March sisters walked so Oh sisters could run.
The first report about this remake had me excited to the seven heavens; I was overjoyed not only to have a Korean version of one of my favorite classic novels plus movie adaptations but also to see how exactly they blend it into a sageuk (historical). Was a little upset upon learning that it’ll be based in modern urban times but it didn’t take long me to make terms with it. However, starting the drama and finishing two episodes left me very confused and had me pondering about the intentions of the makers. Not long after, I had to realize that only a few elements of the original have been picked up for the so-called remake and hence this one deserves no comparison. So, what are the similarities?◆ Sisters (4 there, 3 here) living with their mother; father long gone to places.
◆ An artist among the sisters (2nd one there, 3rd one here).
◆ Poverty-stricken lifestyle, hard ways of earning food and necessities.
◆ The great grand-aunt who favors the middle sister for her intelligence and tenacity.
◆ The prince charming with not-so-significant role, two distinct male leads here.
Let me know if I missed out any ;)
Developed and produced by ‘Studio Dragon’,” Little Women (작은 아씨들)” is supposedly a loose adaptation of the 1868 classic novel of the same title by Louisa May Alcott. Screenwriter Chung Seo Kyung creates the story in a modern Seoul-styled Korean backdrop with essence of thriller, melodrama and makjang while Kim Hee Won takes charge of direction. The 12-episode drama was originally broadcasted on tvN and internationally distributed by Netflix. Several parts of the major happenings of the drama were also filmed in Singapore.
The original plot is about struggles, love, compassion and dreams, whereas this adaption is about greed, goals, urges, fear, somewhere love and of course, dreams. The story follows a poor Oh family of three sisters with separate professional goals who, without their consciousness, get involved with the richest family of Korea and a supposed cult that is connected trough a mysterious orchid, which starts with a missing sum of 70 billion won.
Oh In Joo (Kim Go Eun), the eldest sister, works for a salaried office job and having lived in extreme poverty, she dreams about money and wishes to live an ordinary life. Oh In Kyung (Nam Ji Hyun), the middle sister, is a righteous reporter who doesn’t value money and starts working on a case that was long-forgotten in order to unveil the truth. Oh In Hye (Park Ji Hu), the youngest sister, is an aspiring artist who gets acknowledged for her natural skills though she is a realist and considers her sisters’ love for her as a burden.
Choi Do Il (Wi Ha Joon) is a part of Wonryong Group whereas Oh Hye Suk (Kim Mi Sook) is the Great Grand Aunt and Ha Jong Ho (Kang Hoon) is her neighbor and childhood friend of In-kyung. Park Jae Sang (Um Ki Joon) is a politician aspiring to become Seoul’s Mayor while his wife Won Sang A (Uhm Ji Won) is the daughter of Wonryong Group, created by her father Commander General Won Ki Sun (Lee Do Yeop); Park Hyo Rin (Jeon Chae Yeon) is their daughter, also an artist who is In-hye’s best friend.
Other familiar faces in the drama are Jo Seung Yun, Gong Min Jung, Park Bo Kyung, Park Ji Young, Lee Min Woo, Kim Myung Soo, etc. Several big faces have made special appearances: Song Joong Ki, Oh Jung Se, Choo Ja Hyun and Jang Gwang.
Its initially mystifying and allows one to think what might be the intentions of the writer though the follow-up picks up very entertaining and baffling elements creating arousing intrigues within the mind. The furtherance was as amazing with gradual disclosure of more engaging facts about several plotlines, major or minor, and what perplexed me the most was the storytelling and its naturalness despite a mixture of idealistic, realistic and real factors. There was this episode around the interval, that I clearly don’t recall, did felt a little off; the period where things were static and nothing huge seemed to be on its way, not like it became boring or something though. The later half was definitely much more marvelous with each episode bearing several peaks and each of them competing to excel. I was personally taken aback at episode 8 and how the presentations got the best of me, so this is my most favorite, though the show kept surprising even more in the rest 4 episodes. The ending
Writer virtuoso Jung Seo Kyung, known for her prodigious portrayals in staggering women-centric scripts, has once again proved how efficient her skills are to bewitch the audience and finest her creations to stagger the viewers. Admittedly and provenly, a copy-paste remake ain’t her style as reflected in “The Handmaiden”, so the decision to convert a classic English melodrama into a contemporary thriller with justifying dynamics and stupefying elements which turns out to be an appealing and positively appalling masterpiece.
