50FiftillidideeBrain
Tae-yo's Bunkhouse For Stowaways ¤ How They Rock The Boat Until They Float. °Excellent°
This breezy series is like riding a skiff, whisking along the ebb & flo. We all know it wouldn't be a Kdrama without some stormy moments, as well as a sad sense of loss for a 'sailor', or two. For all that, MFFL, like a summer shandy&soju, is lite and full of good cheer.
Tae-yo is from a (pause) comfortable family. As such, he gets to live alone at one of the family docks (a spare house) while bobbling through college.
In the span of a dozen bells or so, several of his mates suffer a boarding crisis and show up at Tae-yo's 'gangway.' This mishmash of stowaways all know Tae-yo, but none of them know each other. Aigoo, why did he answer the door? His one friend, Cho-hun, (Hun) played by the charming Kang Tae-oh, boards wearing a dress(⁉). The captain, his $father$, you see, had ordered him to jumpship and leave anything Hun hadn't bought with his own money. Iin other words, leave with nothing. Pushed out to sea on an iceberg, he has no lifeboat... or pants. Dangerously exposed to arrest, said dress, swiped from a clothesline, is what bare-ly spares him from the MP's and the brig.
All aboard! Tae-yo fails to take any prisoners or to make anyone walk the plank. He accepts that they'll be bunking with him for weeks out to sea. He must keep their enlistment at the quarters hidden from his father, The Logistic CDR, or lose his own cabin. Bon Voyage! Wave❕ MFFL pulls up anchor and begins merrily drifting with the tide.
In our spy glasses, we view Tae-yo's Crew adjusting to close quarters, while unavoidably forming a band-of-brothers and making allies with the broader circle of Tae-yo's friends, while at the same time keeping each other's secrets (mostly). These shipmates are like warm currents. It's cozy and cheery sailing with them. There's Song-i, Tae-yo's best friend, who's mom went awol, there's Gar-in, who ran away from her suffocating mother, (Gar-in's cuter than a Pekingese Dog Fish) and you've already met Hun. Hun's an out of work/never worked actor & singer (but not much of a dancer). He and Gar-in are the live entertainment. Hun also astutely marks the 5 stages of Tae-yo's breakup, in real time live feed. He's wrong about it all, and yet he's so right. Wrong or right, he's adorable.
In MFFL there's another of those ubiquitous Bermuda-love-triangles, but with its own twist. Predictable? Given that they meticulously forecast the weather, it's clear to see where things are headed. (Predictable is generally a tedious criticism of romances & feel-good jaunts. For a thriller or mystery - or an M. Night Shyamalan film - predictability is a shipwreck; but for works like MFFL, it's an empty net). The love triangle is integral to the plot in MFFL, so we shouldn't blame them that so many other productions forcibly wedge it into their scripts. Nevertheless, Kdramas are flooded over with unnecessary formulaic love triangles. While we're swabbing the deck, we can address one more overused device - MoMPs: Missing-or-Misplaced-Parent(s) show up too often as well. In MFFL this is not well used and is a plot weakness.
But MFFL doesn't take on water just because, in a house of 20 year olds, romantic pairs form and reform. Close quarters, particularly on this "Love Boat" lead to such. They're all looking for the perfect oar to go with their rigging, afterall. It's the journey, the swelling attraction, imbibing truth about one's feelings, and the GoPro filming keeping things afloat, along with the smiles and the warmth.
MFFL also dives into growing pains, especially adjusting from kiddie pool friendships to the wide open seas of adulthood. Tae-yo and Song-i have been inseparable since age 3. We watch them each drop anchor into a relationship. There's a big adjustment for all parties, given how close those two are.
When Song-i is first dating, she keeps the identity of her boyfriend classified, because he's Tae-yo's friend, and they aren't ready to go public. Tae-yo is thoroughly agitated over everything happening with this phantom bf of Song-i's. He says: 'This jerk let you walk home in the rain' (he had to work). Then Tae-yo comes out with: 'A decent guy would never let the woman he loves doubt herself'. Of course, right then he's causing her, his best friend, to doubt herself. 'She's got to break it off with that dude', He complains to his friend. Said friend and Song-i are each getting dating advice from Tae-yo, who doesn't connect that they are the two dating, even when he comments that their stories are similar. He loves to complain about the jerk Song-i is dating to that "jerk," who can only listen and take it. Cute.
Director Oh Jin-suk is 2-for-2 with me, as I love "My Sassy Girl," (2017). That show is also weatherproofed with straight feelgood joy, despite the usual impossible outlook in ep1.
Cruisin on this 'houseboat,' and with this blended crew, following them on their excursions to school, work, dates (why is that jerk keeping Song-i out so late! Grrr) and back home again, is what makes it skip like stones on a brook. MFFL is not trying to be a tempest. It gently flows, so these friends can coast near the shoreline and stargaze from the top deck. It's a swimmy recess, a winsome escape, and plain old smooth sailing.
In short, slipping away briefly with MFFL is just happy hangout time whilst catching the high tide with buoyant allies. If you hate smiling, just take the next charter.
Now pass that Soju shot!
