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- Titre original: 愚行録
- Aussi connu sous le nom de: Record of Folly , Guko Roku , Gukoroku
- Scénariste: Mukai Kosuke
- Réalisateur: Ishikawa Kei
- Genres: Thriller, Mystère, Psychologique, Drame
Où regarder Traces of Sin
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Distribution et équipes
- Tsumabuki SatoshiTanakaRôle principal
- Mitsushima HikariMitsukoRôle principal
- Koide KeisukeTako HirokiRôle Secondaire
- Usuda AsamiMiyamura JunkoRôle Secondaire
- Ichikawa YuiInamura MegumiRôle Secondaire
- Matsumoto WakanaInamura YukieRôle Secondaire
Critiques
For me, something remarkable in this film is its deliverance wherein lies which molded the beings of two characters that were said to be or known to be the 'perfect' couple on the surface were slowly peeled off of their facade ( when re-investigation came about for the homicide case ). And slowly, we as the viewers get the chance to see the perspective people had of them, their 'real' characteristics or who they are while trying to uncover who killed the family. BUT at the same time, hearing more perspective gets you confused. It is the same with reality, we hear various sides and ideas to a story and it just keeps piling up until the truth is even more covered. It is a film that will make you think until the very end.
I wouldn't say this as something I completely dislike because I decided to pick the film knowing the circumstances, but the theme was dark or heavy for me and can be triggering. So, that's a heads up for those who wishes to try.
Overall though, the acting of Mitsushima Hikari and Tsumabuki Satoshi is always on point and will pull you along the tides of emotion. No doubt about that. The lighting, music, and cinematography were also a great choice for adding to the 'suspense' atmosphere of the film. Also, this is a the type of film you would need to re-watch a couple of times to understand and perhaps get to the answer you're looking for.
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Beyond appareances lies sin
This film was not on my radar and probably without Fatema's post about it on the feed, I wouldn't have even been tempted to watch it.First of all, it's important to know that the red flags mentioned in the tag are mostly implied, however, even so it's still super heavy because of the atmosphere conveyed by the film's narrative.
This film turned my head upside down as I saw, on the surface, a seemingly mundane story of the murder of a happy couple and their daughter, an emotionally unstable young woman and an investigative journalist in search of the truth. But the truth is hidden elsewhere, the truth isn't so bright, it's even dirty, and in retrospect we find that monsters aren't always as we imagine them.
Unlike many viewers, I like the hyper-slow aspect of the story. We have time to settle down and follow Mitsuko's thoughts, the intensity of her feelings which differs from the coldness of her actions. As for Tanaka, the character makes us uncomfortable, wanting to know everything, there is really this "too much" side to his behaviour which does not bode well.
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