The Victims' Game (2020) poster
Votre note: 0/10
Notes: 8.1/10 par 2,043 utilisateurs
# de Spectateurs: 5,463
Critiques: 16 utilisateurs
Classé #1678
Popularité #2758
Téléspectateurs 2,043

Modifier la traduction

  • Français
  • 中文(台灣)
  • Italiano
  • Português (Brasil)
  • Pays: Taiwan
  • Catégorie: Drama
  • Épisodes: 8
  • Diffusé: avril 30, 2020
  • Diffusé Sur: Jeudi
  • Station de diffusion initiale: Netflix
  • Durée: 60 min.
  • Score: 8.1 (scored by 2,043 utilisateurs)
  • Classé: #1678
  • Popularité: #2758
  • Classification du contenu: 15+ - Teens 15 or older

Où regarder The Victims' Game

Subscription (sub)

Distribution et équipes


27 personnes ont trouvé cette critique utile
mai 4, 2020
8 épisodes vus sur 8
Complété 0
Globalement 10
Histoire 9.5
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 10
Cette critique peut contenir des spoilers
I don't even know where to begin with this drama. Ever since I saw its teaser on Netflix, I was absolutely stoked, for multiple reasons. The production looked fantastic, it was shot in Taiwan , and the premise seemed extremely interesting and unique. My thoughts going into the show was the standard "genius detective that gives little regard to societal rules." As a friend pointed out, something along the line of characters such as Sherlock in "Sherlock BBC" or House in "House MD."

I couldn't have been more wrong. The first thing that this show really nailed home was the depiction of Asperger's. The lead male actor, Henry Chang, did a fantastic job with his character Fang Yi-Ren. From the little awkward quirks, to his inability to properly interact with society, and his ineptness in dealing with human emotion, he really brought his character to life. The show did not romanticise the disorder or the supposed intellect that comes with it, but instead demonstrated the internal and external struggles of someone who has it. Chang's superb acting portrays these complexities and layers in his character in a way that never felt cringey or was "overacting" to me.

Fang Yi-Ren's direct foil was Xu Hai-Yin, played by Tiffany Hsu. While Chang's character was trying to understand emotions and be a "normal person", Hsu's character used empathy to her advantage to get whatever she needed to report about. She plays the ballsy reporter that will do what it takes to rise up in this world, even if it meant obtaining information illegally. Her background felt a bit forced to me in relation to the story's overarching theme, but received a satisfying closure in the end. While dialogue between the two characters were written to be awkward and stocky, their chemistry was surprisingly fun to watch and grew even better as the show neared its end. Chang and Hsu complimented each other well and I would be stoked to see them act together again (rumours of Season 2?) in the future.

Nearly all the side characters, their background, and their role were memorable to me. The story, as unusual as it would be to happen in real life, was something I hadn't seen before and it was clear to me that the writers spent a lot of time thinking and researching everything to the best they could. The last five to six minutes of each episode actually dives heavily into the behind-the-scenes and the film team shared much of what they did, such as interviewing mental health workers, reporters, policemen, or the extent they went to to try to get a "message" across. And as a viewer, I can say they definitely succeeded in this regard as I am still thinking about this show long after I finished it (in a day) and probably will for quite awhile.

At the same time, the really only "con" to this show is that the writers were trying to accomplish too much with too little episodes and more casual watchers might not find the experience as satisfying. The overlapping themes and subtle details were very thought-provoking, but not everyone prefers to ponder over such things or look for such aspects in a drama. There were also clearly parts where they were trying to tie up loose ends that felt slightly forced to me. If there were more episodes and they had the ability to shoot more scenes and "fill up" the story, I think the drama's emotional impact would have been a lot greater. More time to bond with the characters would have been nice as well. But for what they managed to accomplish in eight episodes is already quite impressive to me.

All in all, the show has amazing acting (seriously still impressed with the Asperger's portrayal), beautiful cinematography, intriguing detective cases, and a murder mystery that definitely kept me on my toes up to a satisfying ending. I think, what's also the MOST impressive to me, is that it is a Taiwanese drama that has all of these. For the longest time, I could not find a Taiwanese drama that I could sit down and finish without being disappointed or cringing at the acting or story. I say this as a Taiwanese citizen who is often letdown by the garbage one's country can produce. But I'm so happy to say that The Victim's Game proved me completely wrong and I would be absolutely ecstatic to see more Taiwanese dramas trend towards this direction in the future. Or, maybe Netflix funding is just something to behold.

Highly recommended drama and I will be rewatching in the future. I would love to continue to discuss it with anyone who would spare the time to watch it.

Here are two central themes of the story that I wanted to talk a little more about in a way that I feel the drama didn't completely do and that would be better understood from a citizen's perspective.

The first victim, You Cheng-Hao (River Huang), chose death because she felt that she was trapped as transgender (male to female) in a society who shunned her. Her parents disowned her, she was forced to live a hard life in a host club, and even the customers mocked her as a "gay" when she was just trying to be herself. The reason behind her character couldn't have been more clear to me, as despite Taiwan being the first Asian country to legalise same-sex marriage, a lot of discrimination and legal issues still exist.

