Kimsamsoom
Cette critique peut contenir des spoilers
A Simple Story with Depth
When you first read the anemic synopsis , you can't help feeling like you've seen this exact plot summary play out multiple times in a plethora of different languages, timelines, and nameless faces . It then becomes difficult to stifle the incoming yawn once you realize that this drama is going to be set in a slow and meandering sea side village, and that the drama is going to attempt to use a character driven plot to keep audiences glued to the screen.
You find yourself tempted to skip Hometown Cha Cha Cha for the next generic Kdrama on your Recommended List. But then you decide to watch one episode. That felt great, light and breezy you think, and so you play the next episode. That felt even better you thought to yourself! Then you realize there are no more episodes... you are in trouble... this simple drama set in the tiniest of fishing villages has entangled you and a million of other fans in an endless loop of hungrily waiting each week for the next episode of a drama that has very little plot twists, dark mysteries and shock factor; and yet somehow has inexorably entranced a legion of Kdrama fans in it's simple story.
Don't let the simplicity of the story fool you though, as there is plenty of depth to be found in this drama. Hometown Cha Cha Cha aims to keep the audience hungry with it's strong character driven plot, and succeeds heavily in this regard. The time the drama takes to develop it's supporting characters with ample screen time and character depth are rewarded in the latter half of the drama as these characters, that would be nothing but fillers in any other drama are given life, their names carrying more weight, and their presence offering soothing support for the Main Couple of the story. No longer are these supporting character left to be skipped and forgotten but rather they serve as a blend of different characteristic that serve to enrichen, and color our black and white sensibilities in warming palettes that we can see and feel.
The writing of the plot, the direction, even the light and melodic OST all serve as the backdrop for these top rated thespians to showcase their crafts. Whether it's the has been singer, the nosy neighbor, or the tireless mother, these talented actors and actresses break out of the mold of the stereotypical kdrama side characters to breathe life into these tired and comfortable cliched characters that would be caricaturized with a lesser plot or thespian. The has been singer becomes multi-faceted, the nosy neighbor gains depth, and that one tireless mother makes our eyes swell with tears, as her quivering voice mask the inner cracks forming within.
The ultimate purpose of the development of the characters of Gongjin became apparent in the midway point as the supporting character's stories start to intertwine and intersect with the story arc of the main couple. Similar to theatrical plays like Hamilton, the audience is almost subject to an invisible fourth wall of which none of the Gongjin inhabitants are privy to. We see ourselves jumping from the life experience of one character after another, almost as if we are all encapsulated within the show, bearing witness to this beautiful romance blooming in this tiny seaside village.
The chemistry of the two leads is electric. From the first episode till the last episode, you can't help but root for the main couple as they both try to fight feelings that clearly has bubbled over since they first set eyes on each other. Although there is a love triangle inserted briefly in the show, it's actually the main couples personal trauma that initially keep them apart at differing times of their relationship. Maturity is as the forefront of this drama, as most situations are dealt with the way that you would expect mature adults to act. Although there are scenes of skin ships in the show, it's actually the scenes where you see silent understanding between the two main leads that sets hearts fluttering. And with Kim Seon Ho's masterful use of micro expressions, a silent three second gaze speaks more volumes than the boisterous and often used "Sarang Haeyo". One of the most powerful scenes in the show is Hye Jin, slowly walking, slowly realizing her feelings for Dusik.
We are mesmerized by the beauty of both the ML and FL. Their laughing eyes, their toothed smiles, and their dominant dimples; all these things play a role in making us gently take a seat and enjoy the sea side ride. But as each episode further shows cracks in the main couple, we start feeling guilty in our comfortably relaxed position, as we start seeing tears behind those laughing eyes, cracks showing between those toothed smiles, and dark depths in those dominant dimples. We start realizing that all that happiness, all that selflessness may be hiding a tale deeper than we had anticipated when we first start to step into Gongjin. Just like Hye Jin's shoes, we feel we are safely in the white sandy beaches, unknowingly to us, when we look down, the tide has come in, and with it a tale of sadness, and a short snapshot of the importance of mental health and a proper support system.
Where I feel the drama may have stumbled is in the unnecessary tonal shifts in the last few episodes. But the drama ends on a high note, and the last few mediocre episodes is not enough to sabotage more than 14 episodes of good will. In reality, this is a drama caught in between. It should have either ended after 12 episodes, or it needed 20 episodes to properly flesh out the emotions and character development to properly close Dusik and Hye Jin's arc. But since the last few episodes was rushed to close as much plot holes as possible, the tonal shift felt out of place and disjointed, almost felt like watching two different dramas. The maturity and depth of the first 10 episodes start to dip in the remaining episodes, and it suffered from slightly inconsistent characterization. Of course, all these tonal shifts can be defended and explained in ones mind, but I actually much preferred the easily digestible characterizations the Main Couple had in the first 10 episodes, that the back 6 paled in comparison.
