Couldn't watch past episode 3

Everything was a hot mess. Nothing made analytical sense. The lead characters are offputting and pretentious. I for one cannot stand the main character, Yai, who exercises poor judgment after poor judgment and isn't charming or likable enough to get a pass. The way he handled seeing another guy being slightly interested in the same woman as him is criminal. This guy recorded a rape tape on a camcorder but thought it could ONLY be found on someone else's phone is not only dumb but not how that works. Yet, for some multitude of reasons he is obsessed with getting his hands on the other main character, Mangkorn's phone, and then proceeded to explain every detail of what we saw him do to this guy's phone to him. Do we care? No. Does Mangkorn love his phone that much that he'll care how you destroyed it? No. And for some reason, Mangkorn found Yai's stupidity so hot that he pulled the latter into the next room to ask for consensual sex. Except he didn't care for an answer and demanded that Yai do as he said anyway. Completely and utterly pointless. I ended the show there.

I don't mind dark and flawed protagonists, but I can't stand dark, flawed, and dumb protagonists.

I understand that when a parent introduces his/her new significant other to you it can be uncomfortable but not when said parent has spoiled you rotten and is giving you their most beloved bar to renovate and run. Not to mention this was a working parent who was only home at least 5 times a year. Yai throwing a tantrum over "family" lunch after his dad flew into town because there may be a potential stepmother was so uncalled for. I'd understand his mixed emotions if he was 12 or 14 but the guy is grown enough for BDSM. Let your hardworking dad be happy, my guy.

The opening and ending song is the only thing I liked about the show

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Dirty Laundry was about airing the dirty laundry but in a ridiculous and comical way

A friend recommended this and I'm glad she did. My throat and stomach hurt so much from laughing. Truth be told when I saw that Film was the heroine, I was skeptical because I was first introduced to her through 'Home School' and she was such a serious character there. I have to say an unserious character really suits her and her duality is insane. She's stunning even when she's making all kinds of funny faces. This is my fifth or sixth series with Nanon and boy has never disappointed. He's always got great chemistry with his counterparts but he and Film are the perfect couple for 'Dirty Laundry'.

All the characters did amazing but I'm beyond impressed with Pond. He did so well and gave me so many laughs. Never in a hundred years did I imagine I'd get to see Nanon pinching his nipples and not once but thrice. I love the diversity of the supporting characters; they were very well-written and were committed to their parts. I admire that they didn't try to look nice and pretty and just went bat crazy with their roles. I bet it was an extremely fun set to be at.

Of course, the story wasn't perfect and there were some plotholes but overall it's extremely funny, smart, and memorable. I admire that despite its ludicrousness, it stayed true to reality and morality. The balance of romance, comedy, and tension was spot on. This is definitely a rewatch and my third highest rating yet!

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Ploy's Yearbook is a bad fanfic come to life

Ploy's Yearbook hit all the cliches of bad fanfics.

I’ve only seen 7 episodes and was going to wait and finish to give my review but if all of the couples are going to resolve their problems in a similar fashion then it’s pointless.

I had zero tolerance for this series; the more I forced myself to sit through their ‘reasonings’ the more I wanted to pull out my hair. Even at 5x speed, this series doesn’t get any easier to watch. My biggest issue is I had high expectations for this show because of the talented cast and new pairings but it was a big bust.

Let's pretend it makes sense that none of the 10 mains cared or noticed that the phone numbers were incorrect after 10 years, it doesn't make sense to blame ONE Ploy for it when all of them worked on it. This series makes less and less sense the more I watch it.

How did Mek, who was tutoring Pretty Ploy not have her number? Why didn’t Kram have Prof’s number when they’ve lived together for a while?? It’s funny that the Yearbook is more of a phonebook. How can all these supposedly close peers not have each other’s numbers after 3-4 years? If this was my friend group, I’d rather not have friends.