Fascinating character arcs are a specialization of jakka-nim which undoubtfully is finely incorporated with satisfying development. The script is a bag full of whiplash twists, evenly distributed throughout and the picturesque convulsions that serve as delicious dishes of a sumptuous brunch. The theme creation is as bemusing as we see the ghost orchid, its backstory, the people it connects to and how it is at the center of everything.
Acquiring great skills despite less experience within a short period of time, is what Kim Hee Won known for. However, her previous work was a blunder that was finally recognised as a trumpery; though the script was hugely to blame. To see her work of creativity has always been a pleasure and without a second thought she strives to better. On that note, the cinematography of the drama is mesmerizing, from aesthetic shots to extravagant frames and swift yet detailed movement/shift, everything did their job in minds. The screenplay was visibly well-planned as the progression is periodic rather than episodic, seizing the viewer into one plotline but confusingly forcing them to other, albeit the manner was very comfortable thereby maintaining the quality.
What I also loved about the visuals are the reasoned and well-defined backdrops and setups. The Seoul-ic vistas of light and dark hue with polychromatic shades were very eye-savoring outside while rather plain and simplistic colors inside the mansions and buildings also did exhibit the contrast in between. The attempts to draw frame-wise parallels within the same show between the two halves were very ecstatic; admittedly, I wouldn’t have noticed if not for one of the users’ feed posts here.
Composed by Park Se Joon, there are two OSTs in the drama:
# “Enough” by Zior Park
# “La vie” by SOLE
(70 billion won-Truth-Art: Money-Justice-Dreams) … This is how I will draw the outline of the way the three sisters were connected to the show; one who thought money could solve all the problems, one who believed justice will bring everything to peace and one who desired art will help her escape. The combination could result in only one thing, money laundering through art pieces, haha. But the drama is much more than just power trip, greed for wealth and artistic perspective. Indeed, with her cinematic excellence, the writer uses the tool of social sin and the feelings of superior connivance in order to establish a story that reminds us how human mind is a complex matter that could cause catastrophes in the world while only truth and remain constants of time.
Oh In Joo was the most natural of a character in my opinion and apparently Kim Go Eun was the most suitable person for the role, provided her ongoing saga in “Yumi’s Cells” is also one hell of a realistic thing. From her desire for money to her being clueless and from acting cautiously to strangers to being overtly sensitive to everything, just average human being. Clearly, the best character development given to the one at the exact center, performed and excelled.
Nam Ji Hyun could have been used better, not like she was underwhelming or something, but in a way, I believed, both the character Oh In Kyung and the actress herself held lot more potential than what we saw. There were instances Inkyung was just pure dumb, as in dumb for someone who was a journalist plus it was visible the way she struggled a bit at first, which was a given since I don’t recall her playing such a fierce character(?). Anyways, it was satisfying to see her in action at times and how she changed from the beginning to end.
Oh In Hye had a magnificent arc to begin with and the actress did perform very well with her expressions and delivery. However, I was a little upset the way she was limited in the latter half; as in they forgot about her existence for some time and brought her back absurdly like oh she is a part too? All I mean her share of screentime did not suffice as someone who is tagged as a main character everywhere. Otherwise, her dynamics were naturally that of a rebelling teenager. Also loved how the makers decided to end the show with her prologue story and monologue note. The actress playing Hyorin did not have anything significant about her but she was good nevertheless.
Choi Do Il as a character is probably one of the most mysterious you will ever see and Wi Ha Joon should be commended for carrying it very well. His on and off dimension will apparently become the reason half of the audience will develop trust issues in real life. The introduction wasn’t really grand, rather felt he’d be only playing on the surface (to me at least), but the maker’s way of playing with their audiences’ mind worked like some sort of crazy drugs wow. I am not sure whether I should be saying that I was impressed but there was a point I just decided to sit at a corner with popcorn in m hand and see what he is upto. Nonetheless, I was happy at them screaming how he loves only one thing at the end of the day.
