Recommandations

Enemies to Lovers Trope – Both series feature a strong-willed female lead who initially clashes with the male lead before romantic feelings develop.

School Hierarchy & Bullying – The male lead in both stories holds a position of power within the school (F4 in Boys Over Flowers and Section E in Ang Mutya ng Section E), leading to conflicts with the female protagonist.

Love Triangle – A second male lead also develops feelings for the female protagonist, adding emotional tension.

Character Growth – Both stories explore personal growth as the characters navigate relationships, responsibility, and self-discovery

This show has a lot to do about food, which was nice and exciting and it also had a bit of romance that had a good development between the characters.

Both series feature an entrepreneurs launching delivery companies with a cadre of friends who confront challenges presented by powerful competitors. FWIW, Mad Unicorn is based on IRL Thai company Flash Express, which launched in the same year as the K-Drama Strongest Deliveryman aired. Could that IRL success story have been inspired by the K-Drama? ?

We find a male leader who is a comic book artist. The female lead lends to be his assistant. It's a university romance also with a psychology student half cartoonist

Power couple
ML is hosted prince in other country trying to rebel and take his throne, FL is female general and her family died miserably and she thinks ML did it and wants to take revenge.
Enemy to lovers

Similar vertical story where shy girl dates a playboy guy in college who is the boy she's had a crush on since high school.

The novel's story is kinda have same plot as this drama but they changed for drama and FL thinks she lost her family cus of ML and wants to take revenge but she is misunderstood

Both are historical drama's about love story between male and female generals.
Power couple
Cold ML, smart FL
Revenge story

1. Adultery
2. Married Woman Pregnant by Another Man's Child
3. Uragiri no Machi relates to a Married Woman & Mistress sisamanse consists of Other Women Story's as well

Both have the same vibe. Both stories are Dark and centred around a murder mystery. In Doubt, the father, who is a profiler, suspects his daughter of murder, and in Nine Puzzles, the Detective in charge suspects the niece of the murder of her uncle, but the niece later becomes a profiler.

Both are female centric.
Both have strong female lead.
Both about military, scheming, politics, power struggle, political intrigue.
Moli might have more romance than QSD.

In both dramas the mc goes through a lot of struggles before actually startingnew phase in their lives, both are about power struggles, revenge, scheme, jealousy, concubines, harem...
Both show how the women obtain power and be independent.
Historical dramas centered on a woman (empress /noble lady).
Both are historical dramas that have strong, proactive and very determined female protagonists.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student.

One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student.

One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student.

One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.