IMHO...
Age 12+.
Directing 8
Writing 7
Acting 8
Romance 7
Flutters 6
Warmth 9
Art 7
Sound & music 8
Laughs 6
Ending 8
Tae-yo is from a (pause) comfortable family. As such, he gets to live alone at one of the family docks (a spare house) while bobbling through college.
In the span of a dozen bells or so, several of his mates suffer a boarding crisis and show up at Tae-yo's 'gangway.' This mishmash of stowaways all know Tae-yo, but none of them know each other. Aigoo, why did he answer the door? His one friend, Cho-hun, (Hun) played by the charming Kang Tae-oh, boards wearing a dress(⁉). The captain, his $father$, you see, had ordered him to jumpship and leave anything Hun hadn't bought with his own money. Iin other words, leave with nothing. Pushed out to sea on an iceberg, he has no lifeboat... or pants. Dangerously exposed to arrest, said dress, swiped from a clothesline, is what bare-ly spares him from the MP's and the brig.
All aboard! Tae-yo fails to take any prisoners or to make anyone walk the plank. He accepts that they'll be bunking with him for weeks out to sea. He must keep their enlistment at the quarters hidden from his father, The Logistic CDR, or lose his own cabin. Bon Voyage! Wave❕ MFFL pulls up anchor and begins merrily drifting with the tide.
In our spy glasses, we view Tae-yo's Crew adjusting to close quarters, while unavoidably forming a band-of-brothers and making allies with the broader circle of Tae-yo's friends, while at the same time keeping each other's secrets (mostly). These shipmates are like warm currents. It's cozy and cheery sailing with them. There's Song-i, Tae-yo's best friend, who's mom went awol, there's Gar-in, who ran away from her suffocating mother, (Gar-in's cuter than a Pekingese Dog Fish) and you've already met Hun. Hun's an out of work/never worked actor & singer (but not much of a dancer). He and Gar-in are the live entertainment. Hun also astutely marks the 5 stages of Tae-yo's breakup, in real time live feed. He's wrong about it all, and yet he's so right. Wrong or right, he's adorable.
In MFFL there's another of those ubiquitous Bermuda-love-triangles, but with its own twist. Predictable? Given that they meticulously forecast the weather, it's clear to see where things are headed. (Predictable is generally a tedious criticism of romances & feel-good jaunts. For a thriller or mystery - or an M. Night Shyamalan film - predictability is a shipwreck; but for works like MFFL, it's an empty net). The love triangle is integral to the plot in MFFL, so we shouldn't blame them that so many other productions forcibly wedge it into their scripts. Nevertheless, Kdramas are flooded over with unnecessary formulaic love triangles. While we're swabbing the deck, we can address one more overused device - MoMPs: Missing-or-Misplaced-Parent(s) show up too often as well. In MFFL this is not well used and is a plot weakness.
But MFFL doesn't take on water just because, in a house of 20 year olds, romantic pairs form and reform. Close quarters, particularly on this "Love Boat" lead to such. They're all looking for the perfect oar to go with their rigging, afterall. It's the journey, the swelling attraction, imbibing truth about one's feelings, and the GoPro filming keeping things afloat, along with the smiles and the warmth.
MFFL also dives into growing pains, especially adjusting from kiddie pool friendships to the wide open seas of adulthood. Tae-yo and Song-i have been inseparable since age 3. We watch them each drop anchor into a relationship. There's a big adjustment for all parties, given how close those two are.
When Song-i is first dating, she keeps the identity of her boyfriend classified, because he's Tae-yo's friend, and they aren't ready to go public. Tae-yo is thoroughly agitated over everything happening with this phantom bf of Song-i's. He says: 'This jerk let you walk home in the rain' (he had to work). Then Tae-yo comes out with: 'A decent guy would never let the woman he loves doubt herself'. Of course, right then he's causing her, his best friend, to doubt herself. 'She's got to break it off with that dude', He complains to his friend. Said friend and Song-i are each getting dating advice from Tae-yo, who doesn't connect that they are the two dating, even when he comments that their stories are similar. He loves to complain about the jerk Song-i is dating to that "jerk," who can only listen and take it. Cute.
Director Oh Jin-suk is 2-for-2 with me, as I love "My Sassy Girl," (2017). That show is also weatherproofed with straight feelgood joy, despite the usual impossible outlook in ep1.
Cruisin on this 'houseboat,' and with this blended crew, following them on their excursions to school, work, dates (why is that jerk keeping Song-i out so late! Grrr) and back home again, is what makes it skip like stones on a brook. MFFL is not trying to be a tempest. It gently flows, so these friends can coast near the shoreline and stargaze from the top deck. It's a swimmy recess, a winsome escape, and plain old smooth sailing.
In short, slipping away briefly with MFFL is just happy hangout time whilst catching the high tide with buoyant allies. If you hate smiling, just take the next charter.
Now pass that Soju shot!
IMHO...
Age 12+.
Directing 8
Writing 7
Acting 8
Romance 7
Flutters 6
Warmth 9
Art 7
Sound & music 8
Laughs 6
Ending 8
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