Action thriller + Comedy feat. Tragic ending

D. P. (Deserter Pursuit) is a short Netflix Korean Drama which basically is a action thriller accompanied by comedy and shades of military life, which illustrates truth and tragedy. With 6 episodes of 50 minutes, this drama surely creates some impact on millions of hearts by making us think again about the harsh reality that negligibly changes.

STORY & PLOT:
The drama is about D. P. Officers who are a group of specific personnels in the army assigned to go out of the bases to catch soldiers who have deserted or escaped from the training camps for various reasons.

The drama involves Ahn Joon Ho, a newly enlisted guy, serving his 2 years mandatory military service, who is appointed as a DP officer to replace someone and is then accompanied by Han Ho Yul, who partner each other to hunt down the absconding military personnels. Sergent Park Bum Goo is the section chief for DP dept. Captain Im Ji Sup is newly transfered trainer for the base.

Given that the drama is of only 6 episodes with short duration, it's difficult to narrate even the gist but I will try. So In the drama, Ahn Jun Ho and Han Ho Yul can be seen going out to catch deserting officers. They have to investigate and look for traces by of the soldiers by different means, even so they had to spend money. And after catching them, they come back to the base.

Along with it, their is a main plotline that continues simultaneously which is about Private Cho Suk Bong, who escapes more than once and even commits criminal offence. The drama ends with his case which was a tragic one.

CAST & ACTING:
Well, our favourite oppa Jung Hae In plays Ahn Jun Ho and obviously he's an great actor who did his job right. This character of him also similar to what he had played in Prison Playbook, to a great extent. He never responded to violence and injustice but is passionate about whatever he's given to do. With a bad relationship with his family, he thrives to live well.

Koo Kyo Hwan plays Han Ho Yul and I honestly fell in love with his acting and how he looked in here, especially his hairstyle and accent of dialogue delivery. He's someone who can't stand injustice either but since he can't directly object it, he tries to prevent things in his own way.

Sergent Park Bum Goo is played by Kim Sung Kyun, my personal favourite and a great actor. I usually prefer him in comedy roles but he can ace any character given. His character is a morally upright man who can go to lengths to do his job, but anyways in the right way. He might be strict with his underlings at workplaces, he cares for them to a great deal.

DIRECTION & WRITING:
Direction is cool. Everything has been well executed. They did a good job in organizing and synchronization of events. There is not much to sound editing as they go bland mostly, but those subtle thriller editings and upbeat background scores at suitable places were good enough to keep the thrill going.

Writing is nice as well. Story progression and plot development is quite good. The showcase of humanitarian values in between, was a great idea. The illustration of harsh things like bullying and abuse inside the military bases leading to desertion, hierarchical competitions between higher authorities, isolation & violation, senior complexity are very well done. Corruption and the idea of hiding truth are also touched.

CONCLUSION:
I feel the drama is not just meant for entertainment or thrilling, it also asks us to look behind the scenes and think how cruel it is to go through injustice and yet having no way to escape other than escaping from life. I'm sure it'll create some impacting by making the audience think how wrong it's to bully and abuse someone who is weak. It also demands the change in system and regulations in the military laws and to create a safer environment for not just people serving mandatory military service, also for the professional army personnels.

Overally a good drama and worth the one time watch.

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Blue is the warmest colour.

Blue indeed is a colour of warmth and as an object, is a compassionate ode to the vagaries of the heart. The emotional honesty, precision, abandon and need; all summed up within the blue, have been the greatest force of love and benignancy. Letting the blue sky meet the blue sea could lead to bedazzling consequences, opening unimaginable possibilities. "Our Blues", the drama and it's stories illustrate as well exhibit the blues of a varied spectrums of lives and the arrays to which the life can haul us to.

Produced by 'GTist' and developed by 'Studio Dragon', "OUR BLUES (우리들의 블루스)" is an omnibus-themed Kdrama created and nourished by none-other-than one of the best Korean writer Noh Hee Kyung jakka-nim. Joins her, her partner-in-crime, Kim Kyu Tae PDnim, assisted by Lee Jung Mook PD-nim as a debutant who's in fact been the executive producer of several qualitative hits. With a super-duper multi-starrer cast, the show was originally broadcasted on tvN whereas Netflix is in charge of international distribution. This also marks Kim Woo Bin's comeback drama after 6 years long hiatus and has been shot in Jeju Oil Feild, while a fraction of it has been filmed in cities like Seoul and Mokpo.

Established against the backdrop of Korea's Pureung-ri in the famous Seogwipo, the 2nd largest city on Jeju-do island or the southern part of Jeju Province, "Our Blues" is formatted as an omnibus tale of 14 characters, divided into 8 stories, told in a total of 20 episodes. While the term "omnibus" literally refers to different stories in a single book, the drama takes on characters living in the same neighbourhood who are interconnected and their path crosses on a daily basis, but the manner of presentation emphasizes only 2 of them at a time. In simple words, at a particular, time only a few characters are the protagonist of the story, having them at climax/peak, whereas others are simply extrinsic parts of their lives, coming in and going out of the scene randomly.

The drama is a true example of what you called a star-studded cast, filled not only with soooo many popularly acclaimed and skillfully talented actors but also with renowned makers who have always proved their worth. Among many, the major cast are: Kim Hye Ja, Go Doo Shim, Lee Jung Eun, Cha Seung Won, Shin Min Ah, Han Ji Min, Lee Byung Hun, Kim Woo Bin, Uhm Jung Hwa, Choi Young Joon, Park Ji Hwan, Bae Hyun Sung and Roh Yoon Seo. Special mention to the child actress Gi So Yoo who played Son Eun Gi and won hearts with her realistic acting of a 5 years old child.

In supporting cast, the familiar faces are: Kim Kwang Gyu, Nam Kyu Hee, Cho Hye Jung, Baek Seung Do, Lee So Byul, Park Jee A and Yoon Byung Hee. Again, special mention to Jung Eun Hye who played Lee Young Hee, a person with Down's syndrome, who, in real, is someone with the syndrome, and did a spectacular job. There are so many other known faces in guest roles, here and there in the show.

Rather than writing a character description, describing different stories without spoilers is a better choice. It's important bcs the drama doesn't have a particular plotline, and as told earlier, it consists of several stories.

# Eun Hi and Han Su: The wealthiest fish trader Eun Hi, who's loved by the entire neighborhood, reunites with her long-missed first love Han Su, whom she dated during highschool but grew apart due to individual situations.

# Yeong Ju and Hyun: These 2 highschool students who live in the same apartment, and been friends since childhood, secretly start dating and plan to fly to Seoul after graduating. However, an unexpected hurdle come their way, disturbing their entire wishes.

# Seon-a and Dong Seok: Thinking she's hit the rock bottom, Seon-a travels to Jeju, where she meets his first love Dong Seok, whom she'd abandoned years back. Still, uncertain about their feelings, both of them become friends again and help each other comfort.

# In Gwon and Ho Sik: Considered brothers from different mothers, Ho Sik and Ingwon had been there for each other through thick and thins, but as life happens to them, they grow apart, resenting each other for years. Now that their children are involved, they seem unable to turn away, rather fight it off.

# Young Ok, Jung Jun and Young Hee: As Young Ok and Jung Jun grow closer, Youngok's uncertainties have always bugged Jung Jun, and he's afraid of being left back. There enters Young Hee, bringing love to the city and to the relationship between the couple.

# Eun Hi and Mi Ran: The highschool duo, the rich Mi Ran and the poor Eun Hi, known as princess and maid, respectively, has always been there for each other. But there exists misunderstandings created due to own's sense, which has to be dealt with.

# Chun Hee and Eun Gi: The boss of sea Chun Hee samchun is excited for her family's comeback to Jeju to live with her. But as life becomes cruel, not knowing what's happening, she is left to take care of her granddaughter Eun Gi, who's adorable yet irritating.

# Ok Dong and Dong Seok: On the verge of death, Ok Dong samchun wishes to make up with her son Dong Seok, who resents his mother and has separated for long. As they set out on their first and last trip together, will they be able to clear the distance between them?

I do wish to elaborate a little about the topics the drama has attempted to tease and start conversations about, and doing this separately without character names, in order to avoid spoiler...... The most important element the drama tries to emphasize on is depression and related mental health issues; through a character, the drama shows how severe depression affects the lifestyle of one as well as their relationship with others. I believe it's one of those few shows, having the real symptoms of depression, that can be triggering. The 2nd most important placed is Down's Syndrome, a specially-abled person and the way of embracing them; I loved how well they have tried to draw basic notions about the normalcy of it, it was simply overwhelming.

Unprotected sex and teenage pregnancy are 2 other important elements showcased in the story, through which the writer might not have put forth the cons of it, but using it she's demonstrated the possibilities of growths in relationships and strengthening of love. Through each of the stories, the drama again, has emphasized the power of confrontation. Confronting one isn't always intended to bring down the rival, rather it provides a great mean of bringing out all the inner thoughts, helping in clearing misunderstandings. On that note, the drama also highlights greatly on self-realization and putting forward the flaws of all the character, which is follows by learning and growth, no matter their age, gender, situation and roles.

One of the many things that I loved about the drama is how they have also clearly shown that, our feelings and complexes about our friendships and other kinds of relationships are not childish or silly, because our thoughts and emotions always carry some values and could burden us to unimaginable levels. Both male and female friendships, the similarities & dissimilarities and the gravities of sentiments have also been pointed out by the writer.

Another thing I liked was the portrayal of real behaviours of the old people; as in showing how they could be irritating, annoying, demanding and adamant about anything, frequently frowning and getting afraid instantly upon being screamed on and still crawling back to their own people, etc. These are not something to really complain about but most of the kdramas do not show it. Rather calm, relaxed and postured sides are the only tools used in typical Kdramas. I hope people don't misunderstand what I am trying to convey, it's simply a way of praising how realistically the makers have presented it. On that note, the makers were able to create a typical suburb environment and bringing out typical village lifestyle and human values.

Additionally, the show throws lights upon many small to big elements like: financial mishaps, aggrandizement of love, fraudulent intentions, custody battles, love for kids, reminiscence of foregone days, secrets and lies, shades of parenting, grudges from past, holding back thoughts, conflicts in group jobs, terminal illness, accidents, being long-term bedridden, poverty, bullying, etc.

The well-crafted show is a proof that something can be fun, exciting, thrilling, emotional and touching even when there isn't much going on in our lives or even in the contrary situations. The intricate and intimate glimpses into a character's life immerse you in their very worlds, not through glamorous and flashy visuals and actions, rather a realistic and relatable presentation; totally wandering, hazy, witty and totally absorbable. The drama successfully captures tumultuous moments, all the joys and all the growing pains meshed together.

The drama marks the comeback script of Noh Hee Kyung jakka-nim after a break of 4 years, but we know she was busy creating another masterpiece yet again. With the experience of over 2 decades and a half and creating numerous popularly acknowledged slice-of-life stories, jakkanim has comeback with a piece that is unique for Kdramas. The drama itself is character driven and the cerebral & in-depth portrayals of life remains the key feature, as her usual signature. The simple yet lesser discussed topics, the elements used to narrate the stories related and the touching plus triggering outcomes from each of them, everything has been sketched with lots if care and sense, that it directly hits the core of thoughts of the viewers.

As the maker of numerous highly acclaimed and huge budget dramas with skyrocketed ratings, Kim Kyu Tae PDnim is one of the top10 directors of Korea. Using the experience of almost 3 decades, he creates stories that most of the viewers are able to live than merely relating with their own lives. The presentation is all that matters, as they say, PDnim has proved to have mastered that craft, which clearly shows. Tell me a point that you thought was off about the flow of the show? Nothing, right? From screenplay management to scenario setup, from script interpretation to scene execution, from screen editing to accessory coordination and finally the filming supervision, everything reflects on how well PDnim has understood his job of absorbing the essence of the script, it's narrative and the storytelling style intended by the writer.