The drama is a heavy thriller; although it offered few bright and comforting elements, it mostly exhibited dystopia. Some events could be very frustrating like you are gonna drag a character out and beat the organs outta them. The plot devices like the orchid, the red heel and the architecture did serve as amazing scopes in order to create an artful story filled with thrills and excitement. And the progression is very unpredictable and mysterious for the current trend in K-thrillers, no doubt the screenwriter is a cinema maker; loved the suspense at the end of each episode as well. A galore of twists might even feel like burden in some episodes but their outcomes are relieving in some way. Again, the symbolisms, backed by their ingenious metaphors make the drama more entertaining.
The group of antagonists were not really one of a kind but the performance of the cast was what made them lively. Both Uhm and Um for the seasoned actors they are, did put forward an enthralling and captivating show, and the bad times we had clenching our teeth stands witness to it.
I believe March sisters’ struggle to keep up their dining table occupied helped Oh sisters to not just protest but fight against capitalism as they indulged themselves with the evil, for the sake of prosperity and justice though separately. Their dispute with reality urges them to opt paths they thought would be treacherous and relying on a single straw they not only strive to remain true to themselves but also thrive like a single blade of grass in the dessert. Through thick and thins, this remake remains grounded to the original in portraying how the littleness of everyone leads to a grand world of big beauties
The finale was as satisfying in the sense, it was not rushed, or even dragged unnecessarily, rather every bit of it felt good. It is not an open ending either as some people might think though in my opinion they left one plothole regarding the burried pendrive. But again, in a way, the evidence was not really useful. The ending sequence was smooth and also made mr realize that Choi Do Il's efforts were equalized with his manupulative and intelligent skills.
A personal and silly observation about the show that I made towards the ending, was that the in-situ viewership was very accurately concurrent with the qualitative graph that I have made in my mind, i. e. my episode-wise rating. Idk why I thought it was necessary to mention it here but here you go TT.
Final Remarks… A show made by women, led by women and prospered by women was quite a piece of thrilling experience as Little Women hits the floor this time around. The time will cite the show as something that is not a good remake but nevertheless a great show, which is a perfect balance between the original and the adaptation. From high production values to outstanding presentation and from enchanting performance to entertaining outcomes, this was a unique approach and definitely a must watch and easily one of the best thrillers of 2022.
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Entertaining story with unrealistic plot lines
Little women is a series full of drama and plot twists that explore the greediness for money and the wealth difference between the rich and the poor. The first half of this series is definitely better than the second one. In this one we can see how the three sisters all get wrapped up in the murder of Hwa Young and with the Won Family. It was interesting to see In joo's slowly becoming greedy for her new found money while at the same time trying to give her deceased friend justice. The murder case and the mystery behind the blue orchid really left me at the edge of seat. I also really enjoyed In hye's weird dynamic in the Won house. But then the writers kept dragging both of the mysteries, adding more information without wrapping up stuff. And then the unrealistic stuff came and never left until the ending. By this I mean stuff like In joo walking while badly hurt to her hotel after the car crash, Wong Sang A creating that hotel scheme of the other In Joo, In Hye leaving with Hyo rin and the sisters just being okay with it. It just doesn't make sense. The second half relied too much on plot twists. Im neither satisfied or mad about the ending, it was just okay. Overall, it was still a really entertaining series with it's flaws and the cast did an amazing job.Cet avis était-il utile?
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a good show with a weak ending
I really enjoyed watching 'little women'.I was hooked from the first episode and watched until the end as the story was interesting, several of my favourite actresses were in it and I liked the general vibe.
It was mysterious with all the orchid business, you could easily empathise with the three sisters, with some more and some less though - and tension built up nicely for the final episodes. There where some storyline weaknesses before but I was able to ignore them, sadly not so in the final episode.
So whatever happened then? Was this another drama that was short cut from 16 to 12 episodes? Was there not enough time left to write a good final episode?
This final episode had severe logic weaknesses and they were just left unsolved to give the show some kind of happy end.
