Entertaining & intelligent story

The opening scenes don't do this show justice. The cast of 20-something idols clearly struggle with playing 40 year old characters, & the mismatch was so jarring I was actually ready to drop the show before even finishing the 1st episode. Honestly, why couldn't the producers cast age appropriate actors to play the 40 y/o main characters? If an audience is sharp enough to keep up with the story, surely they can differentiate between actors. But luckily those scenes didn't last long & I stuck it out.

What follows is a complex & weaving tale of 2 people given 20 years of their lives back to start over from an horrifically destructive end. They retain their memories & manage to redefine their relationship with each other & reshape their destinies. While this is a simplistic overview, the journey the story takes is exciting & fascinating with enough plot twists to keep your attention. Even though you expect a triumphant outcome at least for the leads, you don't quite know what to expect for all characters involved until the very end, and a satisfying ending it is.

This is only the 2nd time I have seen Zhao Jin Mai, who has already been quite active in the business. My first time seeing her was in the very disappointing Admist a Snowstorm of Love in which she was cast in a very limited & poorly defined role that was a complete waste of her talent. In Princess Royal she takes the role of Li Rong with commanding ease. I noticed a few alumni cast from Joy of Life, all accomplished & skilled actors who enhanced this production.

All in all, Princess Royal was a very entertaining & intelligent story.

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good writing, smart & funny telling of the usual age gap/wage gap office romance

Ha Yoonseo is a well respected department manager at a credit card company who left an abusive home at a young age with her younger brother. She fought to put herself through school and rise up in her career while taking care of her little brother. Seo Joowon is the youngest scion of the chaebol famiy that owns the company, but begins his destiny by entering anonymously into a lower level position, under the direct supervision of Yoonseo. Not until a year and a half of them dating does she discover his true identity & this is where the story begins.

At 10 episodes, Cinderella at 2 AM is a shorter series but it's just right. C2AM is an age gap/wage gap romance that turns out to be a more refreshingly honest look at the relationship & the forces, both internal & external, working against it. In the process, however, the age gap never becomes an issue, either in the story or the acting. After seeing a lot of disastrous chemistry between jie/di casting in other shows, the 2 leads of C2AM, separated by 14 yrs, do the best job I've seen of making their interactions seem more natural, not only in supervisor/subordinate roles which they alternate, but also as lovers.

The cast delivers with good comic timing and the 2nd leads provide a good contrasting relationship of an arranged business marriage between 2 people who agree to live their separate lives as soon as they leave the altar. In spite of the usual tropes of love triangles & jealously set ups, there were no cringe moments. Instead there were a lot of very funny moments, as well as heart felt drama, which is a strength of the writing for this show. Infused is the Cinderella fairy tale, as Yoonseo struggles with the effort to build up what she believes is her fantasy of being strong, capable, & deserving of happiness, while fearing that it will all disappear after midnight if Joowon & his family discover her difficult past.

So while I was expecting another silly w/age gap romance with awkward leads, I was suprised to find myself really enjoying this show. The dialogue was mature, with each character reflecting on their behaviors, on how their desires/beliefs conflicted & affected others. Even the evil mother-in-law comes around. As all relationships involve push & pull, gains & loss; how you view something as a sacrifice vs a benefit depends on how you see. Straight up emotions transcend socio-economic status.

All in all, C2AM was a great little show, and easily bingeable.

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Action & story mostly deliver on this entertaining but unevenly paced show

Bambi Zhu seems to have been very quiet in the last couple of years since her last lead role in Cute Programmer. From the start of Fateful Love, it's nice to see her back at something she's quite good at: being a badass martial artist. Also showcased is a previously underutilized talent - she's funny!

Zhu plays an elite military trained member of a scientific expedition, looking for new medical resources in some un-named jungle. An accidental fall into a cave leads her to discover a mysterious magical blade which transports her into a fictional historical China & into the body of a high ranking minister's daughter. Believing the dagger holds the key to returning to her world, she starts the hunt for it, only to find it in the possession of a royal prince.

While some body switch shows have the main character losing her memory & all of her skills, Han ZiQing remains fully aware of her previous existence, while gradually gaining the memories of her new life. She tries to hide her skills while secretly using them to find a way back to her world in the present. This creates comic encounters which might not seem very original but are deftly delivered by the cast. More importantly, one can develop sympathy for the FL & be interested in how she will get through her predicament as she gets more & more involved in the affairs of this strange new world.

I wonder why Zhu hasn't been cast with higher profile co-stars lately & this production looks rather low budget. But that doesn't mean the show isn't good. Although the ML is a veteran & I recognize very few other cast members, each delivers a decent performance & the story moves along smoothly.

