Far more than a teenybopper romantic fantasy
One of the most imitated and popular Hong Kong productions of the 90s, A Moment of Romance sees a modern-day Romeo and Juliet-style tale under the veil of contemporary underground Triad warfare, far more than a teenybopper romantic fantasy. In many ways the film is responsible for many a cliché within its industry; a disaffected youth, the good girl romantic interest and a cartoonish villain, however, it's the way these clichés are all assembled within the film that makes it so memorable. "Director" Benny Chan has his way with the clichés and throws in enough slow motion, syrupy Cantopop music video montages and hyperemotional crescendos to tax even the weepiest audience member. The core emotions that the film mines are so innately compelling that they're not lost beneath bombastic montages or sudden flashes of gangland violence. It's often stated this was heavily ghost-directed by Johnnie To and it's not hard to see why, so much of the film carries many of his later stylings. The film works because it is a consciously chosen cinematic style and is used without fear with all available means with the superb cast all delivering perfect performances to compliment. Andy Lau brings righteous anger and hidden tenderness to an exceptional genre character. What's so compelling about the character and the performance is that Wah Dee acts and very rarely talks. His decisions have believable and compelling consequences with the affirmation of Dee's morality coming with a price, and only one outcome is truly possible. Put simply, A Moment of Romance has it all; fiery action, sweeping cinematography, an unforgettable love story and beautiful chemistry, quick-witted humour, a beautiful score and more. The film triumphs, not despite its genre excess, but perhaps because of it.
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