Trompe-moi, Si tu peux (2020) poster
Votre note: 0/10
Notes: 7.8/10 par 3,546 utilisateurs
# de Spectateurs: 11,290
Critiques: 30 utilisateurs
Classé #3370
Popularité #1474
Téléspectateurs 3,546

L'auteure de polars à succès Yeo Joo étudie uniquement comment faire un meurtre ressembler à une mort accidentelle. À côté d'elle se trouve son mari plus jeune, Woo Sung, un homme familial et un avocat spécialisé en divorce. Woo Sung croit encore qu'il est un partenaire attirant pour Yeo Joo et il poursuit sa merveilleuse vie maritale. Cependant, ces temps-ci, Yeo Joo, qui préférerait être veuve que divorcée, commence à trouver son comportement suspect. Est-ce qu'il la tromperait, elle, une auteure de romans policiers ? Est-ce que Woo Sung pourrait avoir une liaison passionnante ? Yeo Joo devrait directement lui dire que s'il la trompe, il va mourir. (Source: Modifier la traduction

  • Français
  • 한국어
  • 日本語
  • Русский
  • Pays: South Korea
  • Catégorie: Drama
  • Épisodes: 16
  • Diffusé: déc. 2, 2020 - janv. 28, 2021
  • Diffusé Sur: Mercredi, Jeudi
  • Station de diffusion initiale: KBS2 Wavve
  • Durée: 1 hr. 5 min.
  • Score: 7.8 (scored by 3,546 utilisateurs)
  • Classé: #3370
  • Popularité: #1474
  • Classification du contenu: 15+ - Teens 15 or older

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37 personnes ont trouvé cette critique utile
janv. 29, 2021
16 épisodes vus sur 16
Complété 2
Globalement 9.0
Histoire 8.5
Acting/Cast 10
Musique 8.5
Degrés de Re-visionnage 9.0

A crime novel read!

TWO things have happened: an affair and a murder. The entire story is about answering TWO questions: did he caught? who is the culprit? The narration style is typical of crime novels, often reminding me of Agathe Christie's novel style. All the clues were shown to us and drama tempts us to pick pretences as clues misdirecting us, then showing the truth with right clues making us think "I saw these, why didn't I think in this perspective?" "Ah, Brillant, you outwitted me". And this aspect can come off as hit or miss for many. Taking a look at comments would prove that.

The pacing was in an exponential fashion with initial episodes setting the "mood" very slowly and deliberately with even minor characters given screen space. (It has a mix of all the genres: romance, comedy, drama, mystery, investigation, political, action, thriller. It might have well been a makjang.) The ending was rapid with putting closure to several substories halfheartedly or even open (It reminds me of "Absent in the Spring" novel of Agathe Christie which too has vague ending). I am still wondering if what I had watched was just a big drama adaptation of Kang Yeo Joo's novel (As she says "that's what the audience want" to her assistant) or actual story of Kang Yeo Joo. Yes, even with incomprehensible last 5 minutes the final episode was brilliant. The brilliant narration style and suspense building ( note, it is not the story I'm praising because when all the layers of mystery are removed, it just felt yet another ***-*** character story) has quashed the ambiguous ending. (Now that I look back, the ending was so finely crafted putting all puzzle pieces together that you can't even skip the last episode.)

I can't imagine anyone else other than Cho Yeo Jung playing the Kang Yeo Joo. The aura, the eyeliner, the elegant dresses everything made the character all the more legendary (You would feel she isn't worthy of that legendariness but wait for it patiently.). First things first, I too was initially annoyed by shenanigans of Kang Yeo Joo, and I almost felt like dropping it. But I really stuck around and found she was the most complex character. If the Parasite's Choe Yeon Gyo was "simple" then Kang Yeo Joo is super ultra-complex. There is this scene in episode 6 when Han Woo Sung says he will take her gift to his grave the reaction KYJ gives is golden. That was one of the few moments in early episodes when the poker face of KYJ falters. There are only a few people who can truly understand her and one has to wait till later episodes to know the reason.

Other characters were equally interesting. Go Joon (why late-blooming) did a great job in portraying HWS, I can truly understand why every woman falls for HWS. HWS is truly worthy of his reputation of Nation's Husband. (Even when he is cheating he is thinking about his wife and I didn't bother myself with judging him. We never get to know more about his motives.) Mirae is yet another flawed character in this drama. She can come off as homewrecker but truly her transformation and her past are awe-worthy. I am one of the few people who wasn't shipping Cha Soo Ho with KYJ but the way he looks at her wow! The Umbrella scene reminded me of K2 and how he protects her. I want to see more of Kim Young Dae in future projects. As for all other characters, they added funny elements and depth to stories. But a few didn't have proper closure/development but I'm not complaining. (It would be humanly impossible to deliver both mystery narration and character development perfectly)

Music was good and suited for scenes. Sometimes there was opera style music for hyped/dramatic scenes which I liked. As for OST, OVER by Suran shines out. Rewatch, to make sense of certain things it might require to rewatch. I too wanna rewatch it but it is kinda sad it ended so I can't bring myself to watch it again.

A crime novel: keeps hooked and makes you say "ahh!" and keeps you thinking about it even after it ended.

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36 personnes ont trouvé cette critique utile
janv. 28, 2021
16 épisodes vus sur 16
Complété 1
Globalement 9.0
Histoire 8.5
Acting/Cast 10
Musique 8.5
Degrés de Re-visionnage 7.0


I liked it. You might like it too. It's a hit or miss.

The major let down for most people who didn't enjoy this was the pacing of the story. The answers to the snowballing mystery were initially given too slow. And when this happens, the audience are bound to lose their attention and forget what the original suspense was about.

I personally did not mind this. The writer still managed to hook me into the mystery. and as each week passed, I found myself growing more and more ravenous for answers. For some, this will deter them from coming back to watch it due to the lack of trust in the plot as the answers to the mystery weren't delivered in a timely manner. But for myself and others alike, this will compel us to drop all our work and chores to stream it the second it the episode is available.

This show is definitely a hit or miss. It is one that requires patience to be enjoyed. The story slowly builds up with suspence and only rewards the audience with answers until the last remaining episodes. It is really down to preference, but for me, when the answers to the main mysteries were rewarded (after sitting through 10 episodes of confusion, frustration and having absolutely no idea to what is going on in this unpredictable plot) it felt very liberating.

The acting was decent. I liked it. This wasn't a surprise as I was familiar with Cho Yeo Jung from Parasite and Kim Young Dae from Extraordinary You. I haven't heard of the other lead actors until now, but they did a good job.

The show didn't have a particularly wide range of music scores, but regardless I found the OST enjoyable, especially the ending theme 'O.V.E.R.' by Suran. The song gave me a lot of sweet psycho vibes, which suited this drama very well.

I'd say give this show a chance. As I said, you'd either really like it if you have patience, or drop it. I mean, the worst possible outcome is that it's not your cup of tea, and that's okay, at least you gave it a shot.

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  • Drama: Trompe-moi, Si tu peux
  • Pays: Corée du Sud
  • Épisodes: 16
  • Diffusé: déc. 2, 2020 - janv. 28, 2021
  • Diffusé On: Mercredi, Jeudi
  • Station de diffusion initiale: KBS2, Wavve
  • Durée: 1 hr. 5 min.
  • Classification du contenu: 15+ - Adolescents de 15 ans ou plus


  • Score: 7.8 (marqué par 3,546 utilisateurs)
  • Classé: #3370
  • Popularité: #1474
  • Téléspectateurs: 11,290

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