Cinematography of the show, as priorly expected from the audience because of the announcement of story being primarily set up in Jeju-do, went beyond the expectations. The agricultural land of varied green accompanied by propelling huge wind turbines, the coastal vincent and deeper navy blues of the sea paralleling with the story, the mysterious yet mesmerizing bed of ocean-floor decorated with planktons, abalones and conches and the sceneries of sunset and sunrise with contrasting yellow and orange hues, everything had their own significance and provided with alluring sights to the audience. Choosing the gauge, managing the speed, setting the sensitivity with diffusing filters and adjusting to an aesthetic frame with appropriate lens, the director of photography surely has mastered the art of moving photography.

The silhouettes of single houses with rock boundaries, having flowers blossomed on them, did serve as an unusual visual elements to me. I think I can stare at them for hours and still won't get bored. The marketplace was another location frequented by the characters, a place where almost all of them crossed paths on daily basis and from our pov, every single day. It was the place where several peak moments took place and served as a buffered zone, typical of village scenarios (though the show is set up in a town). The profuse number of occupations, little details added to their jobs and their ample contributions to the trade and business of the region, even so subtly, it's been shown resplendently.

The exclusive Jeju dialect (제주방언: bang'eon) used in the drama makes it even more indulging, particularly for people like me who're into language. The larger and more conservative vowel inventory of the dialect and nouns ending with ㅁ (m), make it unique. There were few moments where the characters used pure Jejueo for which the makers have given subtitles with standard Korean language.

Putting the emotions and momentarily paused reactions in a "frame" is how they want to emphasize that how the beauty of art is more to do with the backgrounds, rather than the art itself, which implies the small yet bonny inputs into our lives.
'Building back broken houses' (Ingwon and Hosik) or parts of it signify how the living entities always require to be mended with love, care and warmth. It's always wise to restore back what we have than desiring to get what we don't have. Even when things like approach and apology serve as saviors of relationships that you want to hold onto, do it.
'Harvesting abalone and conches, together', as the hanyeos said "We move as one", tells how unity is the key to prosperity. Before the fruits of prosperity can come, the storms of life need to first bring the required rains of testing, which mixes with the seeds of wisdom to produce a mature harvest. The lives of hanyeos reflected that a lot.
'Painting walls' (Dongseok and Yeong Jun) as a sign of renewing the preexisting ecstasy of life with a different colours, as your situations suit. Painting both dreams and nightmares, with one step further, painting own's reality, might result in eternity.
'Writing down the curiosity and thoughts' instantly is a tool for many to relief their pain, more than just keeping tracks. Dairy-keeping is not as simple as it seems and turning your diary into your best possible story, could be considered a miracle. While maintaining one, when you've struck the right vein, tiredness goes. It must be an effort, thinking wrong.
'One stone at a time', for life and prosperity; rock balancing is not new in Kdramas but through Ok Dong samchun, Noh jakka has tried to present the ways to extract hope from balancing rocks, slowly and steadily.

The coming-of-age essences to the stories and the characters serve as a perfect device to nourish the vitality of the messages the writer desires to give away to her audiences. The psychological and moral growth/transition of the characters, from a point of misery to prosperity or vice versa, has been a mesmerising chronicle to witness and preserve. Personal growth and change of them, contributed by different others, signifying the importance of community life, particularly in village, where all of them are protagonists of their own stories, makes it gratifying, which is again feathered by the beautiful dialogues, emotional responses and sumptuous actions & reactions.

Composed by Choi Seung-kwon and Kim Ji-soo, there are 10 OSTs in total, all sung by very skillful vocalists of South Korea, bringing back the OST queens back to track. I love how amazingly the OSTs have been used in the drama.

# "The Last" by Heize is my most favourite which is a comforting track about the warm moments in love.
# "Remember Me " by Davichi is a melancholic song about reminiscences.
# "With You" by Jimin (BTS) and Ha Sung Woon is a softcore and mesmerizing track depicting desires and confession.
# "For Love" by 10cm is a jolly romantic track as an ode to blooming love.
# "Whisky on the Rock" by Kim Yeonji is a retro-styled song with gracious vocals is an ode to the old and care free days.
# "ONCE AGAIN" by Winter and NingNing is a song about assurance of staying beside.
# "By My Side" by Taeyeon (GG) is a melancholically healing song about regrets.
# "Bye Bye" by Punch is a mellifluous song about missed opportunities.
# "Happy Song" by MeloMance is indeed a song about happiness and hopes.
# "STAR" by STAYC is about the beauty of love, written with gratifying lyrics.

The opening theme at the beginning of each episode with aesthetic set ups, as someone picks up the record for characters meant for that episode, playing the record player and unfurling their stories, all these provided great joy and was ecstatic.

Apart from these, the drama also has many old songs, not only Korean but non-Korean along with classic jazz, that has been either used as a background, or played/sung by the characters. The 1962 Italian pop classic song "Quando Quando Quando" by Tony Renis as well as it's English version cover by Korean singer Moon Haewon (문해원) is the most mesmerizing. "Our Blues,Our Life" by Lim Young Woong is a beautiful track.

My most favourite dialogue is...
"I heard this typhoon will pass by. But again, all of them do. Just like this typhoon, everything will eventually pass by soon. Now get some sleep, Yeong Joo-ah~ I love you."

Final Remarks... And just like that, once again, another drama has made me question my worth for daring to judge it; it took a lot of efforts to put my feelings and experiences into words. Another masterpiece slice-of-life drama is OUR BLUES which will be placed in the deepest cores of our hearts and remembered, for it was beautiful, healing and profoundly heartwarming, making us to think, resonate, rationalize and acknowledge the determinants life throws at us. I would have loved if it were more, I mean, at least that's what I desperately wished for. I would like to offer my gratitude to Noh jakka from offering us another spellbinding piece of art. Thank you to each and every one involved.

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Don't have high expectations; good but not the best

Sinkhole, as I had expected, is nothing sort of very wow. Sure, it's a decent one time watch that keeps you stick to it till the very end, I couldn't find a reason it broke records in South Korea.

The primary concept of the movie is nothing new, i.e. house ownership issues in modern Seoul days. The fact it being disaster survival movie plus a very powerful cast had interested me a lot but as I watched it, I ended up disappointed with it in overall.

I mean I also admit it's a decent movie but my disappointment arises from the news of its box-office records plus the cast but the movie not being anything very nice. There is a high standard of survival thrillers when we consider the Korean Entertainment Industry and their movie production quality. So I am simply saying that Sinkhole failed to meet that line. Also, it felt a lil short, as in, the movie ends even before you realize.

Different families move to a newly built five storey building with their hard earned money only to end up in a sinkhole which no one was aware of. After a few months the entire building falls into the sinkhole early morning which was very unexpected and the number of people fall into it along with the apartment are 9. So the story is how they survive the fall and get rescued in ghr end, accompanied by their back stories which are only narrated from the character.

The basic plot is short yet decent with many momentary peak points which are extremely enthralling, and somrtimes emotional. And as usual, this also has things to learn from and take a note about. Instances that makes you cry; either it touches your heart or stab it with knife, are suitably accommodated in the story. The movie starts on plenty of comedy that lasts for almost 20mins and in fact there were funny instances in between too but it's not a comedy movie, keep that in mind. The survival movie is a mixture of many emotions which were perfectly executed.

Storywriter successfully delivered an up to par work and the direction is reasonable as well; no complaints in that regard. The cinematography and VFX work definitely deserve brownie points. The setup inside the sinkhole is pretty much real to give the actual vibes and the camera plus editing work is intriguing enough to catch attention. The sound editing is somewhat dull, ngl. The screenplay is okay but screenediting is below average, like that of a pre 2010 movie.

Do I even bother talk about acting? Definitely, they are very excellent actors and justified their roles in here but given their skills and capabilities, this movie is a bad choice.

# Kim Sung Kyun as Park Dong Won, a hardworking section chief and a loving family man who saved for 11 years to buy a flat
# Cha Seung Won as Dong Man Soo, a single father of highschool teen, doing multiple part-time jobs to make the ends meet
# Lee Kwang Soo as Kim Seung Hyun, a nomad worker, always stressed about his financial and relationship status
# Kim Hye Jun as Eun Joo, a hardworking intern who gives her best but mad about the rude seniors and coworkers.
# Nam Da Reum as Jung Seung Tae, a student, not interested in schooling but cares a great deal about father
# Ko Chang Suk as the rescue team captain
# Kim Hong Pa as Department Head Seo

The ending of the movie was super overwhelming, I gotta admit. The way these people use their mind to rescue each other during extremely dangerous moments and also manage to get out of the sinkhole using their little intellect and comprehension was amazing and makes you tear up even. It ends with a mini reuinon of the survivors after years and that was a jolly closure to the misery.

FINE... SINKHOLE is definitely a good one time watch which is kinda refreshing too and best for a weekend movie slot. Don't expect too much from it but I'm sure it pleases you to some extent. Happy watching.

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An Ode to Mount Jiri and the forest rangers.

In a world of vast oceans and far-reaching land, it is important to not just remain a mere spectator and record the history, rather to penetrate the depth of it and capture the mystery confined within. Again, the possession of knowledge doesn't kill the the curiosity and mystery, instead creates more.

Jirisan is a drama that started in mystery and ended in mystery, but what a savage and beautiful truth lies in between. The great production value plus the extraordinarily amazing cast, are what made us look forward to the drama. By the end of it I can say that, I thoroughly enjoyed and engulfed those 2 elements though the entire thing couldn't totally lived up to my expectations of becoming something excellent.

"Jirisan" is set up in the premise of majestic Mount Jiri, the tallest mountain of the mainland Korea present in the Sobaek mountain ranges, on the southern regions of the country. It was made into Jirisan National Park in the year 1967 and has been serving as a major tourist spot ever since.

Jirisan, the drama, is a story of a group of rangers who have dedicated themselves to prorect and preserve the mountain as well the people associated with it. The major plot about the drama is the horrifying deaths caused by accidents that happen back to back in the premise, leading to investigation by the rangers who can't help but worry. Along with it what we see are, realistic events that takes place on mountain ranges at different timelines of a year. That includes, natural disasters affecting the mountain, maintenance of law & order on the mountain, life of people living or relying on the mountain, etc. They have also portrayed the legends & myths related to Mount Jiri,
special attractions of the nature, different religious as well as memorial spots and mysteries of the montain.

Note: Jirisan is semi-supernatural and also involves mystery, investigative thriller, violence a lil amount of dystopia. It has in fact lived upto the mystery genre and I am very much impressed with how they kept the mystery buried till the finale week. Actually, the writer throws enormous hints since 10th ep so that we can pinpoint the real culprit behind the entire tragedy but it also keeps diverting from one to other, a lot, thereby confusing the audience a great deal. Although one person becomes the primary focus, attracting all the suspicions towards themselves but not until the finale week you are answered the questions. So the writer has done a very good job in that regard, no wonder she's a legend.

One of the main elements used in Jirisan is immense time shuffling. Not that they're spontaneously continuous, but there are chances you might get irritated by it. Personally I wasn't bcs It didn't confuse me at all. So to explain you briefly, the present timeline in the drama is the early Summer in 2020, which is about 40% of the drama's runtime. The major scenario with a share of about 50% takes place from late summer of 2017 till the mid winter or the end of 2019. The rest 10% goes to the backstory of the characters, involving unfortunate events, that takes place in different timelines between 1991- 2010.

Seo Yi Gang (Jun Ji Hyun) is the best amont the Jirisan rangers and capable of everything to a extent that she's considered a legend. She has always wanted to run away from the mountain but always found her back. Kang Hyun Joo (Joo Ji Hoon), is an ex-Lieutenant at military who left the army after a sad incident on the mountain and decided to protect the mountain. Now he's a rookie ranger. Yi Gang and Hyun Joo are partners and with their abilities they brings the best out of their job.

Captain Jo De Jin (Sung Dong Il) is the chief of Haedong Branch Office who has been working there since his rookie days. Jung Gu Young (Oh Jung Se) is also a ranger at Haedong and a close friend to Yi Gang. Park Il Hae (Jo Han Chul) is the team leader of rangers and recruited at Bidam shelter. Lee Yang Sun (Joo Min Kyung) is the office control room head. Kim Woong Soon (Jung Suk Ho) is the in-charge at Jirisan sub-police station. The major cast consists of these characters who are the parts of all the above mentioned timelines. Another major character is Lee Da Won (Go Min Si) who is only there in 2020 as a rookie ranger.