At 40 eps, however, it's a long show as the FL just goes from one mishap to the other when almost everyone she meets tries to kill her. You forget what happened where without gaining any significant developments in the character, a sign the show is too long. The show only moves because of all the action scenes. The tone changes from lighter to darker & final 10 eps seem to suffer from choppy editing as battles come & go with the same footage & I sometimes didn't know who was fighting whom. Characters' motivations & moods change suddenly with very little build up so here the drama became rushed. Han Ziqing's story also seems to be pushed aside when you'd think she should be getting closer to solving the riddle to getting back to her world. And as bad ass as she started, she seemed to need getting rescued by her prince an awful lot, until she unlocked the door to back to her present at the very end.

All in all, the show was entertaining but an obviously long & complex story was unevenly paced especially at the end.

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good story, very bingeworthy

Shi Jian (homonymous with "time") revisits 10 years into her past while in a coma from a serious accident, in a set up similar to another drama, Legally Romance (a show I enjoyed very much), although this drama has a more serious tone.

At first I felt the FL was rather annoying & I was trying to decide whether to drop the show after the first 5 episodes, but the story then became an interesting exploration of how things happen & when, & how much control does one really have over fate. Realizing she has a 2nd chance, ShiJian initially tries to force desired outcomes while preventing undesired ones, Not until an epiphanal moment with her best friend does she learn that outcomes, in terms of the choices people make, are a result of the experiences they went through which influence any particular moment. The FL became a more sympathetic character as the story progressed. Unfortunately for ShiJian, the changes she makes to try to improve her future life ultimately sets in motion an absolute catastrophe.

I saw Tiffany Tang & Shawn Dou as main leads in the Legend of Xiao Chuo and was curious to see them again as the leads in a modern drama. They work well together and maintain the same chemistry in both genres. See You Again is a captivating story in spite of the well worn time-travel-while-in-a-coma setting but, as mentioned, the process to that known outcome is what's important. The story telling made this drama bingeworthy.

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very bingeable leads

Watching Tears in Heaven right after Princess Agents is like seeing YanXun & Chun'Er meet again in a later life & start their relationship anew. I have to admit this pair is the only thing that kept me watching.

Tears in Heaven follows Du XiaoSu (Li Qin), a spunky interior design graduate who could only find work as a gossip writer until she meets Shao ShenRong, a doctor treating an elusive celebrity she's chasing for an interview. They fall in love, to the consternation of ShenRong's mother, and an untimely tragedy leads XiaoSu into a direct clash with ShenRong's best friend, Lei YuZheng (Shawn Dou).

It's a captivating story, but one filled with stereotypical characters who lie to, & misunderstand, each other from one situation to the next. Deep dark secrets abound both at home & in the office, which never seem separate in Chinese dramas. So, against the conventional backdrop of corporate power struggle lies the stories of 6 people trying to find love & a stable connection amid workplace chaos, personal trauma, & an unsupportive economy.

XiaoSu is seemingly gutsy & determined, but irrationally timid & mute at the same time. When threatened with losing her job she can literally risk her life stepping out on a building ledge, but when threatened with losing a relationship she just accepts it without a word. Luckily, she learns to fight the 2nd time around, but really, the show could've ended by the 7th episode if she had just made a phone call to clear up an issue involving her father. And why doesn't she regularly contact her parents who live far away? They don't show up until more than half way through the drama, and unexpectedly at that.

I also had an issue with the portrayal of XiaoSu's career as an independent designer. Another show, The Furthest Distance, also features an independent architectural designer with a small staff but it did a much better job using that scenario to showcase a large part of that character's personality & strength. In Tears, XiaoSu doesn't interact with much of her staff, nor do we see how she even hired anyone. She & her staff don't act as a team. She isn't shown holding meetings, assigning work, or resolving workplace issues. It's as if her career was just another outfit she wears, & we're left to judge her character based only on her pursuit of a man. I ended up agreeing with her questioning what exactly does YuZheng see in her.

Although XiaoSu is seemingly the central characer, the show is very much male centric. YuZheng heads an all male board of shareholders. Even the executive assistants are male. All of XiaoSu's clients are male. The only powerful females are entertainment celebrities. XiaoSu regards herself as a nobody & is only someone for YuZheng to take care of. Apart from just sticking by his side, she didn't actually do much for him other than take care of his father while letting her own business falter.

The 2nd & 3rd couples I won't go into but they featured females who make irrational decisions & have unrealistic expectations of their relationships. It was hard to find sympathy for either of them.

