Renseignements

  • Dernière connexion: Il y a 5 jours
  • Lieu: Lands Between
  • Contribution Points: 3,597 LV12
  • Rôles:
  • Date d'inscription: septembre 1, 2021
  • Awards Received: Flower Award6
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Gourmet
1 personnes ont trouvé cette critique utile
avril 12, 2024
24 épisodes vus sur 24
Complété 0
Globalement 5.5
Histoire 5.5
Acting/Cast 6.0
Musique 1.5
Degrés de Re-visionnage 1.0

A Bitter Aftertaste

It wouldn't have been a culinary piece without pulling the classic "like my mother used to make it" move with the nostalgia hit like Ratatouille. Cooking extravaganza, orgasm by taste, sabotaging rats, exotic ingredients, old rivals, and lvl 99 hidden chefs, they're all here as you would expect from such a theme. However, I wish it stuck to its culinary theme more tightly. There were a few detours here and there that didn't fit well. The butcher arc, specifically the first 2 rounds, was an example of the drama shifting away from the main characters and cooking. The drama also added a little bit of "supposed" romance but it was one of the driest displays of romance ever, they even turned it into a quick love square for one episode. The brothers rivalry was meh, I didn't like its progression nor its resolution. Aside from everything else, the one thing that pushed me to the limits was the inclusion of the deplorable trope of excessive constant interrupts. More often than not, cutting scenes and conversations short. This deplorable trope left such a nasty sour taste that I couldn't shake it off. It ruined what I might have liked about the drama.

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Are You Human Too?
1 personnes ont trouvé cette critique utile
avril 12, 2024
36 épisodes vus sur 36
Complété 0
Globalement 3.5
Histoire 3.5
Acting/Cast 4.0
Musique 1.0
Degrés de Re-visionnage 1.0

Macaroni Noodle

To put it simply, the drama was not good. Selling a love story between an android and a human is a tough task on its own but the lack of chemistry and a functional dynamic between the two made it an impossible task to achieve. Not only the female lead was bad as a character but her inconsistencies pilled up more problems. Allegedly, she was his bodyguard and a strong headed ex-UFC fighter but she always ended up being the weakling princess who needed saving. I thought the drama might do an interesting play between the real guy and his duplicate android but the drama didn't put in the slightest of efforts in that regard. In fact, the entire narrative the drama went for was a load of crap sucking out any possible merits that might arise.

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Partners for Justice
1 personnes ont trouvé cette critique utile
avril 9, 2024
32 épisodes vus sur 32
Complété 0
Globalement 6.5
Histoire 6.5
Acting/Cast 6.5
Musique 2.0
Degrés de Re-visionnage 1.0

Justice of The Dead

The drama had a good mix of cases and personal attachments which helped raising the tension and to have higher stakes. Most of the cases were interesting and entertaining. On the other hand, season 2 cases had less personal attachments other than 2 incidents, one around the middle and another for the last case. Stella existence was problematic to the drama, both the character and the actress. She was out of place and her scenes were insufferable since her introduction. She was added to the drama as a fun and quirky element but that backfired immediately. Sally was her replacement in season 2, the drama attempted to replicate Stella but ended creating a worse version which made her scenes even more insufferable. I can't stress enough how insufferable both of these characters were. Season 2 had another unsuccessful addition, that is the character Do Ji Han, his character took away from the drama rather than adding or enhancing any value. Judging by what they did with season 2, It's preferable to not get another sequel. Unfortunately, they left a lot of threads open for a possible continuation. On an unrelated note, the corpses in season 2 had more censoring than season 1.

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My Lawyer, Mr. Jo 2: Crime and Punishment
1 personnes ont trouvé cette critique utile
avril 9, 2024
40 épisodes vus sur 40
Complété 0
Globalement 3.0
Histoire 3.0
Acting/Cast 4.0
Musique 1.0
Degrés de Re-visionnage 1.0

The Bad Sequel

In season 1: The introduction threw a wild scenario with a big stretch which helped attracting the viewers but the drama didn't return to the main case until the last 1/4. Meanwhile, it added fillers in the middle with okay cases but nothing interesting or outstanding like the initial jolt of rush, however, these middle parts helped connecting the characters together and form their relationships. The male lead character played out well with the setting and Park Shin Yang did a good job with his portrayal. The female lead was the most useless character in the drama. She had no role to play in anything other than being an insignificant side character. The return to the main case was good but unfortunately the drama went a bit soft in the punishment of the culprits.