I love the actors but not the characters. They’re all poorly written in stupid ways. What’s worse is this is a character-driven series and when the characters suck, there’s very little hope for the overall show. This series is simply a side project for these well-known actors to do in between large projects. I’ve never seen good and decent actors perform more badly. Bunch of robots. Even the actors seemed bored in the Behinds. Whoever wrote and directed this had no grasp of who and how the characters should be. The characters’ emotions do not fit the weight of the situation. Despite their different backgrounds and characteristics, they all share the same level of lower intelligence. All of Kram’s decisions up to episode 7 make sense if this was a bad fanfic. Prof Ploy is praised as the smartest because otherwise, she wouldn’t have chosen such a heroic man–she’s yet to impress me with her higher intelligence. The characters’ dialogue is middle-school level at best.
Don’t get me started on Prof bragging about manipulating Kram into marrying her and then acting like the victim when she, not him, SHE thought he didn’t agree to it out of love. Seriously! Someone, please shoot me (side rant: Why did Mek casually grab and deliver the drinks for them as if they’ve just magically appeared and no one might have left them after eavesdropping? Is Mek really the nerd?).

I don’t understand how the show’s biggest attraction is to have a group of adults in their late 20s, early 30s blame and rely on one woman to fix their lives. Lives that don’t need fixing. Except for the lack of a lover, the characters are well off and have time to socialize and hang out with old high school acquaintances. It’s even more cringy that they are counting on Prez Ploy to fix their LOVE lives.

Istg this series was trying to set the record for the most pointless flashbacks. Sadly it backlashed more than anything as the flashbacks exposed the inconsistency of high school and were only used to support moments in the present. As the series’ flashbacks progressed, characters that didn’t hang out in high school suddenly did, and characters that weren’t close suddenly were.

I’ve always loathed it when GMM brings in guns and/or action. They need to hire action choreographers because their action scenes are way too unserious. Takes me out of the moment.

The only way for me to complete this series is if someone were to put a gun to my head. As much as I love the actors, I cannot put up with lackluster writing and horrible execution. If the creative team in charge of this series doesn’t care then why should I?

Overall score was a 4 but I'm taking out .5 pts for Prof and Kram testing my sanity. And Thap needs to get over it or get out of Prez's life.

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Semantic Error was...an error

As a long time fan of Park Seoham and KNK, and is also familiar with DKZ, I’m sad to say that this was lukewarm at best. The acting was cringey at times; perhaps not being able to take Seoham seriously is a personal issue knowing he’s such a goofball, but at times it looked like he was holding back laughter or trying too hard to be cool. Much of the acting, like some kdramas, feel unnatural or very 2D. I couldn’t feel the romance, let alone bromance. The bantering was adorable at times but ‘gotcha’ moments weren’t hitting as they should be.

The story, overall, isn’t too messy but it felt slow and draggy for an 8-episodes-25 minutes-each series. The timeline wasn’t the clearest. Did they fall in love within two weeks? But Sangwoo’s birthday is in October? Jaeyoung leaving for France in the middle of the semester? So he won’t be graduating again? I’m confused.

I’m a big fan of Yuna, Jaeyoung’s female friend. Her character is so fun, calm, and badass. If she gets together with Jihye, I think they’ll make a cuter couple than Jaeyoung and Sangwoo. Originally, Jihye seemed like an innocent girl with little confidence, but she turned out stronger than I thought. Her straightforwardness would go well with Yuna’s relaxed attitude. And whatever happened to Hyeongtaek’s confession lol?