Some good actors in other minor characters are: Lee Moon Ok (Kim Young Ok) as Yi Gang's grandmother, Kim Sol (Lee Ga Sub) as the Culture Centre researcher, Lee Sae Wook (Yoon Ji On) as Yang Sun's cousin, Kim Kye Hee (Joo Jin Moo) as the National Chief of Mountain Rangers and Dr. Yoon Su Jin (Kim Gook Hee) as the conservation centre researcher.

The production value of Jirisan is on another level and that's obviously because the PD-Jakka duo are highly skilled. Not just because they're the makers of several highly acclaimed dramas, the quality of this drama in terms of the technical aspects speaks very loud of it, I can assure you that. Kim Eun Hee jakkanim with her experience in the field of both dystopian supernaturals and investigative mystery thrillers, has done an amazing job in writing the entire script as well as incorporating several essentially intriguing elements into the story. The plot development was quite pleasing, if not something wow-ish. Lee Eung Bok PDnim is a very familiar name and has experiences of working in all kinds of dramas, so that clearly shows here. I'm sure the extensive time shuffling would have been difficult for the screenplay but he has managed it well.

Cinematography is an area which was stupendously managed in the drama. In fact, the immensely beautiful premise of Mount Jiri provided the team enormous scope to work on and bring the best out of it. Loved the different Kind of habitats, waterfalls, major cliffs of Mt. Jiri., the hiking routes, dense forests as well as meadows and also the frictional manmade visiting spots. The colour palettes were also well executed. For a matter of fact, they've also used both CGI and VFX in many scenes, because obviously it's not that easy to shoot thr entire thing on mountain. The VFX is literally a brownie point to the dramas quality, whereas, the CGI is a bit shabby which is quite visible, but I won't say it's that bad to cut points from the drama, so yeah!

Despite everything, I somehow find myself a bit disappointed with the music of the drama; not that they're bad but the OSTs must be able to match with the moods & vibes of a drama, which didn't happen in this case, ngl. I, however, like them as individual tracks but 60% of the entire album didn't feel like they were composed for this drama. Gaemi is a master composer and known to be one of the best music director of Korea but his skills didn't work somehow. (Note: this entire paragraph is a personal opinion so can't really say whether someone else thinks the otherwise.)

Anyways, my favs are
"Always with You" by Paul Kim
"Destiny" by Kim Feel
"Yours" by Jin (BTS)
"Stay" by O3ohn
"Little Garden| by Taeyeon (SNSD)

The sound production for the screenplay, however, is accurately done to give off the proper vibes at respective scenarios; especially for the thrilling suspense scenes plus the scenes showing Mt. Jiri's beautiful premise.

What I loved the most about Jirisan is the portrayal of the life of rangers through picturization. Their dedication towards the well-being of the mountain, while helping the people who visit the mountain for different purposes as well as preserving the natural resources that belong to it. They have accurately addressed all kinds of problems that the rangers face during work. One of those is forest fire and the ways to tackle it as well as the after effects. Another one is flood induced by heavy rain, rescue work during it and the destruction is also shown. I loved how these 2 things were thoroughly studied and picturized well by giving them appropriate runtimes

Overally, Jirisan is a good drama though it had some flaws (that is why 7.5). It was anticipated to becone one of the best because of the star-studded cast and the makers, which it couldn't be. Despite that, it's wrong it say that it's a failure. Given the production value, acting and cinematograph y, this is a fair one time watch.

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COMMENDABLE JOB

Are you curious why I wrote "commendable job" in the title? It's because the writer and director of this MoD actually need some applause for making this unique Thai BL.

I am so so so happy that finally Thai BL makers are coming out of their comfort zone and trying out genres which are way beyond of their league. Crime thriller is absolutely not what their area of interest.

To be very honest, I found many flaws but I think it's worth looking them away for they've come out of their box probably for the first time. In fact, they've done a pretty good job in direction, screenwriting and screenplay, which I thought they might not work out.

It was a pretty good story with plots, twists and turns placed at their rightful places. Few things felt absurd but can be totally ignored. They didn't research about the forensic stuffs properly which they could have done by consulting experts of the respective fields. And the thing about the police station organisation didn't feel right either.

But anyways, I was intrigued by the ending and tbe way the main culprit was revealed.

It was overally a good watch. I hope they keep making such Thai BLs.

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One of the BEST finale it has, what an episode!

TRIGGER WARNING: This drama is a dystopia. Dystopia means 'an imagined state or society in which there is great suffering or injustice (bad/unfair), typically one that is totalitarian or post-apocalyptic'.There are many disturbing events which will piss you off, so stay calm. Also, few things might feel illogical as well but you gotta understand that, this is what happens in a dystopian world.

The Devil Judge absolutely keeps you thrilled through out the entire drama and I am not lying. The thing that contributed to this feeling, is undoubtedly the kind of drak and intense sound and cinematography obviously, apart from the super thrilling storyline plus plot&twists; truly notable. There are flaws which could have been avoided storywise leaving them behind but I guess they wanted to adjust it to 16 episodes. Also, the writer showed lack of steady writing capabilities at many points. Nevertheless, the story and screenplay is intriguing to be enthralled throughout.

STORY & PLOT:
The Devil Judge is set up in an imaginary dystopian world even though the scenario remains in the present-day Seoul and it's neighborhoods. The society is full of chaos, where injustice takes place in a blink and the powerful causes disaster openly without any fear of being brought down by the people. This drama for it's title was expected to be a legal thriller with plenty of courtroom scenes and law stuffs but it turned out to be a socio-political thriller between the powerful who prey over the common people.

Talking about the story, it's primarily about a live court show, initiated for fairer and transparent justice system that turns into a revenge plan where every powerful being with wealth and influence try to bring down each other by any means. Kang Yohan, the presiding judge of the show plans to destroy the authoritarian system of the nation alongside his personal purposes which were secrets only know to him. Kim Ga On, a young associate judge who believes in constitutional values joins hands with him and later gets involved as he finds out about the injustice done to his family in the past. Kim Sun Ah, a poor maid who ascends the stair to success by coercing the rich and influential all her life, controls the nation with her strings, by direct and indirect means. Sun Ah tries to destroy Yo Han as well as climb upto the the utmost peak of the system. Sun Ah and Yo Han, with their shared past story, seek revenge over each other and at the same time harm people by their sides.

The Devil Judge as a story is very good and intriguing plot which gives the vibe of perfect thriller development. The way the story used it's plot devices at right places, is an amazing sight to witness. The connections between past and present, their revelations and the way of their portrayal had me bewitched in just 2 episodes. By the time, the real game started I was bawling my eyes out and had goosebumps all over my body. The plot development is quite nice which is a steady ascending plot with no fall backs. However, there are a handful number of plotholes as well which could have been easily avoided. Also, the progression felt off many times when I thought they'd fall through the story but fortunately they picked the pace back to rise forward constantly.

Given there are plenty of characters, I think few minor characters like like Judge Oh, Justice Min Ho Jung (Supreme Court), Seo Jung Hak (SRF Chairman) could have been written better. It felt like they were in the drama for mere show-off and to fill in the little gaps of the story. The drama is obviously dominated by Ji Sung and Jin Young to a great extent. I mean, yeah, I love them so much both as actors and as men but no, this is a drama and every character other than the leads should be fairly portrayed.

Overally, I am highly pleased with the story and plot development but I am also a lil sad for the lacking fields they left for the audience to be noticed and pointed out.

CHARACTER ANALYSIS:.
I don't really do character analysis for all the dramas but I feel this drama has a major drawback in drawing characters and developing the arcs. So let me.

The most major character Kang Yo Han played by Ji Sung is a high-class, good-looking, popular reputed Judge in the Supreme Court who is known for his strict punishing and merciless verdicts for the guilty. He is a mysterious being with doubtful yet tragic past stories and knows to manipulate and influence others. The daytime's judge turn into a devil executioner, violating the law himself to teach the evils a lesson. Upon his recommendation the South Korean Govt. forms a "Live Court" with the help of a public welfare forum namely "Social Responsibility Foundation". This is set to create histories and records as the first ever court to be aired live and with public itself as the judge who'd vote whether someone's is guilty or not.

With him joins Kim Ga On (Park Jin Young) and another Oh Jin Joo (Kim Jae Kyung) as associate judges. JinJoo is a sidekick character while Ga On is the 2nd most important person in the story who joins hands with Yohan to seek justice by illegal means despite his urge to obtain truth through constitutional values. Gaon played a great role in bringing Yohan and his niece Elijah close by acting as a bridge between them. The way he helped them gaining their confidence back and in blooming emotions in their cold-hard hearts, was a warm thing to watch. His character could have been a lot better, ngl. With no definite character development, his side story was portrayed as a factor that contributed to him joining the cause. To be honest, GaOn's character is a failed attempt. We saw intense bromance between GaOn and Yohan in initial episodes so I expected a greater chemistry by the end of the drama but I am disappointed to say that it fell through. He can be easily manipulated and swayed and towards the end he betrays Yohan and make him a scammer (WTF). He runs to Yohan when he needs help but get all energized when something goes wrong and even runs away whenever things get tough. This happened more than once. The drama could have been okay without his character I think.

Only thing about him that I loved is his chemistry with the female lead. The female lead against Ga On, Yoon Soo Hyun (Park Gyu Young) was a fierce lieutenant in Regional Investigation Unit (RIU) who craves for setting an ideal law and order situation and never stands offence & injustice. GaOn and SooHyun are childhood friends who are the closest to each other till date, accompanying each other in their evens & odds and in fact are more or less in love with each other even though they never talked about relationships. Their love story was heart touching as well as beautiful enough to heal a dying heart. But again, their romance was a waste. Soo Hyun's character with lots of potential wasn't used well. There was not a single thing about her except for that she's a long-term best friend of Ga On and have been rejected by him several times.

The lead antagonist here is Kim Jung Min who plays Jung Sun Ah, an evil woman with high ambitions like absorbing power from others and gaining control over the entire world. She knows the art of coercing, especially the powerful, wealthy and influential mass by her trickery. As a kid who didn't get proper care as a child, she starts working as a maid in rich families and due to her greed as well as sly nature manipulates them to get her things done. With her past inclinations and lingering feelings for Yohan, she seeks revenge from him and operates the country's system to achieve her goals. Her character is beautifully written and she justified it with all she could give.

Judge Oh (the other associate judge) is a gorgeous sweet lady who believes in idealism and thrives to create a just world. She gets manipulated by power and wealth at first upon being ignored by her mates but chooses to take the right side later. She had no essence in the story; she is one of the 2 associate judges after all and she was confident enough to go to good lengths but the writer did a poor job in her regard.

Kang Elijah, Yohan's young niece who is a victim of a fatal incident in her yearly child, lost her ability to walk and ends up in wheelchair. Her relationship with her only family, i.e. Yohan is bitter as they never try having the minimal conversation. She easily believes people who are kind to her. But she actually opens up to Gaon and later becomes close to his uncle, Yohan.

Apart from these main characters, there are plenty of side, supporting, minor as well as guest characters and most of them are casted with familiar faces.

ACTING & DIRECTION:
As we can see, the drama is a multi-starrer having GREAT actors like Ji Sung and Kim Min Jung as leads. Park Jin Young being an idol turned actor is very very good in acting. Ji Sung is definitely someone charismatic who knows the art of bewitching the audience every time he comes forward to do a role. Kim Min Jung, oh my goodness, she is rather an artist who pursues art. She's been acting for almost 3 decades and I want her to become a global star. Park Gyu Young is a nice actress and she totally justified her role in here even though the screentime she got wass less. Supporting actors also did a good job despite less screentime.