Moving to season 2, I'm sure that season 2 is the worst non-consecutive sequel I've seen in any drama series ever. It's truly impressive how these seasons were in stark contrast to one another. Season 2 had a bad introduction and setup right away. There was a big disconnect between the male lead and his struggles. Which couldn't achieve the same impact as season 1. Everything the drama built, developed and achieved in season 1 was neglected in season 2. All cases were random generated garbage with little to no coherency to its theme, story and character. The male lead character was almost nothing like season 1. They went as far as erasing his past. He became a new character played by the same actor. It's a good example for how a character can change with a different director/writer even when hiring the same actor. Other than the 2 main lead, the drama had a full list of immemorable selection of cast members, completely blending into the background and turning into a white noise mush. Right from the beginning the female lead was the antagonist here but the drama built her story and character in a comical cheesy wronged by society kind of way. Her character had no real weight and ended up falling flat despite being played by a veteran actress Go Hyun Jung. The drama's attempt to make the viewers sympathize with her case and struggles at the end with an emotional climax was unsuccessful. If you really want to watch season 2 then don't watch it immediately after season 1, come back to it a month later because otherwise it will ruin your experience with season 1.

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My Lawyer, Mr. Jo
1 personnes ont trouvé cette critique utile
avril 9, 2024
20 épisodes vus sur 20
Complété 0
Globalement 6.0
Histoire 6.0
Acting/Cast 6.0
Musique 2.0
Degrés de Re-visionnage 1.0

Forget The Sequel

The introduction threw a wild scenario with a big stretch which helped attracting the viewers but the drama didn't return to the main case until the last 1/4. Meanwhile, it added fillers in the middle with okay cases but nothing interesting or outstanding like the initial jolt of rush, however, these middle parts helped connecting the characters together and form their relationships. The male lead character played out well with the setting and Park Shin Yang did a good job with his portrayal. The female lead was the most useless character in the drama. She had no role to play in anything other than being an insignificant side character. The return to the main case was good but unfortunately the drama went a bit soft in the punishment of the culprits.

Moving to season 2, I'm sure that season 2 is the worst non-consecutive sequel I've seen in any drama series ever. It's truly impressive how these seasons were in stark contrast to one another. Season 2 had a bad introduction and setup right away. There was a big disconnect between the male lead and his struggles. Which couldn't achieve the same impact as season 1. Everything the drama built, developed and achieved in season 1 was neglected in season 2. All cases were random generated garbage with little to no coherency to its theme, story and character. The male lead character was almost nothing like season 1. They went as far as erasing his past. He became a new character played by the same actor. It's a good example for how a character can change with a different director/writer even when hiring the same actor. Other than the 2 main lead, the drama had a full list of immemorable selection of cast members, completely blending into the background and turning into a white noise mush. Right from the beginning the female lead was the antagonist here but the drama built her story and character in a comical cheesy wronged by society kind of way. Her character had no real weight and ended up falling flat despite being played by a veteran actress Go Hyun Jung. The drama's attempt to make the viewers sympathize with her case and struggles at the end with an emotional climax was unsuccessful. If you really want to watch season 2 then don't watch it immediately after season 1, come back to it a month later because otherwise it will ruin your experience with season 1.

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The [email protected]
1 personnes ont trouvé cette critique utile
avril 5, 2024
24 épisodes vus sur 24
Complété 0
Globalement 3.5
Histoire 3.5
Acting/Cast 4.5
Musique 2.5
Degrés de Re-visionnage 1.0

The IDOLM@STER Universe

Back then when they were transforming the IDOLM@STER IP into all sorts of different media, including a Korean drama because why not? The drama itself played out exactly as you may expect and the first episode gave the necessary impression to set the expectations going forward. The cast members consisted mostly of idols so you may expect varied degrees of on-screen presence and performance. The drama explored one of the girls stories every 1-2 episodes but these were extremely predictable and bland, offering no variety, theming or appeal. You would expect this type of show to be much shorter but for some reason they went for full length, I guess they had the IDOLM@STER budget.