So what bothered me was:
1. So what was all that satisfactory scene when reporter Oh In-Kyung could finally prove that Won Sang-A is a devilsih murderder? She has CCTV matierial showing Won Sang-A brutally mudering a person. And after that? No police goes immediately to arrest Won Sang-A, instead she can joyfully go to the hospital and kill that old man who gave her away, in front of a nurse witnessing this? Still no police. Time passes and she then has time to stage all that final scene under the orchid tree in her cellar. Still no one arresting her while the incriminating material of her being a murderer was on live TV probably two days earlier?
So she can manage to abduct Jin Hwa-Young, and lure Oh In-joo into that cellar too, still no police at her house arresting her?
That was so nonsensical and made that reporting and proof of Oh In Kyung totally useless.
2. So Won Sang-A then had enough time to prepare the sprinklers with acid. Ok. So she turns on the sprinklers and the acid dircetly hits Jin Hwa-Young being bound to that chair, and the pure acid drops hit her for quite some time, she is screaming on and on, but nothing really happens to her, she is not really hurt by the pure acid drops.
Then in a twist of actions Won Sang-A falls into the pond under the orchid tree and - suddenly burns completely in huge blisters from the acid? How?
If the pure drops of acid did not harm Jin Hwa-Young for quite some time, why would the water, only containing a few drops of acid totally burn Won Sang-A if she falls in there?
That was even more nonsensical as nothing would have happened to Won Sang-A falling into that pond, it would just have been water with acid so thinned out that nothing would have happened to her.
3. I'm always in for a happy end but also that was questionable. So the youngest sister gives a lot of money to her older sisters out of gratitude. That is a nice gesture and I would have loved to just see it as that.
But, Oh In-Joo was just convicted with serious money matters and is on probation for the next years. Does anyone really think the authorities would not check on her if she suddenly had 23 million Dollars in her account? No way would they have left her untouched and the whole trouble would have begun again, her youngest sister then being a suspect and internationally sought for.
Also the two young girls were travelling with their real passports and real names, it would be very easy to track them down as long as they wouldn't have fake identities. (and they didn't as Park Hyo-rin needed to use her real name to achive all that money at her becoming aif age)
4. And what happened to Go Su-Im? Is she also still roaming free? If so, wouldn't she try to harm the three sisters still?
I found this to be such a good show until this final episode which seemed hushed and not thought through. The focus was on creating this final scene under the orchid tree without considering the rest of the before given circumstances and the fact that Won Sang-A would never have had the chance to do all that because shortly after the live TV airing of her mudering someone the police would have taken her.
So, this annoyed me so much that my rating weng down from 8,5 to 7.0.
I wish the producers of the dramas could manage to not hush the last episode and storyline like that (and it's not the first time this is happening) for the sake of logic and common sense that totally goes overboard in this final episode here.
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their chemistry is SO unmatched
them. oh my goodness. they are married with three daughters, I know it, guys.⋆𐙚 I know that so many people were distraught over their open ending, but honestly, I'd still recommend it, and I don't think it was too bad. I take that, "I'll see you again" from him very seriously, and you should too, lmao. He will be back in a week, max. In the end, it just felt like he was still very involved in her life (scene with In-hye), and that was just the beginning of their story. TRUST. she just needs to be in deep trouble, and he will spawn, no joke.
— So, don't be scared away, except you are really someone who needs at least a kissing scene (they didn't even hug, haha) and a clear indication that they are endgame, then I would maybe rethink.
⋆𐙚 It's worth watching, alone because—Choi Do-il and Oh In-joo's chemistry was one of the best I've ever seen. It was enough for me. I adored them. Every scene between them had me running laps. The subtleness and the softness of their interactions were so AKSJSJ. they are so in love.
⋆𐙚 Choi Do-il has got to be one of my fav male leads now. (it may seem like I say this a lot, but I only have a top 3, alright?? :p) He is so protector.
"Don't you trust how far I will go to protect you?" +
when she asked why he was still helping her even though she didn't have the money anymore, he said that it must have become a habit = A MAN IN LOVE.
— both Wi Ha Jun and Kim Go Eun were amazing. Her acting during emotional scenes was top-notch !!
