For me perfect (even if nothing is really perfect)

I like this just as story but I think under the surface the mono-probe theme is really metaphor for minority identity and alienation and with the BL setting specifically alienation and search for identity of lgbt sexual orientation with one boy in school ”society” masking his colors and his full self and the other needing him to unmask to also unmask his own full spectrum of identity forced into monochrome by dominant society (not just mono benefits both need each other)〜I like the episode with the ”rainbow” prism being revealed to the mono 〜and I think the resistance of the mono boy fearing the probe's advances = refusal to accept your sexual identity because pressured to conform to dominant assumptions and attitudes for me this is a very original take。actually this is from my personal experience maybe others interpret otherwise。 if some aspects of surface story stay unclear this is not so important for me 〜maybe this is because life is unclear and we also have to read in to the story to create our own vision
First rewatch 21/July

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At first I was rather bored by this show and irritated by Kim Go Eun's character, however as it progressed I really came to enjoy it and watch it every day. The story at the start and especially how Park Hae Jin's feelings for Kim Go Eun changed for me was quite bizarre and how the change happened not fully understood. Perhaps he had feelinggs all along? but initially twisted, unable to relate to or trust people normally? The conclusion as is often the case in these dramas annoyingly used the fairy wand time-shift device and was nice and neat but not very credible in some respects. However for me a very watchable drama. I liked Seo Kang Joon the best. Lee Sung Kyung provided some comic moments but with some not-so-comic flaws in her character [well-acted I think]. Park Hae Jin's. character was interesting and I liked the development from the aloof, calculating persona [whichPark Hae Jin plays very well] to his character at the end. Kim Go Eun was sweet, but one of those characters I feel like shaking into life, to react instead of letting things happen to her. It seems everything happened around her with her passively at the centre. She played that character well if that is what it was supposed to be. I also liked the supports. Really good drama once it took off from the slow start. May rewatch again but not soon.

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Sci fi thriller with enough novelty, twists and intrigue to keep me watching- no loss of interest in the middle. Sci-fi meets power melodrama with a slice of comedy. Good looking leads. The story really grows in meaning and it does raise (for anyone thinking beyond the story-line) important existential issues like where does the human "machine" end and consciousness and identity begin. Also how to reconcile the good and bad sides of human nature or is that even possible? or what do good and bad mean? and how far are we or human society prepared to go to ensure the "good" side prevails? who decides what is good? It passed my test of getting towards the end and putting off finishing it because I did not want it to end. Although the whole story was done very well and the plot well worked-out with twists at the end, I must say I found the first half or so, which focused more on the "non-human", better and more appealing than the second half. Without giving a spoiler, those who have watched may know what I mean. Music did have an impact. Re-watch - maybe at some time in the future. Overall must be another 10/10.

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After 6 episodes the attraction of this program imho is in inverse proportion to the volume of the romance scenes between Kim Shin and Kim Go Eun - and it seems to be increasing………ep 8 excellent, if a bit heavy - even kim go eun was good…..getting up to episode 13 I shared the consensus that this was a top-flight drama.

I put off watching the final episodes 14 - 16 because I was reluctant for it to end. Now I've watched ep. 14 which is clearly sequel in nature. I have to say I found it a hard slog, the sparkle has gone, the interaction between Goblin, Grim Reaper and Deok Hwa sadly missing. If this continues I would have to say it was a mistake. They should have finished with ep.13 and maybe a brief "follow up" finish. Don't mean to be b*****, but the idea anyone or any supernatural entity would span the universe in eternal love to chase Kim Go Eun stretches credulity.

Taking the plunge again at Ep. 14 better but I find the central romance utterly unconvincing, partly because it just goes on far too long - there's a limit to the sweet endearments and exchanges you want to hear.

Finished at last! A suitably complex and, I'm glad to say, unpredictable ending. Ah, if only life - and death - were like that. Turned whimsical again at the end, but inevitable I expect. Isn't it wonderful also how time can pass in a camera shot in TV dramas? Preferred Grim Reaper and Sunny and Deok Hwa to Goblin and Eun Tak, though the latter did improve markedly towards the end when she stopped playing all "kittenish". Which reminds me, what happened to Deok Hwa amidst all the complex comings and goings at the end?? So annoying.

The production values, background scenery and camera work were excellent throughout and the fashion sense fabulous - but when my mind keeps going off the story to the clothes and background scenery, annoyingly missing the subtitles, desperately waiting for the next scene with Grim Reaper and/or Deok Hwa, it's clear that it's not entirely absorbing my admittedly volatile brain. Music almost entirely good. Re-watch value? well not any time soon, but the fashion, design and memory of the comic parts may tempt me. Still, there's nothing else for it, but to give it 10/10 for the overall achievement.

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I agree with the other reviewer, it's painfully slow and sentimental, I really do not see police officers, especially cadets, behaving like that. Despite the attractions of Miura Haruma and Sato Koichi, I really can't take this seriously. Miura as the clean cut recruit looks nothing like his real self and is totally out of character. His haircut sucks. Sato is just not convincing as a tough guy cop turned instructor. I think both landed a stinker here. A generous 4/10.

Story - unoriginal, unbelievable
Acting/cast - on paper Miura and Sato ought to be a dream team, here they are more like a dead duck
Music - ?
Re-watch - unwatchable

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