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Thousand Years of Love
1 personnes ont trouvé cette critique utile
avril 3, 2024
20 épisodes vus sur 20
Complété 0
Globalement 5.0
Histoire 5.0
Acting/Cast 6.0
Musique 1.5
Degrés de Re-visionnage 1.0

An Entitled Princess

A princess traveling to the future is a decent concept that allows for a big playground to take it in all kinds of directions, however, in this iteration the drama somehow managed to craft the scummiest kind of setups, sucking out any sense of engagement or enjoyment which made the story plain bad. It's such a simple concept that could've been exercised easily into an appealing package. Anyway, I appreciate the 2000s aesthetics with the scuffed tailor shop and the gangsters, a quick nostalgia dose. The drama was one of Sung Yoo Ri's earliest works and she has come a long way since then. The cast had a good selection of members, of which, nowadays, some retired or passed away, rest in peace Lee Sun Kyun. It's unfortunate seeing them involved in this drama but at least they made it more worthwhile.

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God's Quiz: Reboot
1 personnes ont trouvé cette critique utile
mars 29, 2024
16 épisodes vus sur 16
Complété 0
Globalement 6.5
Histoire 6.5
Acting/Cast 6.5
Musique 4.0
Degrés de Re-visionnage 1.5

Season 5 in first place

God's Quiz in general was more mystery/thriller/investigation than medical. The main lead, who's a medical examiner, was doing more field detective work and following suspects than the real detectives. I didn't like how they setup the main lead character, he's genius because of a drug experiment in his childhood and this led to all kinds of made up scenarios stemming from his condition across different seasons. Every season, they twisted it in a different way which took away from having a consistent character. It's the eternal problem of any unplanned sequel seasons in a series. Which imposes an impossible task for any multi-seasons writers.

Production: Seasons 1 to 4 were molded under the same OCN early days template, which all shared the same level of underwhelming production value. Soundtracks during season 1 & 2 were super generic stock background noise, only with season 3 they started to include music. Although season 3 was filmed better but had a much worse audio production in general. Season 4 was a noticeable improvement in production but it still wasn't quite there yet. This is all in comparison to regular shows that were released around early 2010s. On the other hand, season 5 brought with it a proper production and other improvements.

Characters: The dynamic and chemistry of the entire group during season 1 was abysmal, overacting from everyone, forced unnatural interactions and none of them clicked. Season 2 somewhat got better in that regard, you can notice that they got more relaxed but still not quite there yet. The ending scene of season 2 while the ML is kissing, his lips were shivering like crazy. It must have been super awkward to the point that they couldn't afford to have another take. Season 3 took a step backward with its changed cast. Detective Bae Tae Shik brought an awful dynamic to the table. Him and main lead didn't click together and created a bad on screen combination. It's probably why the writer didn't write him in for later seasons. The same can be said about other characters associated with Bae Tae Shik. The relationship and attempted romance between ML and Kyung Hee during season 1 & 2 was plain awful to watch. Only in season 4 it got reasonably better and season 5 fixed this issue completely by dropping the childish romantic tension and having them behave like adults. I liked seeing Kim Jae Won as a flashy villain in season 5, it was fun watching a different type of role from him.

Story: The structure of every season consisted of having a few cases then dedicate the last 3 episodes to the final case which had a personal connection with the characters. These last cases in every season were quite problematic for a variety of reasons, only season 5 had a better implementation despite its weak climax. More highlight across the seasons, the last episode of season 3 was the worst out of the entire series. The cloning plot in season 4 was super trashy and tacky, despite having an obvious playing room to take it into very interesting directions. The ending of season 4 featured another super weird and awkward kiss. The entire thing about AI in season 5 was really janky and a big stretch for the viewers to accept. In general, the cases were a mixed bag in every season, some were decent and interesting while others were boring, flawed or being stretched thin. However, season 3 featured mostly bad cases in addition to the handful of other problems which made season 3 to be the worst one in general.

The series as a whole was alright with a lot of ups and downs. It had a good concept with a varied degrees of execution. Although season 5 is the best one but it wouldn't have been that good as a stand alone drama without the accumulation of these characters journey. The ending of season 5 with both leads walking outside was very nicely done. On an unrelated note, it was impossible to not notice the ML's height.

