Coach de fitness très populaire, Soyogi Mikami est très disciplinée, surtout en ce qui concerne son régime alimentaire. Ne consommant que ce dont elle a besoin pour satisfaire ses besoins nutritionnels, Soyogi a perdu tout plaisir à manger. Yuga Tsukuyomi, diététicien passionné par la nourriture et la cuisine, entre dans sa vie de façon inattendue. Lors de leur rencontre, Yuga propose à Soyogi de lui préparer un en-cas si délicieux qu'il ravivera son amour pour la nourriture. Les en-cas que Yuga lui prépare régulièrement suscitent d'abord l'inquiétude du grand frère protecteur de Soyogi, mais la volonté de Yuga de signer un accord de non-romantisme permet de rassurer ce dernier. Cependant, alors que Soyogi et Yuga partagent des en-cas de minuit, une romance inattendue commence à fleurir. (Source : Viki) ~~ Adapté du manga « Tsukuyomi-kun no Kindan Oyashoku » (月読くんの禁断お夜食) de Asada Nikki (アサダニッキ). Modifier la traduction
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- Titre original: 月読くんの禁断お夜食
- Aussi connu sous le nom de: Mr. Tsukuyomi's Forbidden Midnight Snack , Midnight Snack
- Scénariste: Matsuda Yuko
- Réalisateur: Yuki Saito, Kaneshige Atsushi
- Genres: Culinaire, Comédie, Romance
Où regarder Tsukuyomi-kun no Kindan Oyashoku
Distribution et équipes
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![Hagiwara Riku in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)]( "Hagiwara Riku in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)")
Hagiwara RikuTsukuyomi YugaRôle principal -
![Triendl Reina in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)]( "Triendl Reina in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)")
Triendl ReinaMikami SoyogiRôle principal -
![Asaka Kodai in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)]( "Asaka Kodai in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)")
Asaka KodaiAsahina TaigaRôle Secondaire -
![Ozaki Takumi in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)]( "Ozaki Takumi in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)")
Ozaki TakumiHonami TsukasaRôle Secondaire -
![Higuchi Hina in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)]( "Higuchi Hina in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)")
Higuchi HinaSawamura ArisaRôle Secondaire -
![Maruyama Tomomi in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)]( "Maruyama Tomomi in Tsukuyomi-kun no Kindan Oyashoku Japanese Drama (2023)")
Maruyama TomomiOiwa KensakuRôle Secondaire
Critiques
A little of everything, not enough of anything
This is the sort of drama you sort of watch while doing your taxes. The romance was light and conducted at arm's length with stereotypical Japanese reserve. Age differences were mentioned and then forgotten. The leads were nice and seemed to work together well. I really disliked the SML. He struck me as controlling and manipulative even when he was being sincere and I expect that this character could trigger some viewers. None of the other characters mattered. And if someone put a comedy tag on it they made a mistake.It's an unambitious production. The cast are experienced and competent but not much was demanded of them. The sets, directing, and photography were good enough but will win no awards.
This drama checked the boxes but has no highlights. At a self-aware 10x23 minutes (counting the final episode as two) long it could have been condensed into a mediocre movie without much effort. Really, if you want to enjoy it at all you should summon your inner gourmand and treat it as food porn. The imam bayildi will impress you more than the plot.
Good Enough
Japanese Drama '' Tsukuyomi-kun no kindan Oyashoku '' is a food drama with a romantic twist.The drama, though it has a weird setting, it has a light mood and an enjoyable story. The food was nice enough, the relationship between the two leads cute, the love triangle okay, though the brother was a bit creepy at times, and the office drama enjoyable.
The drama's main 'failure', however, was its length. It didn't allow the story to develop organically, and it was rushed at times and, especially in the end. If they had omitted some parts of it, it would have allowed the main story to breathe. Alas, that was not the case.
The performances, finally, were all enjoyable, especially by the main female lead.
So, overall, five out of ten.