I don’t have a lot to say as nothing really happens but I do like the cast, the music, and the storyline of game designing. I did wish they used and had a wider range of music but that’s creative differences so--

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My Personal Weatherman was more personal than I thought

So I waited for this series to finish airing to finally binge it and I have to say, dark as it got, I enjoyed My Personal Weatherman immensely. I’m both pleased and shocked to see that the directors and screenwriters are all women! I will touch on this later~

Right from the get-go you have to expect toxicity; your leads are walking examples of a typical traditional man of the house and housewife. No one likes a tyrant and I’m not one for extreme conservative practices, but when the show spoon-fed us the characters’ weaknesses and flaws 2-4 episodes in, we can’t expect significant growth. Especially in 8 episodes each ranging 20 minutes and the production team choosing to overkill with repetitive flashbacks. Either way, I can’t say that I’m all that disappointed, I also tried to be more flexible as this is a slice of life.

This is my second Japanese BL in 10+ years, the first one being the Takumi-kun series, and this one really brought back a lot of nostalgic memories for me. It reminded me of how beautiful and well-written Japanese films are, especially when it comes to slice-of-life and romance!

I adore the cast here, they had great chemistry and each character is so different in his/her own way.
Higuchi Kouhei is such a delight to watch. He had a lot of range in his expressions and body control, and he’s just drop-dead gorgeous! That hairstyle, someone please give his stylist a raise! Originally, I wasn’t impressed with Segasaki but considering who he hung out with in university, the saying ‘show me who your friends are and I'll tell you who you are’ really fits him! Mizuki is an overachiever who sees himself as superior not because of his appearance, achievements, or popularity but his abilities. He’s confident, highly intelligent, and dogmatic. It’s clear that Mizuki cares for Yoh but Yoh’s denseness makes it difficult for them to be on the same page and transition their relationship into that of a more romantic one. Yoh’s slowness was also something Mizuki initially liked until the final episode where he seemed annoyed by it twice.
Mashiko Atsuki did an introvert justice. Yoh is a seemingly darker and gloomy character who concentrates on the negatives; since he’s cooped up at home and has more internal monologue and inner thoughts, he’s consistently doubtful and has the tendency to build up people’s persona in his head. While we see Mizuki applying and taking his meteorologist knowledge and career seriously, Yoh doesn’t seem to have the same passion for his mangas. Then again, if he has to cook and clean all day every day, he’s probably got writer’s block. I wished their little outing inspired something in him other than ‘bed sheets’ :/ I mean it was cute, but it wasn’t cute.
Manju is sooooo adorably funny! I had so much fun whenever she was on screen! Yoh is NOT the good friend she needs and deserves but if she’s happy helping him then girly do you!
Manju’s husband, Atsuya, was interestingly fun. You can tell he’s used to Manju’s quirks and shenanigans in the way that he reacts and supports her.

I like that the show touched on some stereotypes and modern issues such as women saying the opposite of what they want/feel (Yoh) and the wives' jobs don't matter to today’s husbands (Mizuki to Yoh). That being said, given that the directors and screenwriters are women, I wanted to see these two conflicts play out but oddly yet not surprisingly enough, there were no follow-ups. Aside from the problematic theme, on multiple occasions, the conflicts were either never resolved or forgotten. Nothing ever came of Mizuki and Yoh wishing they’d happily smile at each other as they do to other people; please don’t tell me the ending at the dining table was an implication of that. Yoh lying about working with Manju because he’s afraid Mizuki would judge them was unnecessary as Mizuki hasn’t struck us as an unreasonable character – lustful, possessive, and condescending yes but not entirely unreasonable. How hard is it to tell Mizuki that ‘glasses guy’ is Manju’s husband? And Mizuki, knowing that Manju has a husband never put two and two together? Why not? Communication between Mizuki and Yoh started off fine (for roomies who sleep together) until we got to them being jealous and possessive of each other. I hate to believe it but that may be the show’s way of telling us that Mizuki and Yoh were ‘falling in love’ after living and sleeping together for four years. The show would be a perfect 10 had they just replaced at least two sex scenes with serious conversations between the leads but no :/

I’m definitely rewatching for Higuchi Kouhei’s smugs, though Mizuki needs to take a hint, 'no means no' and 'stop! he's drunk!'!

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