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God's Quiz Season 3
1 personnes ont trouvé cette critique utile
mars 29, 2024
12 épisodes vus sur 12
Complété 0
Globalement 4.0
Histoire 4.0
Acting/Cast 5.0
Musique 3.0
Degrés de Re-visionnage 1.0

Season 1 & 3 in last place

God's Quiz in general was more mystery/thriller/investigation than medical. The main lead, who's a medical examiner, was doing more field detective work and following suspects than the real detectives. I didn't like how they setup the main lead character, he's genius because of a drug experiment in his childhood and this led to all kinds of made up scenarios stemming from his condition across different seasons. Every season, they twisted it in a different way which took away from having a consistent character. It's the eternal problem of any unplanned sequel seasons in a series. Which imposes an impossible task for any multi-seasons writers.

Production: Seasons 1 to 4 were molded under the same OCN early days template, which all shared the same level of underwhelming production value. Soundtracks during season 1 & 2 were super generic stock background noise, only with season 3 they started to include music. Although season 3 was filmed better but had a much worse audio production in general. Season 4 was a noticeable improvement in production but it still wasn't quite there yet. This is all in comparison to regular shows that were released around early 2010s. On the other hand, season 5 brought with it a proper production and other improvements.

Characters: The dynamic and chemistry of the entire group during season 1 was abysmal, overacting from everyone, forced unnatural interactions and none of them clicked. Season 2 somewhat got better in that regard, you can notice that they got more relaxed but still not quite there yet. The ending scene of season 2 while the ML is kissing, his lips were shivering like crazy. It must have been super awkward to the point that they couldn't afford to have another take. Season 3 took a step backward with its changed cast. Detective Bae Tae Shik brought an awful dynamic to the table. Him and main lead didn't click together and created a bad on screen combination. It's probably why the writer didn't write him in for later seasons. The same can be said about other characters associated with Bae Tae Shik. The relationship and attempted romance between ML and Kyung Hee during season 1 & 2 was plain awful to watch. Only in season 4 it got reasonably better and season 5 fixed this issue completely by dropping the childish romantic tension and having them behave like adults. I liked seeing Kim Jae Won as a flashy villain in season 5, it was fun watching a different type of role from him.

Story: The structure of every season consisted of having a few cases then dedicate the last 3 episodes to the final case which had a personal connection with the characters. These last cases in every season were quite problematic for a variety of reasons, only season 5 had a better implementation despite its weak climax. More highlight across the seasons, the last episode of season 3 was the worst out of the entire series. The cloning plot in season 4 was super trashy and tacky, despite having an obvious playing room to take it into very interesting directions. The ending of season 4 featured another super weird and awkward kiss. The entire thing about AI in season 5 was really janky and a big stretch for the viewers to accept. In general, the cases were a mixed bag in every season, some were decent and interesting while others were boring, flawed or being stretched thin. However, season 3 featured mostly bad cases in addition to the handful of other problems which made season 3 to be the worst one in general.

The series as a whole was alright with a lot of ups and downs. It had a good concept with a varied degrees of execution. Although season 5 is the best one but it wouldn't have been that good as a stand alone drama without the accumulation of these characters journey. The ending of season 5 with both leads walking outside was very nicely done. On an unrelated note, it was impossible to not notice the ML's height.

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The Most Beautiful Goodbye
1 personnes ont trouvé cette critique utile
mars 25, 2024
4 épisodes vus sur 4
Complété 0
Globalement 6.5
Histoire 6.5
Acting/Cast 6.5
Musique 5.0
Degrés de Re-visionnage 1.5

It's A Goodbye, I Guess...

Although it's a short mini drama but it's star studded with a full production. that's pretty rare for most short format drama below 4 episodes. Some already decent short dramas just need a good cast and production to elevate it. As sad as the story may seems but the writer over bloated it to the extremes. Everyone around the FL had problems, conflicts and worries (from friends family relatives), each adding an additional layer to her eventful life pre-cancer and an additional one while facing death. Adding the grandmother with dementia to the mix was too much. All of this took away from the most beautiful goodbye. It would have been better to keep everything within the limit of the family (only kids + husband).

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Welcome to Wedding Hell
1 personnes ont trouvé cette critique utile
mars 12, 2024
12 épisodes vus sur 12
Complété 0
Globalement 5.0
Histoire 5.0
Acting/Cast 6.5
Musique 3.0
Degrés de Re-visionnage 1.0

Budget Wedding

The drama had a decent introduction and seemed promising with its theme. The first 3-4 episodes gave the impression that the drama was going to be an episodic formula about a variety of different scenarios and struggles couples could run through around their wedding, however, although they had a couple of these scenarios early on but everything after that boiled down to the typical financial issues which the drama repeated and reskinned 5-6 times until the end. The drama had a good set up to easily come up with a handful of other ideas themed around preparing weddings. On the other hand, the drama had a good cast for a short drama which made the whole thing more tolerable.

