Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Both are about a girl time travelling to young years of her mother.....................................
While very different in genre and tone, both Signal and Tokyo Girl tell stories of people using a device to communicate with someone in the past, so the characters build up their relationship/friendship despite not being together in person.
The series Signal is about a police profiler in 2016 who finds an old walkie-talkie that he uses to communicate with a detective in the 80's, while the film Tokyo Girl is about a girl in 2008 whose phone ends up with a boy in 1912. Both stories involve the two main characters not meeting for the majority of the story, or not at all.
Again, they are from two different genres, so it's not so much that you'll like one because you like the other. It's just that they share this common theme that you might want to see in something else.
The series Signal is about a police profiler in 2016 who finds an old walkie-talkie that he uses to communicate with a detective in the 80's, while the film Tokyo Girl is about a girl in 2008 whose phone ends up with a boy in 1912. Both stories involve the two main characters not meeting for the majority of the story, or not at all.
Again, they are from two different genres, so it's not so much that you'll like one because you like the other. It's just that they share this common theme that you might want to see in something else.
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Kazu Tokita works at the cafe “Funiculi Funicula,” which is run by her relative Nagare Tokita. A mysterious rumor about the cafe has been spread that if a customer takes a specific seat at the cafe, that customer can travel back to a time of their choice. The specific rules for going into the past are: 1) You can't meet people who haven't visited the café. 2) If you do something different in the past, it won't change the present. 3) Only one seat in the café is able to take someone into the past and if the seat is occupied, you have to wait until the customer leaves. 4) When you go back into the past, you stay in the seat. 5) The time you can stay in the past is until the moment the coffee gets cold. 4 miracles take place at the café.
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
Miho, a high school student, refuses to approve of her widowed mother's potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake, and she drops her cell phone down a staircase. The phone is found by Tokijiro, a boy that lives in 1912