The final quarter of the show centers on YuZheng as the story focuses on his corporate power struggles while the romance, along with XiaoSu, gets put on the backburner. Seeing the relationship stall really made me hope the show wouldn't end with them suddenly getting back together only in the very last scene. I was pleasantly surprised that the last 2 eps were actually quite enjoyable, with a lovely double wedding scene featuring brides in modern gowns but in traditional red. In the end, all the relationship conflicts resolve simply & cleanly in a pool of forgiveness & redemption.

Numerous writing/editing gaps in the story left so many loose ends. For example, the introduction & subsequent disappearance of YuZheng's lawyer happens just when you'd think a lawyer would be front & centre. Or how did YuZheng pretend to be ShenRong, and then suddenly everyone knew he wasn't & was ok with it? XiaoSu & YuZheng apparently met in an earlier incident years prior but the circumstances are never explained. And how does one maintain perfect hair after 8 months in jail?

Annoying & sloppy details aside, the real attraction to this show would be the leads, Li & Dou, who put in decent performances & worked well with each other. Who knew YanXun & Chun'Er were made for each other after all. With these two to look at, one can almost ignore the irregularities in the writing. It's still a very bingeable show.

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could've been great

I really don't have much to say about this show. I was interested from the opening scenes to see real badass action from the FL & was prepared for what should've been a great story. Unfortunately, after an injury which leaves her with amnesia, she turns into just another silly & helpless FL in a conventional costume romance for 90% of the show. Not until she regains her memory in the final 2 episodes does she do anything of consequence & showcase those action skills once more. It could've been a great show, all the elements were there, but too bad so much of it was dumbed down.

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Strong performance from Crystal Liu in a richly nuanced study of love & relationships

The Tale of Rose is a show that grabs you visually, immediately. Crystal Liu is Huang YiMei, & her story starts when she's a 22 year old art graduate in Beijing, catapulting in the art industry to the position of exhibition curator through sheer spunk. A walking work of art herself, she's stunningly beautiful & she knows it. She also knows her beauty makes her a target for others to blame for their own misfortunes, but she refuses to accept that responsibiity. Liu bursts through every scene like a tornado, sweeping up everything around her, and I don't know why but I can't stop staring at the clothes, the hair & makeup, the bouncy non-chalance. But it's an immature soul inside that huge cloud of powder, and tornados are destructive.

The story follows YiMei and her older brother ZhenHua as they both pursue love in whatever form it may present to them. ZhenHua's gentle nature is in stark contrast to YiMei's firey liveliness. In fact, YiMei's initial relationship with a work colleague was such a rollercoaster I wasn't sure I could stomach it for an entire show as I realize I'm only on Ep12 at this point. But those clothes, that hair. I think this is the 1st show where it's not just an actor simply wearing a designer outfit; Liu lives & breathes that fashion, completely embodying a character who wears a ball gown as easily as pyjamas.

Live & learn, as they say, & as time goes on, YiMei decides to go back to school in a much subdued state, leaving her family in Beijing to go to Shanghai where she meets her 2nd love. At this stage she has changed so drastically that the question is can she find true happiness if she is not her true self? And are men really different from one another? Whether they are lone wolves or mama's boys, they all seek to control when they are unable to grow. Empowering oneself without disempowering the other takes a lot of maturing.

And fact check needed: can a husband resign his wife from her workplace without her consent, or her employer even confirming with her since the spouse is basically an unvetted stranger? This can't be legal, even in China, so this is quite a stretch in the story. If YiMei has the guts to sue for a divorce, why wouldn't she also sue for her job? This question is more or less answered at the end when she realizes she'd rather let go than fight to keep things, including love.

Legalities aside, this show becomes a fascinating look at the push & pull, the hanging on & letting go, overcoming & being overwhelmed at any & all stages of relationships, spanning almost 20 years of the lives of YiMei & those around her. Not to mention differing attitudes toward success & family, particularly from money grubbing mothers-in-law. The story even includes a character who becomes a single parent by choice, further commentary on the role of men as partners in modern women's lives. YiMei never loses herself no matter what she goes through and her fearlessness in pursuing the paths she chooses never wanes, especially when she finally meets her true soulmate, another free-spirited artist. She's like an immortal who's banished to the human realm to endure all aspects of human suffering. The 3rd relationship felt underdeveloped & overdrawn within the story as it passes very quickly, & was harder to sympathize with. However, the show draws to an end with YiMei coming to a reconciliation with all the people in her past, while recognizing that she can never be settled with anyone other than herself. This might make her selfish, but at least she's honest & unapologetic about it.