Direction is good I would say. They did a good job managing the screenplay. The organization of scenes, intertwining, connecting, linking, revealing twists, etc were done well. Notable job in case of cinematography and CGI works plus the sound editing, oof. Cinematography is the best thing about this drama, which is tremendously a top notch. The sound editing that made the drama pretty intense and kept me going, I am very pleased by that. However, given that many characters were poorly written, the director didn't have much to do. So even with such good direction, the drama anyhow felt lacking.

OST:
OSTs are actually very good which also helped in making the drama more thrilling. However, there are only 4 OSTs accompanied by a number of thrilling background scores and themes and I like them "Tempest" by Huckleberry Finn is a heart-wrenching track whereas "Nightmare" by Sonidia felt tragic and sad. "What You Gonna Do" by Zeenan is both hardcore song depicting vital points of life. "The Nights" by Huckleberry Finn is a dark one which helps you seeing thing in a B&W shade. I liked their instrumentals as well.

THE ENDING:
The finale week and it's 2 episodes (15th and 16th) changed a lots of things. On one side, I was pissed bcs of GaOn's stupid actions without trying to understand the situations and on the other hand I was flabbergasted at how the tables had turned. The 2 greatest twist revelations at the end of ep2 were very intriguing I am sure most of us were awe-struck seeing those. Even when I knew I were to for 24 hours to watch the finale episode I couldn't wait thinking what's gonna happen. I cursed on Ga On and the writer but I admit my anxiety was on peak. But anyways, I was thrilled watching the finale and happy that it ended well though few things bugged me and felt unreasonable. I must say The Devil Judge finale episode is ONE OF THE BEST FINALE. It was so good and when I saw new twists that was gonna change the story to a great extent, I had goosebumps over my body. I am gonna forgive the writer a lil for gaOn's poor character just because how that character changed a lot in the finale. The way things ended is also very good and reasonable, I am honestly happy T T. The very last thing, that one thing i know made all of hs happpy. Ain't gonna spoil anything so watch for yourself. I can't forgive the writer for poor writing at many cases but it sure was a good watch.

CONCLUSION: Honestly, I loved the overall story and plot development. Ji Sung's character as Yohan is well suited and probably he's the one who kept up with the viewers. Kim Min Jung was another reason you should be watching this drama. But apart from these 2, other characters could have been a lot better. I am happy with the drama yet disappointed with the characters. I feel this is an unpopular opinion since many people love this drama to great extent but I am making sure my reviews aren't biased. I couldn't drop the drama bcs I liked the story and I was constantly enthralled by the screenplay however I expected much more than that. And tbh, at first I expected a courtroom drama just like others but found out it's not. Even so I am okay with whatever it is.

This drama could easily be a 9.0 but due to the writer's lack of sense, I will stand still at 8.5. Also, brownie points for the chemistry between Jin Young and Ji Sung that almost felt like a BL story with a daddy-baby relationship (cries under the blanket). Anyways, this drama is worth the one time watch, provided you have to bear with the side characters. That's all.

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Mood: Niceeeee, mehh, okay...

The number of letters in each word that my title bears, is how I felt throughout the show. I know that's a funny way to interpret but I don't think the drama was that biggie to become very serious about. Skillfull FL living a pathetic life, talented ML living in shadows, him coming to rescue the FL, a tragic past surfacing, temporary breakup, etc. and then a happy ending.

Produced by 'Blitzway Studios', "Love All Play" is a melo-romance cum sports drama which, natively titled as 너에게 가는 속도 493km (literally, 'The Speed to You is 493km). Written by Heo Sung Hye and directed by Jo Woong, the show was broadcasted on KBS2 while internationally distributed on Disney+.

The story follows the journey of a badminton company YUNIS, primarily focusing on bonding and relationship between the members, particularly the leads who go through thick & thins of life off the court, as a reflection of choices and decisions. The major plotlines of the story include the development of love lives between several couples as well as a huge accident of the past involving the leads. Notably, the drama doesn't really have the sport of badminton as it's major device, so don't expect to see a lot of it.

Park Tae Yang (Park Ju Hyun) was a former badminton prodigy who had run away for years following bribery rumours. Park Tae Joon (Chae Jong Hyeop) was naturally attracted to the sports who despite his skills have never been serious about himself. Yook Jung Hwan (Kim Moon Joo) is a star badminton player in the national athletic team with a huge fan-following. (Lee Yu Min) Seo Ji Hye is a member at Somang Bank badminton company. Park Jun Young (Park Ji Hyun) is Tae Joon's sister and a former badminton star.

In order to avoid any further spoiler, I am only mentioning the familiar faces in the show, which include: Jo Han Chul, In Gyo Jin, Lee Seo Hwan, Choi Seung Young, Jo Soo Hyang, Jeon Bae Soo, Lee Ji Hyun and Lee Doo Shik. The acting was okay-okay in overall though many of the characters are very unlikable.

Plot development...The plotline never had a goal to begin with, nor I was expecting, but the first half tended to focus on chemistry development between different couples, esp the leads. It was fluffy, cute and radiated smiles, as a basic romance story should. Similarly, the court scenes involving stupendous matches were surely revering, and I understand why most of the people including me, ended up expecting more of it, throughout. Unfortunately, the makers had different plans, which they'd been subtly indicating from the beginning though that was quite arduous to notice.

It becomes both slow and shoddy as soon as the 9th episode, where a major twist takes place. The thing that I hated the most was the dragging and exaggeration of a particular matter, involving a past accident, for 4 long episodes. No, it wasn't a slowburn segment and not like they were sticking to only that but for the whole story, it was needless to showcase the overstated emphasis, as if it were the main plot device; this lengthy portrayal was annoying. However, I was glad, the last 4 episodes escalated back to the original form and the recovery to damage was carefully done, to an extent, if not entirely. The way things changed in 13th episode was mesmerizing and 14th episode was a mixed bag of everything.

Toxic parenting and it's consequences: these 2 are the most takeaway home notes from this drama I believe, though the portrayal was frustrating and angering, bcs it should be. Let's not forget that reality is even worse. Burdening your child to aim and achieve to the highest point and attempting to extract out your happiness from that, and then latter turning that into obsession, these are very toxic. Blackmailing, gaslighting, forcing, emotionally abusing, sabotaging them from inside, etc. that we saw in this drama were in fact, shown for longer period unnecessarily, but let's learn from that too.

Having watched only 2 previous works, I am not really familiar with Heo Sung Hye jakkanim's writing patterns, but in easier words, I didn't like one and the other one which was lovable, became sloppy by the end. Coming to this drama, while I believe, they were able to draw a plotline which would be appreciated, with elements put forward with clear intentions, at the same time, they failed to establish any memorable profundity in the characters and bring the best out of them. The pilot episode that started with nothing noteworthy to offer, slowly turned into lots of court scenes, followed by the basic romance, which was cute. The very interval of the drama (ending lf 8th & beginning of 9th) enmarks the start point of a shoddy job. I can't say it was turned into a trash, but I didn't like it. The remarkable job is, in fact, done in case of dialogues; comforting, healing, motivating, inspiring and striking, each at their times.

Seemingly rookie director Jo Woong PDnim is, in fact, the maker of 2 heavily-plotted dramas, proving his worth in the job. However, "Love All Play" as a mild and basic drama with nothing remarkable, didn't suit his usual expertise, at least that's how I personally feel. I can't really specify any particular flaw with the direction of the show, but it bothered me at times, how certain things were jotted down and affixed and even annexed to represent the foregone stories of the characters. Otherwise, things like screenplay, screen-editing, scenario setup, etc. has been moderately handled. There is no extraordinary camerawork and no essence to cinematographic tools. The modern urban and suburb setups were greatly fitting though.

Composed by Park Se Joon, the OSTs, however, have aced the list. Truly, they are fantastic, mesmerizing and very much likable to a great extent. There are 10 OSTs in total.

# "There, There" by Baek a Yeon is melancholic softbeat track depicting regrets of letting someone go.

# "Secret" by Yun DDanDDan is a jolly track of first encounters and arcane feelings of love.

# "Flyin" by KEVIN that starts with an intriguing prelude, is a jovial song showing fluffy and cute moments in a relationship.

# In Jinho's touching soft voice, "Keep This Momemt" is a song of expressing your fondness.

# "When the door opens" by JT&MARCUS is used as the opening theme song which is an overwhelming track about one's passion and love for what they do. It's awfully energising and encouraging.

# "The distant future" by Jeon Sang Keun is a melancholic track depicting lingering affections and the pain of parting ways. The lyrics is so heartbreaking.

# "By your side" by 451 is a reminiscent track and got a very shooting melo.

Other tracks are...
# "Don't walk away" by LISA
# "Something" by SongSun
# "Time" by Park Janghyun
# "My own season" by Park Ju Hyun
# "Diamond" by Yong Hoon
# "Here you are" by Lylian

What i liked...

# The relationship between Tae Yang and Tae Joon as couples, from childhood friends to lovers, was something you can't help but fall in love with. The way the chemistry and bonding between them grew close and the way they supported each other, pushing their partners up the ladder, was both fun, emotional and gladdening at the same time.

# On that note, Junghwan and Yumin couple was also cute and fun.

# I can't say there is any definite sign of bromance here, but the bittersweet interaction between main leads, as well as thw guys in the show was fun. The same goes with the bonding between the girls.

# Seungwoo, the character had me intrigued from his very first appearance and though he didn't have an extraordinary journey or granding ending, it was gratifying and relieving to just see him.

# The slice of life elements incorporated came unexpected. Yeah! Most of the Kdramas has soft and meaningful sides to them but the show definitely goes beyond the typical amount. It was mainly reflected through the character thoughts of Park Tae Yang.

# Oh! The dialogues... I never thought this show of basic essence will have such provoking and thought-inducing dialogues that could be relatable to many of us. Kudos to the writer for this.

# The visuals have definitely been served and 80% was carried out by Chae Jong Hyeop, without any doubt. It was flitting to see so many young and handsome guys with athletic physique and their sports tracks, haha.

# Many points about sportsmanship that's been thrown shades upon, were absolutely applauding. From victories to celebration, loses to failures, from injuries to retirement and from an athletic spirit to mental health issues, everything has been portrayed in a positive light.

What I didn't like...

# The worst thing about the show was 9-12 episodes. These 4 long episodes were the most frustrating and angering as the writer attempts to drag a case throughout. I admit and understand that the particular incident and it's consequences were an important part of the story, but it felt unnecessary to give it the screentime it didn't deserve. It could have been 14 episodes if the matter persisted for only 2 eps.

# The character arcs for even the main roles weren't very prominent and impressive. PTY and PTJ exhibit some shades of naturalness and modernity but I feel that wasn't enough. The sloppy sketches and insufficient exposure led to the downfall of some while some others weren't even enjoyable.

# I understand this wasn't entirely about the game, badminton, but I would have loved if it were. Having watched another badminton drama recently, which wasn't really entirely about the sports but had lots of it anyways, I couldn't help but compare it with that. Also, the matches in the first half fueled my expectations, just to be crushed in the latter half.

Final remarks... I honestly won't say it is an underrated drama or a must watch thing, even so it did feel decent and is smoothly executed. The first half (8eps) was surely amazing, followed by 4 episodes that went downhill while trying to exaggerate one event unnecessarily, and then the last 4 episodes did give some relief by doing some post-damage recovery. It's q fair one time watch and should be given a try when you're craving something light.

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More Horror, Less Comedy, Good Lessons

Daebak Real Estate is the kind of rare Horror Kdrama which has more horror side to it unlike many other horror comedy Kdramas where even the ghosts are part of the comedy and the scenes are clearly over-edited. Some horror scenes in this were really scary. In fact, every horror scene felt intense.

About half of the story is about the basic steady plot that's going on smoothly & slowly, gradually involving more characters, one by one along with many connecting plots which are more or less related to the central story.

The story involves 4 major characters: Hong Ji Ah (Jang Na Ra), a skilled and stupendous exorcist, continuing her family business of exorcism through a real estate agency, Daebak Realty. Oh In Bum (Jung Yong Hwa), a conman disguised as exorcist who later turns into a psychic to help Hong Ji Ah. Together they discover the past about their families, that they had forgotten in the course a tragic incident. Joo Hwa Jung (Kang Mal Gum), the real estate agent at Daebak Realty. Heo Ji Chul (Kang Hong Suk), Oh In Bum's partner-in-conning who also joins Daebak Realty as a Chief.

