thing and had Wallace Huo LUNGE at Yang Mi to offer her an unwanted kiss. Yet that series ends like this film -- without a final kiss.
Sorry but WTF? How does Chinese culture consistently omit a consensual loving kiss but seem A-OK with a kind of rapey kiss? If anything this should be reversed. Am I crazy? Is the rapey kiss allowed because sex won't come of it? Seriously?!?
So, now with all that out of the way, I'd say the actors were pretty good but the production was great. On a limited budget they made this thing look like a major motion picture. The photography was GORGEOUS. And some people don't get photography. They think if they see pretty mountains and sunsets THAT is great photography. It can be, sure, but the real test is filming the mundane in a cinematic way -- which this movie never stops doing.
The score of this film is lovely too. It's just such a shame that all of this skill was wasted on a one ply toilet paper script. The script was so thin you could see through it and watch another film at the same time.
Please don't think I'm mean person. I did love the characters and wanted to see so much more with them. But the idea this story was once much longer as a drama boggles the mind.
For us Westerners China has this very frustrating style of romantic story telling. I had to go into spoiler mode to explain myself.
In the West screenwriters are aware that a romance cannot be the only plot of the story. In fact it can't be the main plot. You need something bigger and more compelling than their love. In this case it's boy and girl meet, boy falls for girl, boy invests a lot of time and effort to get girl to like him, she finally does, boy mysteriously disappears, boy and girl reunite.
That's not a lot. Consider CASABLANCA. Man tries to run a business during a war and not take a political side. A fugitive shows up and begs for help. He doesn't want to but with the fugitive is an old flame that broke his heart into a thousand pieces. Man tries desperately not to fall in love with her again and discovers that the right thing to do is to set her and her fugitive free, taking a political position because... he loves her enough to let her go.
See the difference? The love story is buried inside a plot full of risks, twists, and turns. BEST SUMMER almost doesn't have a plot. Yes it's a different style of story but young lovers exist within far more compelling plots than simply eyeing each other.
So what makes matters worse for Western eyes is that if you're going to have a movie just be about a couple -- for the love of God -- at least have them kiss at the end. I've since learned that real Chinese people can see 'kissing' as 'sex', which in the West is laughable and ridiculous. Yes, if the two are kissing in a hotel or a lovely bedroom, I get it. But if they're standing in a public park by a tree -- grow up and let them have a kiss.
Regarding kissing, a funny side note here about something that happened in this movie also happened in THE GREAT CRAFTSMAN. In this film there's a kissless love happening and the girl can no longer stand it and LUNGES at her boy and plants one on him anyway. An extremely mild form of assault. CRAFTSMAN did the same thing and had Wallace Huo LUNGE at Yang Mi to offer her an unwanted kiss. Yet that series ends like this film -- without a final kiss.
Sorry but WTF? How does Chinese culture consistently omit a consensual loving kiss but seem A-OK with a kind of rapey kiss? If anything this should be reversed. Am I crazy? Is the rapey kiss allowed because sex won't come of it? Seriously?!?
So, now with all that out of the way, I'd say the actors were pretty good but the production was great. On a limited budget they made this thing look like a major motion picture. The photography was GORGEOUS. And some people don't get photography. They think if they see pretty mountains and sunsets THAT is great photography. It can be, sure, but the real test is filming the mundane in a cinematic way -- which this movie never stops doing.
The score of this film is lovely too. It's just such a shame that all of this skill was wasted on a one ply toilet paper script. The script was so thin you could see through it and watch another film at the same time.
Please don't think I'm mean person. I did love the characters and wanted to see so much more with them. But the idea this story was once much longer as a drama boggles the mind.
Cet avis était-il utile?