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Island: Season 2
1 personnes ont trouvé cette critique utile
mars 10, 2024
6 épisodes vus sur 6
Complété 0
Globalement 3.5
Histoire 3.5
Acting/Cast 3.5
Musique 1.0
Degrés de Re-visionnage 1.0

Dysfunctional Characters

The drama kicked off with good modern visuals and an interesting fantasy setting on a mystical island. However, it quickly unraveled. The fantasy elements, though visually appealing, peaked in the first two episodes, while the remainder felt like a rehash of what we'd already seen. It's strange that they revealed all their cards in the beginning, leaving the rest feeling empty. The female lead was sent to the island to work as a teacher, but this plotline was completely irrelevant and didn't last for more than one episode. The direction the drama took with the fantasy story turned out to be quite disappointing afterwards. More on characters, the female lead was an unstoppable cringe generator with her non-serious interactions, especially with the male lead in the earlier parts. It was the writers way trying desperately to build chemistry between the two, but it was impossible without rewriting the characters themselves. However, the character that suffered the most from both the writers' curse and the cast choice was Goong Tan. It doesn't take a blind man to see what was wrong. The drama ended up being this shallow shipwreck of recycled ideas and bland characters.

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Island
1 personnes ont trouvé cette critique utile
mars 10, 2024
6 épisodes vus sur 6
Complété 0
Globalement 3.5
Histoire 3.5
Acting/Cast 3.5
Musique 1.0
Degrés de Re-visionnage 1.0

Dysfunctional Characters

The drama kicked off with good modern visuals and an interesting fantasy setting on a mystical island. However, it quickly unraveled. The fantasy elements, though visually appealing, peaked in the first two episodes, while the remainder felt like a rehash of what we'd already seen. It's strange that they revealed all their cards in the beginning, leaving the rest feeling empty. The female lead was sent to the island to work as a teacher, but this plotline was completely irrelevant and didn't last for more than one episode. The direction the drama took with the fantasy story turned out to be quite disappointing afterwards. More on characters, the female lead was an unstoppable cringe generator with her non-serious interactions, especially with the male lead in the earlier parts. It was the writers way trying desperately to build chemistry between the two, but it was impossible without rewriting the characters themselves. However, the character that suffered the most from both the writers' curse and the cast choice was Goong Tan. It doesn't take a blind man to see what was wrong. The drama ended up being this shallow shipwreck of recycled ideas and bland characters.

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Military Prosecutor Doberman
1 personnes ont trouvé cette critique utile
mars 7, 2024
16 épisodes vus sur 16
Complété 0
Globalement 5.5
Histoire 5.5
Acting/Cast 6.0
Musique 2.0
Degrés de Re-visionnage 1.0

Patriotism!

We've had plenty of prosecutor shows, but now it's set in a military setting—what a revolutionary twist! The drama was alright and had an interesting introduction, but the overarching story was delayed too often, and interest began to plummet. It would have fared better if the side cases weren't so bland and were better interconnected. Even though there were moments of tension and drama but there was something missing that prevented it from being impactful. The characters were a mixed bag, some of them were great while the rest were too annoying to tolerate. While the ending was fine but I wish there was more to it.

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I Haven't Done My Best Yet
1 personnes ont trouvé cette critique utile
mars 7, 2024
12 épisodes vus sur 12
Complété 0
Globalement 4.5
Histoire 4.5
Acting/Cast 5.5
Musique 1.0
Degrés de Re-visionnage 1.0

Did They Try Their Best?

It had a pretty normal start with introducing the story and the characters, nothing about it peaked my interest. The story itself was too safe, tame and outright boring, they didn't attempt any challenging situation even when they wanted to create conflict or tension. The comedy was a hit or miss, they didn't have a lot of material to work on in the first place. The main running joke was the unemployed main guy which got really stale overtime. The drama also lacked good dynamics between the cast, the small size of the active cast didn't help either. The side stories ended up being white noise. Too many of them had a good potential to craft something meaningful but the drama refused to take any of them seriously and gave each one a halfhearted resolution at the end. I can see problems and gaps from translating the manga into a live action format, something didn't click. I'm sure the manga fared better for such themes and stories.

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