Humorous Hodgepodge of Wuxia and Murder
A title of this nature pretty much speaks for itself. A humorous hodgepodge of wuxia action, politics and murder mysteries starring Cheng Yi, Joseph Zeng and Xiao Shunyao as an unlikely trio travelling around the martial arts world (jianghu) for various reasons. Cheng Yi’s character Li Lianhua aka Li Xiangyi is looking for the remains of his beloved senior, while Joseph Zeng’s Fan Duobing is aiming to prove himself to Baichuan Yuan, the Pinkerton detective agency of his era. Xiao Shunyao’s Di Feisheng however wants to have a final showdown with Li Xiangyi so that he can say fair and square that he’s the No.1 pugilist of his era.
Cheng Yi puts in a terrific performance as Li Lianhua (lotus) who was formerly known as Li Xiangyi, a master swordsman, the founder of the Sigu Sect. At the start of the drama Li Xiangyi has taken on the persona of Li Lianhua (lotus), a wandering physician with a reputation as something of a miracle healer. This moniker isn’t entirely without foundation. He is a skilled doctor in his own right but more importantly, a shrewd observer of the human condition. The glibness with which he tells lies is at times astonishing. This combination makes him a highly effective sleuth in the vein of the world famous resident of 22B Baker Street. Early on he encounters Fang Duobing who is eager to traverse the length and breath of jianghu away from the all-protective eye of his aristocratic parents. The two cross swords at first sight and bicker a-plenty until Di Fengsheng enters the picture wanting a rematch. The ignorant lad, mercilessly lied to by his companions, fails to notice that he’s among giants in wulin, is quick to direct his wrath against the surly newcomer who looks upon him with the same contempt Goliath looked upon David. Soon the caravan that Li Lianhua travels around in with his trusty doggy Fox Spirit becomes rather crowded.
To be honest it took me some time to warm up to Joseph Zeng’s Fang Duobing who at first seems to be combative on impulse. Some of that was warranted because Li Lianhua plays up his trickster persona with impunity — spinning tall tales at the drop of a hat trying to conceal the true state of his health and his former identity. It’s all quite amusing as he’s at the receiving end of a lot of dramatic irony. Nonetheless the lad has an inkling that Li Lianhua might be holding back. However a lot of Fang Duobing’s hostility towards others comes across like a rather bad case of the terrible twos — picking fights unnecessarily and out of what can only be interpreted as jealousy when others were partial to Li Lianhua. Still he has a decent growth arc and by the time the final showdown takes place most of his bad habits are a thing of the past. At the start he comes across as a bratty rich kid running away from home utterly lacking common sense. After undergoing a series of experiences with Li Lianhua investigating all kinds of murder mysteries, the belligerent newbie grows up enough to be worthy of a princess.
Joining them now and again is Di Feisheng (Xiao Shunyao) leader of the Jinyuan Alliance which is gradually being taken over by his obsessive proxy Jiao Liqiao and her minions. Her goal is to be kingmaker and rule by his side as his bride while he has less romantic notions in mind. It isn't long before he discovers that Jiao Liqiao is a serious and maddening obstacle to his personal aspirations. While all the plotting and scheming is going on in the background, the banter among the trio injects levity into the landscape of murder and mayhem without diminishing the stakes. More than once Di Feisheng comes to Li Lianhua’s aid during the rough and tumble of sleuthing in the tumult of jianghu.
There’s no doubt that Cheng Yi is born to play this role and any role in this genre. He’s an expressive actor who is capable of nuance. His elegance in executing fight scenes is one of the show’s highlights. He certainly knows his way around a sword. That said, the star of the show has to be the screenplay which does an excellent juggling act of pulling all the story threads together at the end for the show’s final showdown with the villains of the piece.
To my mind the second half of the show was better than the first which is why in the end, this is an 8.5 out of 10 for me. In those early days Fang Duobing did grate on my nerves and there was a fair bit of clumsy investigation going on while he blundered his way around the china shop. I also think that the puzzle hunt though fun (and perhaps necessary to stress the gravity of what’s at stake) lacks polish, and made matters more complicated, leading to more deaths than necessary. That awkward plotting I suspect was in service of a major reveal at the end.