Another detail that was too distracting: if you're caught in a rain storm on a mountain hike & you are wearing an appropriate outdoor jacket that comes standard with a rain hood, why wouldn't you put that hood on? Yes, it's more visually dramatic to to be soaking wet with water running down your face, but if you don't want to die of hypothermia you need to Put. That. Freaking. Hood. On.

Anyway, aside from a few annoying details, I think this is the strongest performance from Crystal Liu I have seen. She doesn't overact the character at 22 years of age, unlike other celebrities (I'm thinking Yang Zi). Tong Da Wei as ZhenHua gives a steady performance & makes his character an anchor against YiMei's tumultuous life. Overall, I found this show very richly nuanced & quite enjoyable.

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Tone & pace maintained from S1, engaging story & well acted

It's nice to see the tone & pace are largely the same as from S1, same superb performances from the veteran actors. Love the patient, close examination of finer details in both scene & conversation. I've read that there are many jokes which don't translate well. Although my Chinese is limited, I can tell that the dialogue is sharp & fast and, even from what is translated, some scenes can still be very funny to a Western trained eye simply because the acting is that good. The CGI is not up to Western standard, but the natural sets were stunning.

Once again, Fan Xian schemes & this time makes a choice of who to align with, and characters continue to surprise, making the viewer guess what their next move might be. The crown prince became more cunning & surprisingly likeable. In fact, many characters now show a lighter, more casual side to themselves than in S1. Even Shadow is given not only a personality, but also aspirations, & presents more as a human being. Wu Zhu experiences self-doubt since he's been freed & on his own, & my suspicions of his identity from S1 were confirmed. Many characters returned from S1, although some were given very little screen time in S2.

S2, however, is less broad in scope as the story mainly centers on Fan Xian consolidating his influence within the capital, under his declared goal of weeding out government corruption. The romance takes a back seat to the political intrigue. Lin Wan'Er, who should be the most important person to Fan Xian, isn't even mentioned until Ep5. However, the development of their relationship was gripping as they reach new levels of understanding with each other. Wu Zhu doesn't show up until past the half-way mark at Ep26, but is involved in a drastic new development as he continues to be an important key to the mystery of FanXian'smother. FanXian's mission takes the story through the conventional settings of the imperial examinations, and the highly anticipated wedding with Wan'Er.

The season ends with Fan Xian one step further into taking control of his mother's assets, & without an agonizing cliff hanger as in S1. However, hopefully the wait won't be long for S3. The story remains highly engaging & I'm ready for S3.

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How to live in the face of death

It's been a while since I last saw Lin Yi (Put Your Head On My Shoulder) but he seems to have been quietly building an interesting portfolio of dramas with real stories. Angels Fall Sometimes looked like another interesting show. Lin Yi plays Lin Tuo, a talented young person with a promising career as a designer, suddenly facing an early death sentence with a diagnosis of ALS.

The last show with a similar theme that I watched was Love is Panacea (2023). Angels achieves what Panacea does not: it addresses the question of how to live in the face of death. In these types of dramas involving terminal illness, I tend to look for messages of hope or possibilities on an individual level. Panacea failed on several levels & for a while I thought Angels would fall short as well. Angels explored so many negative reactions, the what-not-to-do, surrounding the main characters for most of its duration. Its tone didn't change until the final episodes when all the questions that built up were finally addressed.

It's a cultural thing to cover up serious illnesses, but trying to maintain an alternate reality by lying is toxic & unsustainable. The level of denial & inability to cope is far worse than trying to face the truth in the first place. It was rather rediculous to watch, but sure enough, the friends who try to support Tuo break under the strain & his secret isn't kept for very long.

Toxic parents add to the mess, because why not? They suddenly become concerned & compassionate at the flip of a switch. If the workaholic father was essentially estranged from his sons for most of their lives, to the point of being oblivious to the younger son's near suicidal depression, why would he rush to Tuo's side at the drop of a hat & apologise for being a shit parent at first word of Tuo's illness? That didn't make much sense but at any rate they become an important part of Tuo's support network.

Keeping the illness secret from his grandfather by lying about why he's in a wheelchair is another level of incredible. Will the grandfather find out only when it's too late? The cruelest thing to the people around Tuo is to not allow for a proper good-bye.

Tuo retains intellectual capacity & the desire to work throughout his disease progression. His workplace supports his being there and eventually installs a wheelchair ramp at the front entrance. But instead of assigning an assistant to help him draw, his employment is initially maintained by making him use his wheelchair as a delivery cart to bring coffee & supplies to his office mates. From being a highly marketable designer, he becomes someone simply to be taken care of & every ounce of autonomy is taken away from the get go. Does he really accept this patronizing loss of dignity?