⋆𐙚 If the romance scares you, and you fear you will be left unsatisfied, consider watching it for other reasons because the plot is VERY engaging. I was so intrigued and rarely felt bored. great mystery thriller with a valuable message !!
LITTLE WOMEN — 9.5/10 ⭐️
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Female led thriller with a distracting title
Little women, loosely based on Louisa May Alcott's novel (only the characters though) is a thriller story of 3 sisters who deals with a society of rich people and their survival to sustain.Little Women features an extremely well-written plot and air-tight characters. Kim Go-eun does an exceptional job with her acting as In-joo, but it is Uhm Ji-won as Won Sang-ah who takes the cake with her acting. From playing the victim card to acting like a total lunatic, fans really loved to hate Sang-ah. Despite not being a romance drama, fans started growing attached to In-joo and In-kyung’s respective love interests, Do-il and Jong-ho.
Even though with 12 episodes (unlike generic 16 eps for a K Drama), Little Women is as intense as it can get with amazing and intense performances. The plot has twisted so often by this point that this cathartic image at the end of episode 11 brings us full circle, setting up the satisfying conclusion in the show’s concluding episode.
There was a compelling message in Little Women, but what mattered most are the sensations it evoked. It gave us what we wanted to see, at the end. Little Women is an addition of amazing female led dramas (Why Her, Juvenile Justice, Extraordinary Attorney Woo) in 2022.
My Rating : 8.5/10
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Painful to Watch
I struggled to finish this series. Except for the title, it has little bearing with the original Little Women by Louisa May Alcott. The three sisters were so unlikeable. It was painful to watch them being played over and over again by the people around them ie, Jang Mira, Park Jae Sang and his equally demented wife as well as their aunt who used them for her own ends.I like Choi Do Il. He's the redeeming character throughout the drama. He's very smart and calculated, secretly exacting his own revenge behind the scenes. Without him, Oh In Joo would have not survived. She was so ditzy, clueless and naive. Money hungry she allowed herself to be used and abused not only by her so called best friend but the family who also happened to be their nemesis.
Oh In Kyung was a determined reporter but she sometimes sabotaged her own investigation by her impulses of acting out without thinking.
And the most deplorable, Oh In Hye, an ungrateful kid who'd rather stay with the murderous family than her sisters who loved and sacrificed for her all because she wanted to live the rich life. She humiliated her sisters in public by siding with her wealthy benefactor and she did not care if she placed them in danger.
When I started to watch this drama, I was full of expectation and I was looking forward to them taking on the wealthiest families and kicking ass like David against Goliath, But alas, what I saw were three pathetic women who scraped and bowed in the name of money.
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Thrilling and Chilling All The Way Through
At first I expected this drama to follow closely to the American Little Women. At least it would be that kind of a drama. This turn out to have very little resemblance to the American version, except that there are four sisters.But while I love the American version, I dare say this Korean version is very gripping and makes me want to see more. While the previous is all about warm hearted sibling love and some romance, the later is fully crime thriller with the romance as a small part only. Well I'm still currently in ep 9 and I still have no idea if the first sister's suitor is actually a good guy or a bad guy!! But I love all those uncertainties.
If any, I feel that the second sister often does things without thinking of the consequences. But again, she's an alcoholic so it's part of the character written for her I suppose. Also, the first sister carrying that bag with 2billion won on the street 😂. So I won't say there are no silly bits here and there. Just saying the storyline is so good I am willing to let those random silliness go.
As usual, Kim Go Eun doesn't disappoint.
I highly recommend this drama. Gripping all the way through.
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Unsoviing the Mystery Of 70 Billion Won
●FIRST IMPRESSIONWhat are you gonna do if you have 70 billion won?
Honestly, I was intrigued by this question, when I saw the trailer and the only thing I could think of was a house and higher education just like any common person. pretty similar to the dreams of FL, Oh InJoo who is an average working woman.
The dreams of a common person are a house, a car, and a comfortable life with the family. But what comes with 70 billion is the responsibility, danger, and greed of evilness.
●PLOT VIEW
LITTLE WOMAN, is a drama that takes the audience on a journey of more than a 70billion won.
