Ina_2021
12 episodes of fluff and questioning the script
Sorry for not liking enough, I do like the actors as probably most viewers, but I feel this drama shows the BL public would watch and be happy with anything as long as it has handsome likeable actors making out (here comes our rewatch value). I guess people are attached to the actors thanks to their promotional fan service activities, but what about the production value of this drama on its own?
I would question the scriptwriter about too many cliches, stuck recording developments, inconsistencies, for not realizing the full potential of such a beautiful metaphor of the Little Prince story. To me it feels more like fan service than a drama when the characters cannot decide their life on their own and need divine interventions from the shipping crowd around; the bigger the crowd, the more helpless the script. This drama is supposed to portray adult characters into their early 30s apparently, not typical BL schoolchildren who cannot make a step without being steered by their ship's captains (to the teenage audience amusement). On the other hand, probably it cannot be a BL story without these cliches? So the question is, does this genre requires and promotes a quality script in the first place?
Casting is not without an issue - the ex has better onscreen chemistry with both main leads separately (and this is probably the biggest innovation and the only refreshing moment in this drama.) The ex stole the show for me and it feels weird when the series is reaching its conclusion and instead of being immersed into the main characters story, I'm mostly sorry that both of them were too modest in their nightmares. Once again I would question the script. Probably it means that a possible s2 could have more of the ex (which he clearly deserves), but s1 shouldn't have sidelined its main couple story development from theirs points of view first of all.
I guess it takes significant efforts and team work to produce such a drama, wish the crew had a stronger foundation in terms of the script and direction. Or a better balance of the typical BL tropes cherished by the viewers.
I would question the scriptwriter about too many cliches, stuck recording developments, inconsistencies, for not realizing the full potential of such a beautiful metaphor of the Little Prince story. To me it feels more like fan service than a drama when the characters cannot decide their life on their own and need divine interventions from the shipping crowd around; the bigger the crowd, the more helpless the script. This drama is supposed to portray adult characters into their early 30s apparently, not typical BL schoolchildren who cannot make a step without being steered by their ship's captains (to the teenage audience amusement). On the other hand, probably it cannot be a BL story without these cliches? So the question is, does this genre requires and promotes a quality script in the first place?
Casting is not without an issue - the ex has better onscreen chemistry with both main leads separately (and this is probably the biggest innovation and the only refreshing moment in this drama.) The ex stole the show for me and it feels weird when the series is reaching its conclusion and instead of being immersed into the main characters story, I'm mostly sorry that both of them were too modest in their nightmares. Once again I would question the script. Probably it means that a possible s2 could have more of the ex (which he clearly deserves), but s1 shouldn't have sidelined its main couple story development from theirs points of view first of all.
I guess it takes significant efforts and team work to produce such a drama, wish the crew had a stronger foundation in terms of the script and direction. Or a better balance of the typical BL tropes cherished by the viewers.
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