The storyline is a good one and the direction is well-organised. One or two episodes felt a bit slow as they were just busy investing stuffs but manageable. Have some tissue paper by your side as at many instances, it will be too overwhelming because there are lots of crying scenes. Also, watch it with a minor TW because there are some triggering scenes which are obvious for a horror drama. Every character did their acting well, especially Jang Na Ra again proved her skills.

Romance part of the leads in the drama is almost zero yet some conversations seemed like flirting but who is complaining about that? Not me! Hong Ji Ah's character is cold yet very very strong but she's soft from inside too. She'll make you cry more than anything else. I can't just see NaRa noona crying. Also, my Yong crying few times made it worse for me TT.

Another thing to point out is cinematography. In most of the cases, the horror dramas hugely rely on VFX and editing even for the horror scenes to look scary but in this drama, they used cinematography to keep the atmosphere simple and look natural and at the same time give off the horror vibes.

OSTs of this drama aee good too yet it felt under-utilized a bit but I think that's fine because their intention was to keep it intense. The bg themes are thrilling and melancholic I must say. And Jung Yong Hwa's OST is definitely a catchy one.

Note: If you're expecting anything very extraordinary, you've come to the wrong place; but it's not bad at all. It's worth giving a watch because the story is definitely a good one :)

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Your blood will boil, Your heart will flutter

YOUTH OF MAY is a love story that happens to be taking place in the premise of Gwangju Uprising that had happened in May, 1980 but keep this in mind that the central story is not directly related to the democratic movement though it eventually leads to the major climax of Gwangju massacre. FYI, this uprising, that started from university student demonstration to save the democracy and it's essence, established the foundation of the rebellion against the dictatorship rule of the ones in power during the entire 80s in South Korea.

Making fiction in the premises of real historical events are a great deal If you see how sentimental South Koreans are about both the nation's history and the honor of democracy, which is reasonable and everyone should be like that. There is always a thin line between what the incident is and what one writes about it. And I think the writer of YoM has done a pretty job on every level.

The story is really nice; the male lead and female lead's developing relationship not being the only thing going on, it also throws light on the events of the uprising and additional side stories of the familes of the leads. The main leads happen to be working in the medical field but it's not a medical drama, rather the healthcare premise is a shade of their work life; though a major part of last 4 episodes takes place in the hospital.

It might feel like a slow-paced story because the chemistry development between the leads are slow but there are so many other things happening so you won't be bored at all. The plot development is good and twists have been placed at right times. The director has done a good job too.

Acting? Superb! Lee Do Hyun is undoubtedly one of the most potential emerging Korean actors right now and I can see him growing to be a future superstar. His unique style of acting uff; been a fan since 18 Again. Also, the annoying Lee Do Hyun is so adorable, I just love him. So happy that his character in YoM has an annoying side too. Literally one of the few poster boys of warm pure romance Kdramas. Go Min Si, this lady has waited long enough to get a lead role and I am happy she did amazing in it. In fact, among all the actresses who have played 80s characts till now, I think she did it accurately. I really hope this will be a breakthrough in her career. Lee Sang Yi, my love, did really well even though his screen-timing was lesser than I had expected but not complaining since the dramas got only 12 episodes and his character, even though a major role, had not much to do around. Keum Sae Rok, truly won hearts playing the role of a rebellious girl of a rich household, she acted very well, ngl.

One thing to note in Lee Do Hyun's character as Hwang Hee Tae that it's different from the usual male lead character where they're all macho fighting around, protecting the female lead, etc and showing typical toxic masculinity by wrist-grabbing, non- consensual kissing and blah blah. It's sort of unique I would say for his heart is a fragile one, afraid of not being able to save someone as a doctor or to protect as a dear one. He doesn't forces things on his partner and maintains a healthy relationship and let others grow under his own shade. So respectful down-to-earth and one with a progressive mind he continues to do everything smoothly.

The set-up and management is pretty commendable given it's a period drama. The work of cinematography is not that evident but that's fine because the editing compensated for it. The OSTs are indeed beautiful and heart-wrenching and glad to have been recommended some real good 80s English and Korean tracks from the drama. .

Another important thing is that this drama taught a lots of things. Though the lives were messy and like under the cart, they taught us about life and the way of becoming stronger and braver by the days. The Gwangju uprising and the state-staged progrom to suppress the dissent by the oppressed will boil your blood for sure so make sure to learn from that too.

I won't lie that I absolutely loved it. And it would be definitely be on my good drama collections. The central story focuses on the art of loving & living and the essence of holding your life back even when you're on the verge of death. I, like everyone else, wished more than 12 episodes but anyways, the story has been well written with a good direction.

If you're confused whether to go for it or not thinking it's a period drama and that too set up in the premise of a tragic incident like Gwangju uprising, I am not gonna spoil it but I guarantee you, it's worth it.

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Dreams are for real.

A line from Paulo Coelho's "The Alchemist" goes like, "There is only one thing that makes a dream impossible to achieve: the fear of failure." The future is indeed yours if you know how to appreciate and believe in thr beauty of your dreams. So it's important you're always led by your dreams. Also, your struggle is something that sharpens you into a fine person. There is scarcely any passion without struggle. "Idol: The Coup" is a story of big dreams and the struggle on the way.

IDOL: THE COUP (아이돌: 더 쿠데타) is the very last story of "Cotton Candy", a failed kpop group, idols of which are determined to prevent the disbandment of their group by any means despite the amount of misfortune befall on them. At the center is Kim Jenna, the leader of the group, who's desperate to grab even the smallest opportunity to save the group. With six months on their hand, the group goes against the newly appointed CEO of their company and prepares themselves to leave the industry with dignity and grace.

To a great deal, the drama portrays the real underlying issues in the Kpop industry as well as the companies and their policies for people under them. The harsh attitude of the public torwards the rookie as well as failed artists is also accurately showcased. The companies going after money over the talent of artists abd then ditching the idols once they loose their popularity is another major problem placed in the show.

Kim Je Na (Ahn Hee Yun) is the thread that holds all the members of Cotton Candy together. Aware or their devastated reality, she still wants to hold onto the group given their past involving their journey tilll their debut. Seo Ji Han (Kim Min Kyu) is the leader of the a rapidly rising boy group "Mars" who has this soft side to people with talent and immensely favors Jenna and her group. Cha Jae Hyuk (Kwak Shi Yang) is the newly appointed CEO of Starpeace Ent. the company that started with Cotton Candy and is on rise bcs of Mars. These 3 are the main characters and Min Kyu is in fact the least experienced among them. Kwak Shi Yang is undoubtedly a very good actor whereas Ahn Hee Yun has improved over years.

There are many characters given the drama is about the Kpop industry involving Kpop groups and companies. There are less familiar as actors casted for the young characters though you might know some of them if you thoroughly follow Kpop. Honestly, their acting wasn't much impressive rather some of them failed to deliver appropriate emotions and lacked coordination. But I guess overally they were able to perform as much it was demanded from them basing upon their skills. Some characters were likable where some made me hate them to a great deal.

Among some good actors casted in minor roles are Ahn Se Ha and Jung Woong In.

Plot development is quite fine with several peaks throughout. Misery just keep embracing the girls from Cotton Candy one after another; a little moment of joy is followed by series of tragedy. The events are mostly saddening so it can make you cry constantly if you're very sensitive. The progression is good and steady. The drama starts with a seemingly funny yet sob-story and ends with a goor impression.

Noh Jung Chan PD-nim has been there in the industry for over a decade but his previous dramas are pretty average. Given that fact, he seems to have improved here, providing the drama all his determination. The screenplay is pretty good, in fact amazing in few instances. I am also okay with the pacing the dramas was run with. The screen-editing, syncs, organization and coordination... all these were well handled.

Jung Yoon Jung jakka-nim is known for dramas like "Misaeng" and "The Bride of Habaek"; the former is a quality hit whereas the latter is a quality flop. I love this script,b despite few potholes (let's call it missed plots). The introduction, the development and the ending, everything is well presented. So happy she has incorporated most of the possible issues with the industries in a "slice of life" way for the idols' lives, portraying a real image and the dark and known, yet ignored scenarios associate to it.

The songs!? Oh my goodness! They're so dope TT. If you're into Kpop then you won't be able to help but love them so much. There is no OST in the drama, rather only one opening theme, which is also used as a bg plus theme in the drama. All other songs are in fact sung by many artists along with the imaginary idol groups: Mars & Cotton Candy, featured in the drama.

The makers have also added 2-3 mins interviews at the beginning of each episode, from several rookie artists and trainees as well as some failed artists. This segment is something that breaks your heart more than the drama bcs it's the real story.

Overally, "Idol: The Coup" is an above average drama with a decent plotline, par acting with several major issues to learn about and a good outcome. Judging from production value and every other aspects this is an uo to scratch piece and worth the one time watch, especially for the multistan Kpop fans. I would not say it's a much watch but I surely enjoyed it and recommend others as well.

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It was all for "today".

"Right now, you feel like you're falling behind others. Even so, you should live. As you live, there will come a moment when you'll realize, it was all for today." ~ Koo Ryeon

The feelings of being constantly torn between killing yourself or killing everyone around you, is dangerous and as unfortunate. In a world, where individuality has become the primary choice of us, what everyone should be attempting is to extract out the positivity out of it. Situations and circumstances definitely play roles in making us commit deeds, that we'd never thought of even. But in the end, it all boils down to the fact that, one needs more courage to live than to kill themselves. Rightfully quoted so, "Sometimes even to live is an act of courage".

Created by 'Studio N' and co-produced by 'Super Moon Pictures', "Tomorrow (내일) [2022]" is the live-action adaptation of the 2017 manga of the same title by Llama. Developed by Hong Seok Woo, the show is a fantasy cum slice-of-life drama, broadcasted on MBC and internationally distributed on Netflix.

"Tomorrow" follows the day-to-day work of the Risk/Crisis Management Team of Jumadaeng (the afterlife company for Korea) which serves to prevent highly suicidal people from committing the deed and strives to bring happiness in their lives. Choi Joon Woong, a jobless young man, gets involved with grim reapers as he tries to save a man from taking his own life. Soon he goes into coma, becoming half dead, and joins the RM team till his recovery. There he meets, Team Leader Ko Ryeon (Kim Hee Sun) and his assistant Lim Ryung Gu (Yoon Ji On); together they save countless lives while facing the threat of disbanding from other departments of Jumadaeng, including the most elite Park Jung Gil (Lee Soo Hyuk), the leader of the escort team. Kim Hae Sook plays the Jade Emperor in Jumadaeng.

The controversial concept and the criticism surrounding it about suicide prevention, might seem futile but I do not wish to discredit and disregard the understandings of people about such a sensitive matter. Nevertheless, it's a relief how this show has been able to create narratives and conversations, about this topic.

Plot development follows both fragmented as well as staircase rule, and I believe this was a best decision in the webtoon writer's part. The pilot episode wasn't very impressive to me, that could have me in it's overall grasp though it seemed decent. I would say the execution in the 2nd episode was also fine. Episode 3 is where it suddenly took me to paradise (not literally because the sufferings of people were so saddening). I mean to say that I could suddenly understand the intentions of the writer and what everyone involved is meaning to relay to all of us. The furtherance was amazing; them handling one case after another, trying their best to sort everything out and put things back to their places, all of that evoked all kinda emotions, making us think, understand and realize about the possibilities that our lives could offer us. The seens involving Jumadaeng and the interactions of all the reapers working in it, was fantastic to witness; particularly Ko Ryeon and Jun Woong conversing was always melting my heart. Everything was okay until the finale week which somehow ended up ruining things for the show. As much as I love this show in overall, the very fact that the ending turned ordinary and rather shoddy, will always bother me, whenever I am reminded of the show.