The perpetrator, Li Ya-Jun, was not only a depiction of mental health issues, but also on the struggles and likewise discrimination of illegal and foreign workers, which is quite prevalent in Taiwan. They are "nobodies," as one of the characters say, and being treated as essentially human trash in Taiwanese society led Ya-Jun into finding some kind of worth in her supposedly meaningless life.

Each of the "victims" had their own story and background that I assume the writers wanted the viewers to be able to empathise with. I certainly did with cancer patient...that one hit home.

To end with before I go on for too much longer: In one of the ending interviews, the screenwriters mentioned that you could see a part of each of the victims in the main lead, Fang Yi-Ren. That's still something that I'm thinking about and there is still so much to unpack in this amazing show. I hope that everyone who watches it will enjoy it as much as I did!

Lire davantage

Cet avis était-il utile?
10 personnes ont trouvé cette critique utile
août 5, 2020
8 épisodes vus sur 8
Complété 0
Globalement 9.5
Histoire 9.5
Acting/Cast 10
Musique 9.0
Degrés de Re-visionnage 8.0

Solid and heartwarming

Ahhh! I didn't think I would love this drama as much as I do. I'm writing this as the credits are rolling. This drama is soooo touching. I cried a lot in parts later on in the series. The central theme came together so well in the end and what a fantastic performance by the actors. The way this was filmed, the lighting and the acting made the drama feel so realistic and raw. The earlier scenes made it seem like this would be more about the suspense but the over-arching theme was a lot more about humanity and our need for love, attention and acknowledgement.

Joseph Cheng was fantastic as Fang Yi Ren who is a genius who has Asperger's syndrome. The way he expressed his inability to read and express emotions' like other people felt so convincing. Even more so when they started showing his way of expressing his own emotions despite the difficulties. There was one scene where I just started crying with them haha. That's the part that got me the most. It was so well captured and those moments felt very genuine. You have to watch it to experience it fully and appreciate the wholeness of his character. He was someone you just wanted to comfort and give a hug to and tell him it would all be okay.

I loved his dynamic with Tiffany Hsu. It was a bond that started with both sides in it for what they could gain but grew into a genuine, even touching, relationship.

Wow. Even the police force were quite something to watch. Jason Wang as the captain really owned his role. He was natural at it. Actually, all of them were, down to the very minor of roles. That's what made the drama more believable.

The mystery was well presented in a way that kept me interested in what was to happen. After a while though, you figure it out and the *suspense* dies down and I'd say if you are looking for a lot of suspense, you might end up disappointed. Especially with the way this drama was packaged. However, I would like to stress that this doesn't take away from the overall quality and enjoyment of the drama (in fact, I LOVE, love, love this drama). To put it in a more coherent picture, if you've watched Voice 1, which was FULL of suspense and a lot of times, quite gritting scenes, then this would be a tone down from that. I expected something different but I loved what I got just as much as the one I expected to get. The drama was slower in pace, in terms of how the mystery all came together. Personally, I ended up enjoying it and the slower pace let me take the details in nicely.

The investigations were done in a logical manner, no getting frustrated over why the police force were acting in a not-so-smart way (one more reason why I kept watching.)

The music at the end of each episode was so good and again, like the rest of the drama, wasn't the kind of music you'd expect to hear in this. But this music added so much to the overall impact.

The development that our main characters had in the end felt like a pretty neat way to wrap everything together.

Overall, this drama felt so much like a revelation. A look through the inner most aspect of a person, of how and why a lot of the same things that happen to us affect us so differently, make us respond so differently from each other.

I would actually love to see a 2nd season, but this time onto a more procedural, crime focused story. This feels like a prologue and a strong introduction to our characters.

One more thing: The script in this was amazing. Everything was spot on and the characters were able to really convey
what they wanted to say in such a distinct manner.

So yes. One more drama I HIGHLY RECOMMEND!!


SPOILER: (Mild, if you would like to know about some of the character's dialogues. The ones that had so much impact.)


"The meltdown, the pain, and the despair, they are all mine."

"I thought that having a family and getting married would make me normal! I thought I could be normal!"

"Victims... They all seek empathy from assailants. I believe that death isn't the key. We're all afraid of deaths that can't be acknowledged. We all seek
understanding. Have you thought of lending them a hand? I want to lend you a hand. You are still alive. We still have a chance."

"I was never a part of your life. What is "we"?"

"You've always been here. I knew you... before you even knew yourself."

Lire davantage

Cet avis était-il utile?


Copycat Killer
Danger Zone
King of Pigs
Stranger 2
The Post-Truth World
Partners for Justice


  • Drama: The Victims' Game
  • Pays: Taïwan
  • Épisodes: 8
  • Diffusé: avril 30, 2020
  • Diffusé On: Jeudi
  • Station de diffusion initiale: Netflix
  • Durée: 60 min.
  • Classification du contenu: 15+ - Adolescents de 15 ans ou plus


  • Score: 8.1 (marqué par 2,043 utilisateurs)
  • Classé: #1678
  • Popularité: #2758
  • Téléspectateurs: 5,463

Top Contributeurs

24 éditions
23 éditions
16 éditions
15 éditions

Informations et articles

Listes populaires

Listes apparentées d'autres utilisateurs
Nail Biters & Whodunits
400 titles 369 loves
Onde assistir?
6453 titles 81 loves 2
Pint-Size Stories
309 titles 26 loves

Récemment vu par