Despite criticism I may have of this, it was a good watch and I could never accuse this show of inducing boredom. Cheng Yi is certainly a stand out and I ended up really appreciating how all the moving parts came together in the end.
Cheng Yi puts in a terrific performance as Li Lianhua (lotus) who was formerly known as Li Xiangyi, a master swordsman, the founder of the Sigu Sect. At the start of the drama Li Xiangyi has taken on the persona of Li Lianhua (lotus), a wandering physician with a reputation as something of a miracle healer. This moniker isn’t entirely without foundation. He is a skilled doctor in his own right but more importantly, a shrewd observer of the human condition. The glibness with which he tells lies is at times astonishing. This combination makes him a highly effective sleuth in the vein of the world famous resident of 22B Baker Street. Early on he encounters Fang Duobing who is eager to traverse the length and breath of jianghu away from the all-protective eye of his aristocratic parents. The two cross swords at first sight and bicker a-plenty until Di Fengsheng enters the picture wanting a rematch. The ignorant lad, mercilessly lied to by his companions, fails to notice that he’s among giants in wulin, is quick to direct his wrath against the surly newcomer who looks upon him with the same contempt Goliath looked upon David. Soon the caravan that Li Lianhua travels around in with his trusty doggy Fox Spirit becomes rather crowded.
To be honest it took me some time to warm up to Joseph Zeng’s Fang Duobing who at first seems to be combative on impulse. Some of that was warranted because Li Lianhua plays up his trickster persona with impunity — spinning tall tales at the drop of a hat trying to conceal the true state of his health and his former identity. It’s all quite amusing as he’s at the receiving end of a lot of dramatic irony. Nonetheless the lad has an inkling that Li Lianhua might be holding back. However a lot of Fang Duobing’s hostility towards others comes across like a rather bad case of the terrible twos — picking fights unnecessarily and out of what can only be interpreted as jealousy when others were partial to Li Lianhua. Still he has a decent growth arc and by the time the final showdown takes place most of his bad habits are a thing of the past. At the start he comes across as a bratty rich kid running away from home utterly lacking common sense. After undergoing a series of experiences with Li Lianhua investigating all kinds of murder mysteries, the belligerent newbie grows up enough to be worthy of a princess.
Joining them now and again is Di Feisheng (Xiao Shunyao) leader of the Jinyuan Alliance which is gradually being taken over by his obsessive proxy Jiao Liqiao and her minions. Her goal is to be kingmaker and rule by his side as his bride while he has less romantic notions in mind. It isn't long before he discovers that Jiao Liqiao is a serious and maddening obstacle to his personal aspirations. While all the plotting and scheming is going on in the background, the banter among the trio injects levity into the landscape of murder and mayhem without diminishing the stakes. More than once Di Feisheng comes to Li Lianhua’s aid during the rough and tumble of sleuthing in the tumult of jianghu.
There’s no doubt that Cheng Yi is born to play this role and any role in this genre. He’s an expressive actor who is capable of nuance. His elegance in executing fight scenes is one of the show’s highlights. He certainly knows his way around a sword. That said, the star of the show has to be the screenplay which does an excellent juggling act of pulling all the story threads together at the end for the show’s final showdown with the villains of the piece.
To my mind the second half of the show was better than the first which is why in the end, this is an 8.5 out of 10 for me. In those early days Fang Duobing did grate on my nerves and there was a fair bit of clumsy investigation going on while he blundered his way around the china shop. I also think that the puzzle hunt though fun (and perhaps necessary to stress the gravity of what’s at stake) lacks polish, and made matters more complicated, leading to more deaths than necessary. That awkward plotting I suspect was in service of a major reveal at the end.
Despite criticism I may have of this, it was a good watch and I could never accuse this show of inducing boredom. Cheng Yi is certainly a stand out and I ended up really appreciating how all the moving parts came together in the end.
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