There are 3 screenwriters for the show: Kim Yu Jin, Park Ran and Park Ja Kyung, and all of them are debutants according to their bios. Nonetheless, as I have opined multiple times, it's not really easy to turn a book into live-action adaptations and the secondary screenwriters needs to be immensely attentive and dedicated while turning books into scripts. So is the case for this; I believe the combined efforts of these budding artists have blossomed into such an amazingly beautiful masterpiece, sparking deeper thoughts and evoking essential emotions. The dialogues are sometimes heart-touching and emotional and as thought-provoking and gut-wrenching at times. The storytelling method with few monologue notes is alleviating and gladdening to a large extents.

Kim Tae Yeon PDnim with the experience of both a screenwriter and a director in both movies and dramas, have been able to do a wonderful job in preserving the eseence of the show. With him co-directs Sung Chi Wok PDnim, who has been a part of several modern well-recieved Kdramas. The tone, scope and subject matter of the show, perfectly corresponding to it's title, has been justified and the inherent messages has been yielded. The pacing was perfect, dedicating each episode to a single case and also narrating the back stories of the main cast meanwhile. The screenplay management, the scenario setups, the screen-editing and the overall execution, everything is beyond 'well done', which reflects in the outcomes that have provided us with gratifying and fulfilling experiences from the show. The only thing that felt off in the initial episodes was the sound production, the background editings, I mean.

The cinematography is pleasing, each episode usually starting with dark colour palettes depicting misery, and gradually shifting to light and colourful hue, implying, the new beginnings and as hope. The designer and makeup team deserves as much credit, for both accurately and demandingly bringing out the best of the characters, through the careful works on the actors. The fighting scenes, as required in few scenes, were exciting and convincing, if not very impressive.

Composed by Jo Seung Woo and Won Ho Kyung, there are a total of 5 OSTs, and I believe this much is enough. I love how they were incorporated into the story and screenplay.

# "Red Ligh"t by J. DON is my most favourite, which is a rap song depicting the mysterious ways in which one's life operates. The vibes of the song matches with that of the show. It makes me happy rap tracks have become the most prominent in modern slice-of-life Kdramas.

# "Still love you" by Yoo Hwe Seung (N. Flying) should have been the no.1 if not for the original track, where he is a co-singer with Lee Hong Ki (FT ISLAND). The track is of high pitch melancholic and sorrow-inducing lyrics, narrating the hardships of life. The vocals of Hwe Seung are amazing enough to make you cry. I suggest you listen to the original one, as well.

# "My Only One" by BEN is a soulful song reminiscing the moments spent with a precious person that you have admired for a long time in your life.

# "My Loneliness Callls You" by SURAN is again, truly a call for having happiness back in your life, soliciting the presence of your love.

# "Don't Leave Me, My Love" by An Da Eun is a beseech of holding back everything that you think is important. I didn't really like this one.

What I liked...
# Jun woong's character development is what the writer wanted to be the cause of the story. In fact, it was for him, we got to witness jumadaeng and such lovely members and also, the lives of so many people and their different kind of struggles. I could see how he'd turned out to be by the end of the drama.

# Comedy elements in the drama are hilariously funny and glad it was mostly restricted within jumadaeng or among the reapers. Most of it is credited to the Jade emperor (Kim Hae Sook) and equally to Ryung Gu, and Jun Woong was usually the victim of their humors, haha.

# The wide range of personal and social issues introduced and the underlying messages, presented in a fresh way, surely gets through all the way to the heart, viz. school bullying, poverty, career tension, loss of loving ones, ignorance to imperialism victims, life of war veterans, workplace taboos, injustice, sexual assault victims, miscarriage, etc.

# So happy how they thought of involving an animal in one of their episodes, showcasing the importance of pet-human relationship and the subsided emotions.

# Suicide is not something to even think about easily and even so it remains controversial, you really never know what an individual get through while making such decisions, no matter how absurd it seems to me and you. Also, it's not really easy prevent suicidal thoughts of others easily, but we need to understand that this was a fictional show where the writer had to throw light upon various stories and sticking to only one would have differed from the core concept of the story. I personally have nothing to complain.

# That being said, I loved how well the writer emphasized to tell us the stories the persons concerned with the issues in each episode, giving them a bigger fraction of the show. We rarely see the main cast of the show being taken away of this (in a good way, I mean).

# No one can confidently utter that they shall live tomorrow, so death is as natural as to be born. It is very touching the way the the vehemence of death has been propounded. It's nothing new for Kdramas like this, but the ideas and the elements used to represent, definitely move your heart.

# Paralleling jumadaeng (afterlife) with the world of living is another factor that makes the drama .. From the organizational structure to the regulations and operations, everything didn't feel less than any other MNC; they have every single thing, technology, glitches, resumes, editing, and what not.

# The epilogues at the end of each episode were so satisfying and as delightful and truly exhilarating.

What I didn't like...

# The shared past story of the main leads towards the ending is one the biggest (probably the only one) setbacks about the show. I would have loved it if they'd shown it bit by bit from the beginning but the one episode dedicated to the particular matter, that too towards the ending, ruined a small part about the show. Again, it could have been done in a very amazing way, but the way they represented wasn't very likable to me. And as predicted in the 15th episode the finale was rushed.

# As everyone else, I also expected Rowoon to be the part of of something big or let's say have his own share of gut-wrenching past story. Unfortunately, the writers didn't have any such plan, instead he was treated like a supporting character, not all the times though. My disappointment about this particular matter comes from the fact that Rowoon is no rookie or substandard actor at this point.

# Lee Soo Hyuk being shown as the main cast in in the poster and then the makers backstabbing us by giving him unsatisfactory share of screentime is very disappointing. I admit, overally the entire main cast has received half the time, bcs the makers have emphasized on narrating the stories of the victims but of the half, Lee Soo Hyuk gets the least, and I didn't like that.

# I think I have already told how it turned out to be a rushed ending, so saving the elaboration again, I strongly feel the ending could have been a lot lot lot better. sighs.

Final Remarks... Overally, "Tomorrow" bestowed love, hope, everything else that you felt on personal levels. The denouement has been essentially deep, eloquent and worthwhile, provided all efforts contributed by the entire cast & crew. "Suicide prevention by Grim Repears", might interest/intrigue some while making people think for a while, but I suggest you try this out. For me, this was worth my time and emotions and I would cite this as a must watch. My rating of 8.5/10 is the reflection of it's drawbacks, as mentioned, would have given a 9.0 otherwise.

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"The poor lacks much, but the greedy lacks more."

It's true that humanity survives on greed and as they state, there is no greater calamity than greed. A man's greed is like a snake that wants to swallow an elephant. From the synopsis, this drama might look like a survival game to you, but it's much more than that. Somehow, despite it's message the drama is just mediocre. Watch it with a major TRIGGER WARNING, if you are sensitive to gore and dark elements.

Squid game (Ojingeo) is an age old Korean game meant for kids where you have to play within marked boundaries with certain designated titles. You have to secure your title by hoping on one leg first and if you reach a certian point, you become the "Royal Inspector" who can use it's both legs. Now you have to just defense the opponent by any means and reach the peak to win. The drama uses this game as the main objective through a flashback in the beginning which is also the destination of the story journeying through sets of several games.

Ki Hoon (Lee Jung Jae), an unemployed and divorced man in his 40s lives with his mother working as a chauffeur and huge sum of money oweing to loansharks. Sang Woo (Park Hae Soo), is an SNU graduate who lost his money through invested stocks, eventually turning into a conman. Both of them are childhood friends who loved playing squid game with others kids. Both of them come across some kind of agents who trick them into a game where they can win a huge sum of money. Not knowing what exactly the game is, both of them choose to give it a try and land up in an unsual environment with 454 others among whom Ki Hoon is the last, i.e. 456.

Lee Jung Jae and Park Hae Soo are master actors in the industry which everyone is aware of. Other than them there are plenty of familiar faces as well; Jung Ho Yun, Wi Ha Joon, Heo Sung Tae, Kim Joo Ryung, Oh Young Soo are those prominent actors. There is an Indian actor Anupam Tripathi in the main character too.

Other than that there are 2 very big shots in the drama with 2-3 scenes so we can call that guest roles but trust me, they are 2 of the key characters in here. You won't find them in the cast list, just to be surprised watching the drama. So go ahead, haha.

The games are quite intriguing if you have not watched likes of it (Liar Games, Alice on the Borderland, etc). I wonder why the screenwriter cum director Hwang Dong Hyuk took 10 years to complete this story. I mean this drama is nothing sort of very wow or anything. Judging from all the aspects, it's just mediocre. The drama fails to provide proper side stories for the main roles in order to back their characters well.

Cinematography, which is very important for dark thrillers like this, was pretty beguile, hence keeping the viewer attached. The sound ending was apt for the mood and very suitable to the scenarios. The story progression is okay but becomes out of order or inconsistent at many points, especially the last 3 episodes. Some scenes were very firm and eye-catching but still......

I think all the hype about this drama lies on the fact that people here die like mere insects and as we know violence and bloodlust are what people love the most, lol. The twists are pretty predictable, particularly when you're an avid Kdrama fan, it's pretty much easier to guess the major plots of it.


The finale is very lousy. The games end in the beginning of the episode and becomes slow. The lame setup towards the ending, indicating for an another season, annoyed the shit outta me. The writer-director did a very poor job in that regard as well.

Soooo....overally, SQUID GAME is an average one time watch. The ending is not exactly an open one, like we can just assume on our own but in another way you might expect one in case the production hints at it. Otherwise, there is no particular and firm necessity of another season. Sure there are few questions that they left unanswered but I can't be certain about another season.

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The battle of ideologies...

“An idea is something you have; an ideology is something that has you.” : rightfully quoted so by Morris Berman, “Bloody Hearts” takes us to a chronicle that excellently proves how our choices and actions always result in real consequences. Realization of our very thoughts is what makes us real, not the thoughts that have us in its gasp, which, again, changes over time. What seem like a perfect idea today at times of prosperity, might seem futile or ridiculous tomorrow as tragedy befalls us.

Produced by “GnG Production, “Bloody Heart (붉은 단심)” is a sageuk politics drama, written by Park Pil Joo and directed by Yoo Young Eun. It was originally broadcasted on KBS2 whereas Disney+ took charge of international distribution.

Both the poster for the drama and the synopsis in the major sites could be misleading, so let me put forward an alternative gist. The drama surely put 3 characters in center but the story isn’t all about themselves. The drama, in fact, shows the real shades the old times and the way politics outweighed everything else for personal gains of few at the top of the pyramidal hierarchy. The drama is a true illustration of how personal feelings, influenced thoughts and mis-planned decisions can lead to unforeseen and misfortunate events, affecting herds of lives. The drama has its sets antagonists and protagonists, accomplices, scapegoats and the trivial beings, but it attempts to exemplify how all of them are responsible for whatever choices they made.

Crown Prince Lee Tae (Lee Joon) ascends the throne following his father, the king’s demise. Constantly being watched upon and with no one to trust upon, as he plans to gather reliable subjects and make a system of his own and authorize it, his secrets seems to have been made aware to his biggest enemy, the left state councilor Park Gye Won (Jang Hyuk Park being an upholder of the ideologies of his nation, has dedicated his life to bring stability to the throne and make the truest king. In his plan, he involves Yoo Jung (Kang Ha Na) who has been the King’s lover. But as the time moves forward and more secrets come to surface, everyone including the Queen Dowager, the royal court and the royal subjects find themselves in the power struggle.

The other familiar faces throughout the drama, in various major and minor roles were: Park Ji Yeon, Heo Sung Tae, Ha Do Kwon, Cho Ri, Kang Shin Il, Cha Soon Bae, Ryu Seung Soo, Jo Hee Bong, Lee Tae Ri, Oh Seung Hoon, and Kim Sun Hwa. There are in fact many popular faces in guest roles as well.

Plot development was amazing. In purely my experience, the development was steady yet discreet as well as sporadic in occurrence. As told earlier, the synopsis isn’t actually a firm gist of the story, the plot itself is a coalescence of events that takes place in a time frame that was long enough for them to present it in a spectrum of continuity, which gain, imo, was a wise decision in the writer’s part. The beginning of the show serve with several character introductions and establishing the base of the story, enmarking “where, why, when and how it all begins”; which was successful in creating striking impressions. The skip in time is when the real story commences and the truths that was already made aware to the audience, start unfolding for the characters.

