One Day (2017) poster
Votre note: 0/10
Notes: 7.6/10 par 1,526 utilisateurs
# de Spectateurs: 3,318
Critiques: 9 utilisateurs
Classé #4571
Popularité #4005
Téléspectateurs 1,526

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  • Français
  • Español
  • English
  • magyar / magyar nyelv
  • Pays: South Korea
  • Catégorie: Movie
  • Date de sortie: avril 5, 2017
  • Durée: 1 hr. 54 min.
  • Score: 7.6 (scored by 1,526 utilisateurs)
  • Classé: #4571
  • Popularité: #4005
  • Classification du contenu: 15+ - Teens 15 or older

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One Day (2017) photo
One Day (2017) photo
One Day (2017) photo
One Day (2017) photo
One Day (2017) photo
One Day (2017) photo


46 personnes ont trouvé cette critique utile
avril 12, 2017
Complété 12
Globalement 10
Histoire 10
Acting/Cast 10
Musique 9.0
Degrés de Re-visionnage 10
“One Day” announces the birth of a new genre,

I had to think for a couple of days before writing this review because I had to sort out my feelings and thoughts so I could form them into words. Sadly though, mission is not accomplished. No matter how hard I thought about it, it is really hard to put this movie into words. It is a movie that you need to “sense” not “read” about. Thanks to director Lee Yoon-Ki, who is known as an emotional delicate director, the movie had so much charm and beauty added to the already beautiful story.

'One Day' is a healing-fantasy movie about two wounded people, it depicts the story of a man and a spirit with a similar pain and scar who meet each other ‘one day’. One of the reasons I labeled this movie as a new genre is because even though there was no love story going on between the two, the story was very much about ‘love’. It was fascinating to me that loneliness, emptiness, anxiety, and lack of heart of two people could be healed without the ‘I love you, I don’t love you’ format. I can’t even begin to express how captivated I was by the fact that this movie healed wounds without "love" between Kang Soo and Mi So. With all the sorrow in disguise it still managed to be a refreshing new genre.

One of the modest yet profound messages in the movie is when it suggests that a ‘blind’ person should be referred to as ‘blind’ person and not ‘impaired’ (it made a huge difference in Korean language and in my opinion it makes a difference in English as well as my own language).

Kang Soo and Mi So are two people who face each other through their scars and as they get closer, they realize that their wounds are in 'contact'. The best expression I could define them with is, 'window' because they were like a window to each other. On one hand Mi So is Kang Soo’s window to his inner-self and the memories that he locked away after losing his wife. On the other hand, Kang Soo is Mi So’s window to the world.

The story on the surface ‘a living person meeting a spirit’ is not a new material it's been done before countless of times. However, unlike other projects, ‘One Day’ depicts pain and loss in a beautifully healing fantasy. Mi So as a character as her name suggests (her name means ‘smile’), is not just your average spirit, she’s a bright, vivid, warm, sweet and endearing bundle of joy. Watching her smile was all the joy I needed.

The delicate and modest directing of Lee Yoo-Ki takes this fantasy and naturally applies it in our reality without risking the material becoming overwhelming.

Two of the most remarkable points in 'One Day' are Kim Nam Gil and Chun Woo Hee’s golden performance (calling it 'golden' is an understatement). KNG’s charismatic act through his deep expressive eyes even with scenes featuring no dialogues at all has once again swept me off my feet. He embodied Kang Soo and captured every bits and pieces of his pain and sorrow. KNG’s delicate display of Kang Soo’s emotion was top class graceful performance. However, this movie’s heartthrob I shall say is Chun Woo Hee. It is hard enough to play a blind character, but to also have to play a spirit, who on the other hand can actually see, is a challenge on its own. I don’t know how I will adjust to the fact that she’s not Mi So and she’ll be playing other characters in the future but I do very much look forward to her future projects.

Wonderful instruments combined with exquisite sceneries that had me taking deep breathe several times as I feast my eyes. This is the first time I’m actually happy with the music section in a movie.

I’m a person who enjoys dramas a lot more than I do with movies, simply because movies have different format and the fact that they end so quickly doesn’t allow me to connect emotionally as well as I do mentally. Thus, it’s really hard to find a movie that not only do I NOT want to ever finish, but also makes me feel as if I’ve entered a different world. ‘One Day’ is that kind of movie to me, a movie that I never thought I’d come to meet. I went to watch it as a huge KNG’s fan and came out with a movie that I can finally label as an absolute favorite of mine. ‘One Day’ is definitely not a movie for everyone, but it’s a movie that will have you sensing all shades and colors of emotions.'One Day' is a beautiful, fresh, artistic, delicate, ‘feel good’ (despite the sadness) and enriched with classic vibes movie. It has ‘rightfully’ stole my heart. Finally I have met my 10/10 movie.

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19 personnes ont trouvé cette critique utile
juil. 14, 2023
Complété 0
Globalement 9.5
Histoire 9.5
Acting/Cast 10
Musique 9.5
Degrés de Re-visionnage 9.0
Cette critique peut contenir des spoilers

A pleasantly beneficial KMovie infusion. Quiet. Tender. Full of consolation & healing impulse

"One Day" is a beautiful KMovie. Quiet. Tender. Full of consolation and healing impulse. In addition, the story expands the usual dimensions of perception - human being sees ghost; man builds relationship with ghost. The extraordinary situation facilitates extraordinary closeness, opens up new perspectives and allows the male protagonist to look behind the obvious.

The female lead character is visually impaired in life, yet specialized in sensing touch instead. The male protagonist, on the other hand, finds himself in a stage of his life, where he prefers to avoid his feelings, because they might overwhelm him. His inability to face the grief over his deceased wife, his feelings of guilt and being lost completely block him. By the way, the female protagonist is also blocked: she is in a coma.

The process of rapprochement between the two triggers a healing process, which is captured tenderly and lovingly, reaching out to the side plots, too. The KMovie knows how to touch. It might come along in an unexcited manner, yet with the perseverance of water, dealing with the stone...

After seeing the movie for the first time, I had no idea what had happened to me. It had pulled me into gentle inebriety. I had actually been sucked in and completely lost the distance.
So I couldn't write anything about it at first. I knew, l would rather want to see it again sometime in the near future. And again, it might not have been my last encounter with “One Day”. Why? Because of the overall gentle tone, the particular radiance, and the unique look&feel of this story. Because it's good.

“One Day” is not a blockbuster, no. However, in my eyes and according to my feeling, it offers a pleasantly beneficial KMovie infusion. (With wonderful acting, too.)

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Be Melodramatic
The Soul-mate


  • Movie: One Day
  • Pays: Corée du Sud
  • Date de sortie: avril 5, 2017
  • Durée: 1 hr. 54 min.
  • Classification du contenu: 15+ - Adolescents de 15 ans ou plus


  • Score: 7.6 (marqué par 1,526 utilisateurs)
  • Classé: #4571
  • Popularité: #4005
  • Téléspectateurs: 3,318

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