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- Titre original: 보통사람
- Aussi connu sous le nom de: Botong Saram , Ordinary People , Ordinary Man , Regular Person
- Scénariste: Sa Moo Il
- Réalisateur: Kim Bong Han
- Genres: Action, Mystère, Drame
Distribution et équipes
- Son Hyun Joo Rôle principal
- Jang Hyuk Rôle principal
- Kim Sang HoJae JinRôle Secondaire
- Jo Dal HwanTae SungRôle Secondaire
- Ji Seung HyunPark Dong GyuRôle Secondaire
- Oh Yeon AhReporter Park Sun HeeRôle Secondaire
Critiques
"It ends fast if you stay still"
What will an Ordinary Person do in the face of poverty and corruption? Will an Ordinary Person fight for the children’s future at the cost of his own? What would an Ordinary Person do for his child’s health and future? Set in Seoul during the turbulent 1980’s, two ordinary men would have to decide how much of themselves they could give away and whether they could do something extraordinary.Kang Sung Jin is a police detective barely making ends meet with a mute wife and a son who needs an operation on his leg. Providence seems to reach out and touch him when Choi Kyoo Nam of the Intelligence Agency gifts him an envelope containing evidence of a serial killer. The killer just happens to be in Sung Jin’s jail cell. It’s up to Sung and his partner to gather the witnesses and coerce a confession from Kim Tae Sung. It’s not long before his friend and reporter Chu Jae Jin, points out conflicting evidence putting Sung Jin in not only an ethical dilemma but both men in a life and death one.
The events in the movie lead up to the 1987 Defense of the Constitution and demonstrations. Torture and forced confessions were business as usual. Jang Hyuk’s Choi Kyoo Nam was ruthless and saw those beneath him as mere dogs which he could order to do his bidding. If they faltered, he would just make dog stew out of them. The Intelligence Agency had its tendrils everywhere.
Ordinary Man forced its characters to dig deep and make diligent and dangerous decisions. Like in an old Kaiju movie, the monster didn’t truly reveal himself until the forty-minute mark. The film could have used some trimming to narrow down the story and focus. It started out with a comedic chase, but anyone who has watched Korean movies knows better than to take that bait, it’s never long before the pain sets in.
Sung Jin found that once you did the devil’s bidding, there was no turning back. A new car, money to spend, an operation for his son all seemed like a dream come true until it became a nightmare of agonizing ethical choices. Choices had consequences, terrible irrevocable consequences. This was not an action movie, and only the framework had to do with the pervasive corruption in society. At its heart, the film asked what would an ordinary man do when faced with dire moral challenges never knowing if his choices would change anything for the better or if he’d be able to live with them.
"If I don't fall, no one can knock me down."
5 July 2024
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