But, not long after, the story flows into a new direction, making the situations complicated and unavoidable, and that’s how the story becomes even more entrancing. Honestly, there were points, where it felt like the story could have ended only if the characters had done otherwise, but then I realized that, in that case, the drama wouldn’t have been able to provide us with more, haha. This also indicates how the dram is character-driven to an extent, putting emphasis on choices and how the consequence depend upon them. There was no single episode or instance, it felt like the drama was losing its momentum or even running out of context; it was simply engaging from the beginning to the end. The ending sequence and the final outcomes, for the characters and for the overall chronicle was highly satisfactory.

Both the Writer and the Director are practically less-experienced, for they have been parts of only few dramas and some KBS drama specials, all of which had average outcomes and moderately popular. But I hope this drama proves to be a breakthrough in their respective careers for it seem their collective experience has been able to bring fruitful results. Not only the story has been written very graciously also the characters have been built with lots of sense and the plot devices including twists, revelations, connecting points and vouchers have been well-incorporated. The development is drawn in detail and majestically presented. The pacing is perfect throughout; not a single instance striking boredom, nor making you let your guard down. The sound and screen-editing are amazing. The scenario designs and the CGI works combined by good execution are visibly ecstatic.

Cinematography is the best aspect of the drama imo, in fact, the most compelling thing of all. The initial backdrops of the bamboo tribe village is where it hit me and while trying to notice the details, I completely fell in love with it. The director of photography has experimented with several possible camera movements, from close-up to full and low- to high- angle shots, establishing shots of uniform frames as well as panning shots and Dutch angle shots. Notably, in a rare case of Kdramas, POV & OTS shots have been. Communication through manipulation of focus and movements of camera, everything accompanied by various mechanisms, provide ecstatic experience to the audience. One of the most remarkable features were the eye-shift during angsty interactions. It, again, incorporates shots from the above of premises as the characters are seated/stood symmetrically, which were eye-pleasing.

Composed by Choi In Hee, there are a total of 6 OSTs, all compatible to the ansgty and serious mood of the drama, even for the disquieting love story of the leads. The tracks are beautifully written and pleasantly composed, plus the stupefying covers.
# “Missing You” BY Han Dong Geun is my most favorite which incorporates heart-touching words and been ornamented with melting vocal.
# “Dimly” by RIO is a melancholic softbeat track as an attempt to hold back things dear to you.
# “Wish Becomes Stars” by Kim Won Woo is about hopes that keep you living.
# “It’s Red” by ID:Earth & Park Da Wool is a high beat heart–wrenching song about insecurities in the darkness.
# “A Star in the dawn” by Chung Ha is heartfelt track about the joyful days to cherish.
# “Let It Flow” by Lim Sang Hyun is again a melancholic song about longing reminisces.

What I liked…

# The intrinsic messages of a show always intrigues me and I’m happy to have witnessed it in another sageuk, where, even when they stick to tradition-based ideas that were prelevant in the contemporary times, they also try to tackle the patriarchy, customs and standards by means of the of the characters, especially the female ones.
# The dialogues were captivating and enthralling and beguiling, all at different times. May be because the story mostly takes place within the palace and involves high-ranking members and their servers (maids, eunuchs and court-ladies), the dialogue sticks to pure hanja literature for most of its parts. The statements and response incorporates awe-inspiring patterns and proverbs as well as idioms.
# The character arcs were prodigious and exceptionally built-up with prominent development. I guess the term “development” would be not apt, for the characters didn’t really change their natures or intentions, rather their growth resulting from learnings and knowledge. The King’s character is untypical and it’s the FL’s character that outshines everyone else followed by PGW’s charismatic role that he carried out stupendously.
# I don’t really complain about the amount romance in a drama but this one surely had an apt portion which makes me mention it. There isn’t too much or too less and that much is also perfectly incorporated throughout, wherever necessary. The relationship between them didn’t entirely rely on love, rather it had idealistic viewpoints for the FL was a rationale and kind lady, the opposite of the ML who thinks everything is justifiable when you desire to achieve something.
# The intriguing sceneries as a part of both the real camera landscapes and created with CGI to suit the timelines and points, were well-utilized by the makers. Since most of the affairs occur within the walls of the palace the medieval vistas of “hankos” (traditional Korean houses) and the royal palace as well as different parts of it, shot in Yeolhwajung Pavillion and Gyeongbokgung Palace were alluring and enticing.
# The inclusion of back stories of minor characters as a part of justifying their acts (from their pov ofc) is done in a way you end up sympathizing with them. No wonder I as well as the audience watching it were forced to change sides and rationalize and change sides again as a cycle, before we could finally build neutral stances about the characters and about whatever was going on. Now go back to my title and you’ll realize why I wrote so.

What I didn’t like…
Honestly, I couldn’t pick any in particularly; nothing in the character arcs or the plot development of the used elements or even with the enactments. It definitely wasn’t a perfect but its good and could have invisible/unnoticeable flaws to be filtered. So, I don’t have much to complain except for how I didn’t like particular actions of the characters on personal levels.

One of the many symmetrical elements in this drama that I loved was ‘manipulating through the baduk (go) board’. The King establishing consonance with reality through the stones that corresponded colour with people of 2 different categories, was a pleasant and alluring scene. The movement of stones implying the varied actions implemented by Park Gye Won was what made me stagger.
Vertical groove patterns on the attires of the royal subjects, including the king is what I noticed during the first half of the show and it felt very different. There was a point I felt that I had seen the same in another drama but I could not exactly recall. So, either the drama has tried to add the detail with particular intentions (which is unlikely bcs they would been complained for misappropriation of history by now) or there actually exists such hanboks with some meaning to it, which I am unaware of. Please enlighten me if you know.
There will be not just one or two, rather several instances where you might question the said antagonist’s true intentions. That being said, the writer has done a very good job in showcasing how ideologies and actions make us human beings. The perspectives of Park Gye Won were clear even though we couldn’t see it. Albeit his manner of accomplishing anything were ill or wrongful, they, at all the times, weren’t particularly indicative of two-way results. This is what makes the drama different.
Not strategy, rather grandeur bureaucracy is one of the major devices that the writer has chosen to foreground as a part of the state politics in the drama. Conspiracy-based politics are the typical elements in historical Korean drama but the makers here went south to prove how idealistic systems can still be the core of politics, which might not be very realistic if you consider the actual history. Not like the story is devoid of ill conspiracies but even that sticks to the protocols of the systems.
Before I sign off, I must bring to notice of the readers that the drama does an exemplary job in establishing few roots into the recent developments in female-centric sageuk stories that attempts to break the trends of usuality. In simple words, the drama is, firstly, neither the King’s nor the Queen‘s or of the antagonist(s), it is about the choices and actions of the characters that lead the consequences accordingly. Even so, the prominence put into manufacturing the female lead combined with the performance by Kang Ha Na, makes the story even more powerful.

Final Remarks… All matters summed up, the drama is a fabulous piece of sageuk, in fact, the 2nd best of the year, keeping “TRSC” at the first. From an excellent script to noteworthy direction, from spellbinding cinematography to transfixing editing and from amazing performance to thrilling presentation and finally the astounding outcomes, it maintained the quality throughout and proved to be a must watch piece. Most importantly, the drama is what you call “thought-provoking”; it made us ponder, resonate, rationalize and infer the characters’ perspectives and action, in our own lenses ofc. My overall experience and my sense of considering the previous productions of similar type, has led me to conclude that this is a well-made show with untypical execution, even so it is not very unique or a masterpiece. PLEASE WATCH, for its worth the time and deserves much more appreciation.

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Woo to the Young to the Woo

“She didn’t know how to be semi-interested in something. She was either indifferent… or obsessed.”: extracted from “The Kiss Quotient” (2018) by Helen Hoang, the book explores the life of an autistic lady Stella who hires an escort so as to learn social intimacy. The drama, on the other hand, lets an autistic young girl, Young Woo go out and spread her wings, in the process of which, she unexplainably finds herself in intimacy. Whatsoever, the drama revolves around her and focuses how she uses her abilities, disguised as disabilities, to solve and sort out issues, that seem difficult to the so-called normal beings surrounded to her.

Combinedly produced by AStory, KT Studio Genie and Nangman Crew, ‘Extraordinary Attorney Woo (이상한 변호사 우영우)” is very much a legal genre drama with little amount of romance, mystery and politics, in limited proportions. Written by Moon Ji Won and directed by Yoo In Shik, the drama was originally broadcasted on ENA and internationally distributed by Netflix.

The story follows the extraordinary 27yo autistic girl, Woo Young Woo (Park Eun Bin), who has graduated from SNU with top marks and becomes an attorney at one of the top law firms of the country, Hanbada. Despite her limited abilities to communicate with others, she quickly wins over her colleagues with her impressive memory and brilliant reasoning skills while solving cases and bringing forward the justness each time. Keeping her at the center and the team she is a part of, the drama introduces new cases every episode and the way they are dealt with, including their consequences.

Lee Jun Ho (Kang Tae Ho) is a member of the litigation team at Hanbada and the closest to Young Woo, while Jung Myung Seok (Kang Ki Young) is a senior attorney and Young Woo’s mentor. Choi Soo Yeon (Ha Yoon Kyung) and Kwon Mi Woo (Joo Jong Hyuk) are also rookie attorneys in the same team as Young Woo. Other regular actors in supporting cast, both experienced and rookie, are Jeon Bae Soo, Baek Ji Won, Jin Jyung, Joo Hyun Young and Im Sung Jae. For each case, there have been many familiar faces, in fact and I’m sure y’all will be delighted.

Plot development is episodic in nature, almost approximately standalone episodes, with few minor and continuous plotlines developing in the background which have their own climax. The introductory episode throws light upon Young Woo’s childhood and a leap showing her current life in late 20s. And in that episode, itself, we get to see a case and the courtroom battle that is solved by Young Woo’s wittiness. Since the plot is not a steady one, with each case in each episode, we witness her growth as a person and as an attorney plus the shades of different people surrounding her. A mystery to her past, her reception at the workplace as well as by her colleagues, her relationship with her father and friend and more importantly her love interest: all these as a part of the story, however, are put behind how she deals with each case along with her team. The peak of her story towards the ending of the drama was interesting though a bit painful, nevertheless, was very well wrapped up.

Upon reading the synopsis when the drama came out, I was immediately reminded of the 2019 Korean movie “Innocent Witness”; autism, courthouse, laws and justice, same elements though a different plot and an unusual storyline. I was in fact gladdened to discover that the drama is created by the same writer as the movie, Moon Ji Won jakka-nim, and it obviously made me expect something extraordinary out of it. And leaving no doubt, it lived upto the expectations, not just mine but of many hearts. The comedy incorporated was basic yet impactful.

People with autism spectrum are as special as others and can take the things they do and learn the best they can. In the world where we constantly seek love and validation, autistic people are those who demand a little more than us and when empathy slides through heart, it’s a feeling of trueness. I love how the writer sketched and nourished the character of Young Woo and let us see the world through her glasses of innocence.

Yoo In Shik PD is an ace and he didn’t fail at this either. With multiple qualitative hits, it was unlikely to become another average drama. Directing such a drama with multiple cases, introducing new stories each episode isn’t really easy and requires good understanding of the individual plot essences. The modern urban setup with light hue and solid yet undemanding palettes were sumptuously pleasing. The cinematography did wonders at place, especially the sunset-watching scene in the village, the scenery of Seokdong including the huge tree premise, etc. were beautifully done.