Murders, accidents, politics, ambition, corruption, greed, broken family, and 3 LITTLE WOMAN in the midst of such chaos
Featuring infamous BLUE ORCHIDS and an illustration of CLOSED ROOMS. The story using these elements as core develops into a thrilling mystery action drama with just a pinch of sweetness. After every episode, it leaves the audience wanting more of everything after and it left the audience at the end even though complete but a pinch of incompleteness.
also, this drama has a spoonful of supernatural delight which goes hand in metaphor for BLUE ORCHIDS.
The background of the Vietnam war terrifying but interesting too. I learned many things about it post-drama.
Even though it was perfect in storytelling, untying the mysterious knots but few bits remained uncleared. I would like to list it all down but then it would be a spoiler I guess.
●CHEMISTRY
This drama also breaks the stereotypes of romance in Kdramas, it was just beautiful and endearing. No cheesy script but a pure trustworthy and understanding relationship.
There are also many relationships, not just romantic ones but friendship, InJoo, HwaYoung, and InHye and HyoRin
which we don't get to see like in other dramas. They had a such pure friendship that it made me fall in love with them.
also, InJoo and Do-il's unsaid relationship is a breaking of the stereotypes of relationships in Kdrama.
InKyung and JungHo were mature friends who understood each other deeply.
●ACTING/CAST
About the cast and acting, it was phenomenal. Whoever did the casting deserves a raise, they were more than perfect. Every character can be a character study because they were deep and layered. Even though you see them first you realize they have more depth after a few episodes for any drama lover.
Park Ji Hu, as Oh Inhye the youngest of the Oh family was annoying and I ended up disliking her but as a young actress, she showed varied emotions of determination in any situation.
Nam Ji-Hyun as Oh InKyung was a stubborn, positive, and moral character who refuses to give up and back away. NJH's soft voice gives a sweet and innocent depth to her character.
Kim Go-Eun as Oh InJoo was flawed yet kind, strong, and daring. She takes all the chances to give her sisters a better life and gets into trouble. KGE was perfectly displaying not just InJoo but all those average working class who work bones to make ends meet. She shows grief, stubbornness, confusion, greed, trust, loyalty, and madness with perfection.
Wi Ha-Joon as Choi DoIl was a magnificent character who was not easy to decipher until the end. WHJ maintained his smile balance and eye depth to make the audience confused. And seeing his previous works every1 is obliged to think of him as a grey character. But when the drama ends he left an impression that won't be forgotten for a long time.
KangHoon as JongHo was a sweet adorable guy who just stood by InKyung. KH seemed so sweet in this character.
Uhm Ji Won, and Uhm Ki Joon were toxic as hell. They were a core subject that can't be ignored, also inspite of having negative characters they can't be hated, for the character portrayal was brilliant. They did the job as actors awesomely.
●MUSIC
This drama had the least OST of the dramas I have watched previously. there are many songs used in the drama sequence which get repeated until you start to humm but this drama, mostly used musical tones rather than lyrical tracks, which was very refreshing.
La Vie was a beautiful undertone song but the lyrics of the song were heard just once. Only the music was used heavily.
The ghost orchid music was powerful. It gives chills down the spine with its ghostly monotonous tone.
●REWATCH
I wish I could forget everything and watch it all over again for the first time. Am rewatching this.
●APPRECIATION
The director deserves appreciation to unfold a mysterious drama mysteriously and keep it mysterious until the end.
The cinematographer deserves applause to show us the astonishing beauty of colors in the form of heels, flowers, clothes, and places many more.
●CRITICISM
The writer and directors were to be blamed who fell short in wrapping up all the loose ends as they wanted to keep everything mysterious until the end and the secrets remained secrets. Not a spoiler but if you are not deep into the drama you won't even notice these details.