Is this drama a perfect drama? It is not. But if watching Hometown Cha Cha Cha has taught me, is that just because something is not perfect does not mean it isn't good. Just like a Mcdonalds cheeseburger can seem like a gourmet meal to a starving man, in a time when many people are healing from the mental and physical strain of the Pandemic, Hometown Cha Cha Cha is that perfect drama that captures so many different emotions and situations that we can all find something to relate and heal from.
You find yourself tempted to skip Hometown Cha Cha Cha for the next generic Kdrama on your Recommended List. But then you decide to watch one episode. That felt great, light and breezy you think, and so you play the next episode. That felt even better you thought to yourself! Then you realize there are no more episodes... you are in trouble... this simple drama set in the tiniest of fishing villages has entangled you and a million of other fans in an endless loop of hungrily waiting each week for the next episode of a drama that has very little plot twists, dark mysteries and shock factor; and yet somehow has inexorably entranced a legion of Kdrama fans in it's simple story.
Don't let the simplicity of the story fool you though, as there is plenty of depth to be found in this drama. Hometown Cha Cha Cha aims to keep the audience hungry with it's strong character driven plot, and succeeds heavily in this regard. The time the drama takes to develop it's supporting characters with ample screen time and character depth are rewarded in the latter half of the drama as these characters, that would be nothing but fillers in any other drama are given life, their names carrying more weight, and their presence offering soothing support for the Main Couple of the story. No longer are these supporting character left to be skipped and forgotten but rather they serve as a blend of different characteristic that serve to enrichen, and color our black and white sensibilities in warming palettes that we can see and feel.
The writing of the plot, the direction, even the light and melodic OST all serve as the backdrop for these top rated thespians to showcase their crafts. Whether it's the has been singer, the nosy neighbor, or the tireless mother, these talented actors and actresses break out of the mold of the stereotypical kdrama side characters to breathe life into these tired and comfortable cliched characters that would be caricaturized with a lesser plot or thespian. The has been singer becomes multi-faceted, the nosy neighbor gains depth, and that one tireless mother makes our eyes swell with tears, as her quivering voice mask the inner cracks forming within.
The ultimate purpose of the development of the characters of Gongjin became apparent in the midway point as the supporting character's stories start to intertwine and intersect with the story arc of the main couple. Similar to theatrical plays like Hamilton, the audience is almost subject to an invisible fourth wall of which none of the Gongjin inhabitants are privy to. We see ourselves jumping from the life experience of one character after another, almost as if we are all encapsulated within the show, bearing witness to this beautiful romance blooming in this tiny seaside village.
The chemistry of the two leads is electric. From the first episode till the last episode, you can't help but root for the main couple as they both try to fight feelings that clearly has bubbled over since they first set eyes on each other. Although there is a love triangle inserted briefly in the show, it's actually the main couples personal trauma that initially keep them apart at differing times of their relationship. Maturity is as the forefront of this drama, as most situations are dealt with the way that you would expect mature adults to act. Although there are scenes of skin ships in the show, it's actually the scenes where you see silent understanding between the two main leads that sets hearts fluttering. And with Kim Seon Ho's masterful use of micro expressions, a silent three second gaze speaks more volumes than the boisterous and often used "Sarang Haeyo". One of the most powerful scenes in the show is Hye Jin, slowly walking, slowly realizing her feelings for Dusik.
We are mesmerized by the beauty of both the ML and FL. Their laughing eyes, their toothed smiles, and their dominant dimples; all these things play a role in making us gently take a seat and enjoy the sea side ride. But as each episode further shows cracks in the main couple, we start feeling guilty in our comfortably relaxed position, as we start seeing tears behind those laughing eyes, cracks showing between those toothed smiles, and dark depths in those dominant dimples. We start realizing that all that happiness, all that selflessness may be hiding a tale deeper than we had anticipated when we first start to step into Gongjin. Just like Hye Jin's shoes, we feel we are safely in the white sandy beaches, unknowingly to us, when we look down, the tide has come in, and with it a tale of sadness, and a short snapshot of the importance of mental health and a proper support system.
Where I feel the drama may have stumbled is in the unnecessary tonal shifts in the last few episodes. But the drama ends on a high note, and the last few mediocre episodes is not enough to sabotage more than 14 episodes of good will. In reality, this is a drama caught in between. It should have either ended after 12 episodes, or it needed 20 episodes to properly flesh out the emotions and character development to properly close Dusik and Hye Jin's arc. But since the last few episodes was rushed to close as much plot holes as possible, the tonal shift felt out of place and disjointed, almost felt like watching two different dramas. The maturity and depth of the first 10 episodes start to dip in the remaining episodes, and it suffered from slightly inconsistent characterization. Of course, all these tonal shifts can be defended and explained in ones mind, but I actually much preferred the easily digestible characterizations the Main Couple had in the first 10 episodes, that the back 6 paled in comparison.
Is this drama a perfect drama? It is not. But if watching Hometown Cha Cha Cha has taught me, is that just because something is not perfect does not mean it isn't good. Just like a Mcdonalds cheeseburger can seem like a gourmet meal to a starving man, in a time when many people are healing from the mental and physical strain of the Pandemic, Hometown Cha Cha Cha is that perfect drama that captures so many different emotions and situations that we can all find something to relate and heal from.
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