There are 6 OSTs in total and all likable
# “Brave” by Kim Jong Wan is a heart-touching warm song from the very moment it starts, till its ending, that is dedicated to Young Woo’s innocence and journey of self-discovery.
# “Beyond My Dreams” by Sunwoojunga is a prosperous ballad with beautiful lyrics that reflects one’s hearty words of love and emotional intimacy.
# “Better Than Birthday” by O3ohn is a soft electric track about confessions.
# “Tuning In To You” by Wonstein is a R&B jolly track that expresses mutual feelings of fondness.
# "Inevitable" by Bae Suzy is a softcore ballad with the feels of an old Kdrama OST that portrays the urge of letting out your feelings.
# “The Blue Night of Jeju Island” sung by uri Young Woo (Park Eun Bin) is the cover of the original by Choi Sung Won (1988) and popularized by Sung Si Kyung (2004) which truly one of the most recalled epitomes that defines the beauty of the place.

The best thing about Extraordinary Attorney Young Woo as a legal drama is that it introduced very very very untypical topics to the courtrooms, which are rarely portrayed in Kdramas, provided Kdrama legal shows only have handful types of cases debated over that ultimately lead to a politico-legal fight at the end. From false homicide to defamation to property disputes, from patent battle to North Korean defector issues to public interest cases involving regional land disputes and from sum settlements to discriminatory terminations to heritage tax issue, etc.; the writer has introduced a very wide range of cases that felt fresh and were interestingly alimented throughout.

Three reasons why the drama is different and better from other recent legal Kdramas are:
No dragged politico-legal fight between bigshots
Focusing more on laws and legalities than emotions and witnesses.
Portraying variable outcomes of each case, be it favorable or unfavorable.

The advantages and disadvantages of each result has been essentially useful messages for each episode. At times we win and adapt but learning upon defeat is necessary. Sometimes, its actually impossible to prove facts which lead to unfair results and you still fail to help it. Even in favorable conditions it matters how much confident you’re about the next time and spirited you have been in the process. Alterative ideas could surely be the way out of something when your plans go wrong but depends upon how wisely you use them. These are some of the points that I could infer from the outcomes of cases at the end of each episode.

The chemistry between Eun Bin & Jun Ho despite the little amount of romance was amazing to begin with; their first meeting at the rotating entry door and the follow-up from that point in each episode were apparent baby steps in the budding relationship of love and care; the rhythmic “dun-chak-chak” where I did melt. I understand why many people didn’t understand where it was going and were upset and complained but that is the best that could be done, provided Young is an autistic person with challenged social skills. They were not supposed to be lovey-dovey all the time even when they were in love.

Young Woo’s short responses as in “unn”, “umm”, “enn”, etc. were worth living for. They were funny and jolly at the same time. Her behavior as an autistic person were attempted to be made accurate as much as possible, from her talking habits to her reactions to certain actions, from her obsession with kimbap to her trying to stick to rules, etc. One basic point, I would have liked explanations upon is, Why exactly Young Woo was obsessed with whales or how it kicked off.

One gratifying thing was whales jumping outta water whenever some idea popped up in her mind in response to stimuli contributed by happenings and also her hair flying. Young Woo’s appearance too was very cute, with short hair of a homespun cut plus her plain skirts that went well with the huge side-bags. I loved the writernim’s attempts to make/let Young Woo learn, be it her personal or professional life and making sure that she adapts to things which she thought were difficult for her. The practicality was definitely maintained.

Attorney Jung Myung Suk’s character is one of the most likable and contradictory statements would be nullified. I thought strict, more of an evil man, who’d be an obstacle to Young Woo’s endeavors, but to my surprise, he turned out to be a fine ahjussi I’d die for. The way and the rate to which he went on to embrace Young Woo, upon realizing her abilities, was beautiful. Man, himself was so sorted and open-minded and patient, he barely was at wrong. The shades to him in the 2nd half were may be not important but the writer must have necessitated in order to portray the uncertainties in one’s life. Kang Ki Young has done so well, I swear.

I believe “empathy, not sympathy” was the key tool that drove the essence of the drama.

Like many audiences, I too feel there is no need for another season, but now that its been announced, I also feel like many others, that I would absolutely love one. The production surely is trying to piggyback on the popularity of this season but considering the type of split plotline the drama has used, I see no reason to object. It will be another interesting and fresh watch as long as the writer doesn’t bring forward typical elements.

Final Remarks… Honestly speaking, I wasn’t very excited about the drama at first despite my inclination for the 3 main cast, I thought it’d be another legal drama bearing political battle. But the buzz it created definitely helped me pick up some interest and starting the drama then made me realize how wonderful this thing is. Despite the unique plot element placed, i. e. Young Woo as an autistic attorney, I loved how simple yet influential the entire show was with fresh factors and accessories. The drama is definitely a success and I am so happy to announce that it has totally lived upto the hype. Will be eagerly waiting for 2024.

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All about second chances.

Even with my excitement for Lee Joon Gi's comeback, due to recent trend in dramas, I wasn't really expecting too much and came here to only check out, thanking at least an average drama will be resulted. However, by the interval of the show, I found myself captivated and occupied by the entire thing and the pace with which everything was going on. It was difficult to get bored in any single instance and I was constantly absorbed by the quality of the show.

Created by 'Studio S' & 'Viu' and produced by 'Samhwa Networks' & 'Kross Pictures', "Again My Life (어게인 마이 라이프)" is the 16 episodes live-action adaptation of the Kakao web novel with the same title authored by Lee Hae Nal, which was also turned into a webtoon, as well. Both written and directed by 2 pool persons each, the show is 5% fantasy, 80% politico-legal and 15% action thriller, which was originally broadcasted on SBS.

Kim Hee Woo (Lee Joon Gi), a rightful & passionate prosecutor gets murdered for trying to bring down a popular yet corrupted assemblyman, Cho Tae Sub (Lee Kyung Young), who with the facade of being a stain-free personality, controls the entire nation. Miraculously, Hee Woo gets resurrected into his past life with a second chance to prepare himself well in order to showcase the power of truth and laws to those who abuse it for their gains. The story follows the journey of him strategizing a revenge for years, along with people who have come to believe him in the course of time.

I must inform you that the show is not an "one man army" plot-device, rather, a "together we can" spirit, that makes it unique. There are plenty of supporting characters, each given a fair share of emphasis in the story with perfect screen share. The other familiar faces in the drama playing major characters are Kim Ji Eun, Kim Jae Kyung Jung Sang Hoon, Choi Kwang Il, Hong Bi Ra, Kim Hyung Mook, Kim Jin Woo, Ji Chan, Cha Joo Young, etc. Lee Soon Jae, Jeon Gook Hwan, Yoo Dong Geun, Lee Kyung Min, Kim Chul Ki, Kim Young Jo, Hyun Bong Sik, Hyun Woo Sang, Joo Woo, Park Chul Min, Kim Hee Chul, etc.are more like guest characters but appeared frequently in the show.

Not like the first time Lee Joon Gi went for a legal thriller but what makes this particular drama stand out is better performance, the revenge plot, the execution and not to forget his action scenes and sense of humour.

Plot development was amazing. The pilot episode wasn't very impressive and felt like it'll be another politico-legal thriller with cliché elements. However the next few episodes turned out to ve good, as the writer attempts to incorporate base-level strategy making skilla into the character. The accumulation of power and will by Hee Woo was constantly alleviating to watch. His initial efforts to save things dear to him, followed by his endeavour to prepare himself bettee with a goal in mind, everything was awfully alleviating. As the real fight begins from the 2nd quarter of the show, it starts to become ingesting. Every time, the viewers feel like Hee Woo would go for his main target, he surprises by trying to weaken another angle of the villain, thus moving one step closer towards his quarry. It became even more compelling in the last 6 episodes as we knew what's coming soon. The last 2 episodes were the real game and the ending sequences was as enthralling, however, that's where they messed up. It definitely became rushed towards the ending of 15th episode and the entire 16th episode was on some other level, which was the biggest flaw. I must admit the very ending left us confused hinting the possibility of another season, but I guess we can assume the aftermath and let it go. Finally, I didn't like the sacrifice part bcs that's what I had correctly guess and I think that could have been easily avoided by the writer.

Lee Byung Hun jakkanim with the experience of working as both the director and screenwriter in both K movies and dramas is assisted by two debutant writers J & Kim Yool, for this drama. Focusing on the national politics, the show has been a constant reminder that, no matter how crazy the headlines might seem, things could always get worse, especially beyond the surface. The utilization of elements like, corruption, bribery, power struggle, etc. throughout was congenial and appealing. The base establishment, the furtherance, the unveiling of facts, the flashback to future (you know why 'future' 😂), the character arcs and most importantly the way of making strategy have been very well drawn.

Han Chul Jin PDnim with more than 2 decades experience and the number of contemporary hits works here the debutant Kim Young Min PDnim, and the both have been able to pull off such a stupendous urban thriller story with nonexistent flaws. The direction radiates the scope for several subplots and maintains the quality of the show throughout. The art of criticizing politics directly is overt in influence and the messages and takeaway notes are more palatable through the lens of entertainment. The screenplay management, scenario setup, screen-editing, choice of location, etc. have been well handled. With less utilization of vfx and editing, the modern urban vistas of Seoul are mostly eye-pleasing and maintains dark era for most of the parts.

Composed by Kim Jong Chun (Philstring), the drama has a total of 7 OSTs, but honestly, some are good and proved suitable for the show's essence, while others weren't. "What the Ggang?" By Yoon Do Hyun ia a impulsive hardcore track depicting open challenge to the evil. "Bring It On" is an adrenaline-inducing track reminding one of it's strength, fiercely sung by Sonnet and has an amazing chorus. "Burn" by Park Do Joon is a jolly track aspiring for a better day and a good life through self-determination. In the mesmerizing vocals of Yu Sang Eun, is "Till The End" which is a quest for truth. Other tracks were "Alone" by GB9, "Shadow" by Hanhae & Kissxs and "Tragedy" by Sondia; I didn't really like these.

What I liked...

# The plot development is beyond likable. The viewers receive intrigue, excitement, action and danger, all wrapped in, and intertwined with, a political plot, accompanied with legal components.

# Performance from all the casts, particularly from Joon Gi and Kyung Young-nim has been highly pleasing. KY-nim's dialogue delivery and way of phrasing sentences is always amazing but here we get to watch a more refined vocabs of him; his character was intriguing despite being the antagonist, ngl.

# Action scenes, mostly involving modern self-defense as well as professional ring techniques were quite agreeable, particular the ones when Hee Woo clashed with Doctor K.

# Even though the drama feels like an "one man army" show, it's a matter of time to realise that Hee Woo is always at the centre of everything, controlling, regulating and manipulating the scenarios, but he had to benefit from a number of people, whom he loved, cherished and cared for, and was the recieved the same from others as well.

# Pacing and progression of the show is worthy of your time as it doesn't really have a mysterious plotz rather goal towards bringing down a particular being, and elimination of their strength one by one in the due course. It's again isn't a head-to-head clash between the prota- and anta- gonist, rather a mind game. Personally, I wasn't able to skip or fast forward at all and was constantly engaged.

# I am so happy there was no romance, really. From the beginning, it felt like the ML will have to go through the push & pull among multiple girls and possible admirations were hinted off initially as well, but everything boiled down to friendship though there is an indication of coupling at the end, as the original work.

# There is no definite bromance either, but Hee was admired by many men in the show, from old to young, because of his kindness and deeds, which was also good to see.

# Finally, i must inform that there is no ML FL here, there are only main characters, supported by others, that's it.

What I didn't like...
Not just the writer, everyone in the team of makers are at equal fault. Even if there were no original novel, this show actually had to be of 20 episodes or at least 2 more episodes were a must. But for the sake of meeting the standard 16 episode quota, they messed up things a bit. So, for the drama writer, it would have been wise to develope plot in a way that the events from the beginning were a lil faster hence minimizing the rush that we saw in the last episode.

Final Remarks... What a show! What a show! What a show about legal battle between the righteous and the corrupted plus powerful. The show was able to give away insights about one's greed and it's impact on the powerless and common man.The show is highly entertaining, engaging and enjoyable which allows you to stick to it throughout the end. I am not able to find a particular flaw tbh. So my overall ratings are based on the levels of uniqueness, execution and the final experiences about the outcomes, which has led me to give it a fair 8.0. We all must realize it was not the best or something very mind-blowing, but very good per se with high production and entertainment value. Must recommended, please watch.

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