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Moral and Money
It is very good show and very good plot. Very dynamic and interesting story. Wherever, it is true that it is hard to follow all characters, because it happens so much just in 12 episodes. I highly recommend to watch it with your native language audio, because it will be easy to concentrate on the story line. The three sisters personify the clash between morality and conscience and the pursuit of happiness and the good life through money.Wi Haa Joon as Choi Do II is great actor and I really missed at least 1-2 romantic scenes with him and Kim Go Eun as Oh In Joo. If there were just a little bit touch of romantic, the show will be a masterpiece. Great cinematography. 8/10
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ALL YOU WANTED TO KNOW BEFORE WATCHING!!
Using only the vaguest starting points from Louisa May Alcott’s novel of the same name on which it is based, writer Chung Seo-Kyung forged a bold path with her tale of dizzying adventure and hair-raising suspense.Given the series’ huge reception, one hopes that it will serve as a wake-up call for a conservative industry that still sticks to outdated gender norms.
Adventure and suspense are words that are typically reserved for male-led stories in the Korean market, but Little Women gave us a story dominated by strong, inspiring, and richly characterized women, the likes of which have seldom been seen before.
Following the tribulations of the poor Oh sisters, In-Joo (Kim Go-Eun), In-Kyung (Nam Ji-Hyun), and In-hye (Park Ji-hu), the series ultimately gave viewers exactly what they wanted, but the journey to get there was never predictable and often rousing.
Writer Chung took advantage of the structure of Korean soap opera dramas (also known as makjang), which move at breakneck speed and are peppered with shocking reveals, to give us a story stacked with emotional highlights.
Knowing what we want and how to subvert our expectations, Chung plays us like a fiddle.
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This show is one in a million
I watch a lot of kdrama. I’m extremely picky. I often skip around the episodes and never watch anything all the way through. This show, I never skipped for a second. I enjoyed every minute of it.High quality production all around. Great cinematography, visuals, music. All was done extremely well. The acting was great too, from every character. I never felt annoyed by the characters or the acting. Watching this show is like taking a bite of rich chocolate mousse and savoring every second of it.
The story kept my interest throughout. I always wanted to know what would happen next. I think the only negative thing I have to say about this show is that there were a few too many plot twists. I never knew what to trust. I guess that is how it keeps you interested, but it got very ridiculous at the end. I wasn’t sure if there was going to be a happy ending or not up until the last 10 minutes of the show.
Overall, I highly recommend. This show has captured my mind and taken my breath away. It’s a beautiful masterpiece that I was delighted to experience.
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Top-notch! I can't find loophole at all.
1) Story [+]Plot very strong, well-built and dynamic. The story moves forward the whole time which is incredible. There're things to learn, explore, discover, and be surprised in every episode. It progresses in fast pace but not hasty. The rhythm is so right to the point that there's no wasted time even for the preview. If you watched the preview of next episode at each episode's ending, you'd most likely be spoiled. All the happenings in this story are very reasonable from beginning to end, which normally is very hard to achieve in this kind of highly complex, suspense story. Most of the time, the writers/directors wouldn't be wise enough to make it perfectly suspense without loopholes (--some notable examples that failed on this point are W-Two World and Mouse). For this one, no loopholes at all. I also love the ending. It isn't romantically sugar-coated but leaning toward the side of being realisticly hopeful. The writer gave an interview that if there'd be one more episode, the audience would have the chance to see FL and ML being back together. I think so, too. But they're just clever to end it at the right timing. If there're one more episode, things would be cheesy instead as there's no point left in the suspense plot anymore, and then the tone of the series would shift a bit and might end up in the same way as many other Korean series that have strong start but usually tone down and fail toward the end.
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2) Acting [+]
Superb! There're so many actors in this series. They come in and out of the scene all the time. And I enjoy the acting of all of them. The acting of the three sisters should especially be praised. Kim Go Eun has the chance to show her true ability in acting through the role of the eldest sister here. Her performance in Goblin can't be compared to this at all. The actress who plays Wong Sang A, Hyorin's mother, also did a great job. Her fake smile and bubbly character is so annoyingly fake. Hyorin just says the right feeling of the viewers when it finally bears in her mind that things in her family are so fake. Before that, it always feels off but she can't really be certain at which point.
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*I'm not that expert in music so I avoid giving comment on that aspect and just gave the moderate/middle score when nothing wrong occurs.
*This series is one of a very few series I give this high score on Rewatch Value.
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