It's been 6 months since an office lady, Chiharu, transferred from Tokyo to Sapporo. There, she found her place in a small bento shop, "Kumaben." She wandered one day.
On the other hand, cook Yuu is still determined to solve customers' worries with the magic of his bento. An old friend, Shohei, who works for a fashion company, came by to see Yuu. He ordered a bento "Worth to be the last meal of life". By those words, he hides his true intentions... Sensing unusual, Chiharu and Yuu become preoccupied with finding Shohei's true motives.
On the other hand, cook Yuu is still determined to solve customers' worries with the magic of his bento. An old friend, Shohei, who works for a fashion company, came by to see Yuu. He ordered a bento "Worth to be the last meal of life". By those words, he hides his true intentions... Sensing unusual, Chiharu and Yuu become preoccupied with finding Shohei's true motives.
Eating around other people is a struggle for salaryman Yutaka, despite his talent for cooking. All that changes when he meets Minoru and Tane—two brothers, many years apart in age—who ask him to teach them how to make his delicious food! Yutaka soon finds himself having a change of heart as he looks forward to the meals they share together.
Eating around other people is a struggle for salaryman Yutaka, despite his talent for cooking. All that changes when he meets Minoru and Tane—two brothers, many years apart in age—who ask him to teach them how to make his delicious food! Yutaka soon finds himself having a change of heart as he looks forward to the meals they share together.
A man killed himself. Due to his death, three of his former classmates from art school, reunite for the first time in a long while. These three people have connections to the man in different ways, including his ex-girlfriend, the manager of a rugby club where the man played, and his ex-boyfriend. While struggling with their own lives, these three people begin to meet and have meals together.
Oda Chiharu worked as a designer for a company she has long coveted to work for, but, due to bullying by her boss, she quit her job. She finds pleasure in cooking and serving her food to other people. When she is alone, she often eats food from the convenience store.
Nakamura Seiko works in the PR department for a cosmetics company. Being influence by her family, she has grown up with the idea that marriage is mandatory and not optional. She now has a strong desire to marry, but her fiancé, who works in the same department, suddenly breaks off their engagement.
Amagai Eiji worked as a designer for an advertising agency, but he was suddenly transferred to the sales department. He doesn’t know what he wants to do anymore. He is a gay man, but he hasn't revealed his sexual orientation to his parents.
Oda Chiharu worked as a designer for a company she has long coveted to work for, but, due to bullying by her boss, she quit her job. She finds pleasure in cooking and serving her food to other people. When she is alone, she often eats food from the convenience store.
Nakamura Seiko works in the PR department for a cosmetics company. Being influence by her family, she has grown up with the idea that marriage is mandatory and not optional. She now has a strong desire to marry, but her fiancé, who works in the same department, suddenly breaks off their engagement.
Amagai Eiji worked as a designer for an advertising agency, but he was suddenly transferred to the sales department. He doesn’t know what he wants to do anymore. He is a gay man, but he hasn't revealed his sexual orientation to his parents.
Eating around other people is a struggle for salaryman Yutaka, despite his talent for cooking. All that changes when he meets Minoru and Tane—two brothers, many years apart in age—who ask him to teach them how to make his delicious food! Yutaka soon finds himself having a change of heart as he looks forward to the meals they share together.
Seventeen-year-old Hira, who is at the bottom of the class, tries to remain invisible at school, never wanting to open his mouth and expose his stuttering speech to his classmates. He views the world through his camera lens, detached until one day, Kiyoi Sou walks through the classroom door. The impact is instantaneous.
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Seventeen-year-old Hira, who is at the bottom of the class, tries to remain invisible at school, never wanting to open his mouth and expose his stuttering speech to his classmates. He views the world through his camera lens, detached until one day, Kiyoi Sou walks through the classroom door. The impact is instantaneous.
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Eating around other people is a struggle for salaryman Yutaka, despite his talent for cooking. All that changes when he meets Minoru and Tane—two brothers, many years apart in age—who ask him to teach them how to make his delicious food! Yutaka soon finds himself having a change of heart as he looks forward to the meals they share together.
Seventeen-year-old Hira, who is at the bottom of the class, tries to remain invisible at school, never wanting to open his mouth and expose his stuttering speech to his classmates. He views the world through his camera lens, detached until one day, Kiyoi Sou walks through the classroom door. The impact is instantaneous.
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Eating around other people is a struggle for salaryman Yutaka, despite his talent for cooking. All that changes when he meets Minoru and Tane—two brothers, many years apart in age—who ask him to teach them how to make his delicious food! Yutaka soon finds himself having a change of heart as he looks forward to the meals they share together.
Seventeen-year-old Hira, who is at the bottom of the class, tries to remain invisible at school, never wanting to open his mouth and expose his stuttering speech to his classmates. He views the world through his camera lens, detached until one day, Kiyoi Sou walks through the classroom door. The impact is instantaneous.
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Hira finds himself pulled into Kiyoi's gravity, following him everywhere and attending to his every need. Popularity comes easily to beautiful Kiyoi, who is always surrounded by his classmates. He uses his status to get what he wants, ordering around the boy who stares at him with his big eyes and seems to worship him like a god.
Hira contents himself to merely exist within Kiyoi's orbit, asking for nothing in return…
Saeki Kou works in the sales department of an architectural firm. She is good at her job and admired by her juniors but she often falls into a fantasy world that combines food with love. This is the story of the five different food items and love stories with the five different imaginary boyfriends Kou fantasizes about.
Both are Japanese productions that feature the male lead becoming involved with another guy who is responsible for raising a child (sibling vs own child). 'Our Dining Table' is much more lighthearted, whilst 'His' is more realistic with the topic of child custody.
'His' is the sequel movie to the series 'His - Koisuru Tsumori Nante Nakatta', which focuses on how the main characters met during their youth, but the movie can be watched as a stand-alone.
'His' is the sequel movie to the series 'His - Koisuru Tsumori Nante Nakatta', which focuses on how the main characters met during their youth, but the movie can be watched as a stand-alone.