The acting overall was not bad. From the beginning the leads were so relaxed & easy with each other, it seemed natural & was nice to watch. But the 2nd FL character was annoyingly antagonistic & shouted most of her lines at the top of her lungs. Honestly, what is the purpose of such a character? Lin Yi did fairly well in portraying the very difficult role of Tuo, but Landy Li showed the strongest performance of all the cast as An ZhiQue, the steadfast girlfriend who takes matters into her own hands to pull Tuo through his ordeal. The actor playing Tuo's neurologist was so natural in fact, I wondered if he was an actual doctor. The show thankfully doesn't delve into romance tropes as the story is not a fairytale romance but a tale of endurance, purpose, & meaning.

I knew this drama was described as a "tear-jerker" going in, but what I was looking for was a message of hope and a show of possibilities. I'm a doer, not a cryer. Up to 20 episodes are spent highlighting the emotional impact on the people around Tuo, who behave quite badly. There's a lot of hysterical crying, shouting, & getting smashed drunk without realistic solutions to enhancing Tuo's quality of life. The despair & helplessness is somewhat unsympathetically portrayed. Then come moments of clarity, like ZhiQue's father telling Tuo to put as much effort into himself as his friends were putting into helping him (although an actual psychologist might've been more beneficial). However, by the final 5 episodes we then get Tuo finally not only facing his reality but also finding a new purpose to his remaining life. He revives his role as a designer and continues to work as I felt the character should've been supported to do so from the start of his illness. The show further explores the stories of other ALS sufferers & the various effects on them & their families, & ends with the decisions Tuo is able to make for his life as a result of the full support of all those around him. So the hope, possibilities, freedom of choice, & having a meaningul life are there & I'm glad this show was able to reach this conclusion.

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Perfect kitsch, well worth a re-watch

I very rarely rewatch shows as I'd much rather spend my time exploring new ones, but this show happens to hold a special place in my heart. I grew up in North America & first got into watching Asian dramas only in 2021, thanks to Netflix. The first shows I started on were Taiwanese ones from 2011-2013. There's something unique about this time period & I was so fascinated by the level of the storytelling in the dramas & the pure fun of the comedies. And the music - the soundtrack songs became my introduction to the modern Asian music scene which I now listen to almost exclusively after listening to 1990's British/American alternative in my formative years.

I've since moved onto Mainland China & Korean dramas, but I was brought back to this one for a re-watch. It's very representative of the kitsch of this era: cringeworthy over-the-top-acting, annoyingly immature characters, & eye-rollingly implausible situations. But what caught my attention was the scenery, the bright colour palette, the house the characters lived in & how they lived in it, all to the tune of a very catchy theme song which still brings a warm feeling when I hear it. And prior to the spectacular downfall of his own making, Aaron Yan was king in 2013. The light hearted, playful tone & pure irreverence of this show, & some others of that time/place, is largely unmatched in anything I've seen since (over 150 shows in the last 3 years). And 2nd time around, I'm realizing how hilarious Dean Fujioka was as the love rival. This show can be reviewed critically as lousy, but what it achieved sentimentally is something that can't be rated, so I give it my mid-range 7.5.

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entertaining story, appreciate the art

Ma Wang, a god of death, trades his murderous power to would be kings who end up in bloodthirsty reigns, until one dying king decides to seal Ma Wang forever into his official portrait to end the blood shed. However, a shaman's errant rain ritual ends up releasing Ma Wang, only to have him sealed up once more in the body of the gifted rain diviner & astronomy advisor to the subsequent king, Ha Ran (Ahn Hyo Seop). Who then can save Ha Ran but Hong Cheong Ki, a divine painter who holds the key to containing the evil threatening his life.

In spite of it's simple premise, so complicated is the story that this drama starts with a preview filled 1st episode, solely dedicated to explaning all the characters & their relationships in this show. And even then it was dizzying, especially when you have to read subtitles & can't keep an eye on every face flashing on the screen.

I was impressed by Kim You Jung's no-nonsense portrayal of her character in My Demon & I can see the same spunk in her personality here in Red Sky. That energy is good in playing forward thinking characters. I also previously saw AHS in A Business Proposal, & here he delivers much the same muted performance. While the acting overall isn't stellar, at least it doesn't detract from the story which is imaginative & actually sparked my interest in Han Dynasty painting & portraiture. The show delves into the art of painting to the point of exploring the concepts of line & form, & the inference of a subject without actually showing it. Surprisingly, this held my attention as much as waiting to see how the lead characters will achieve their ends. Oddly though, the drama purports to tie up "loose ends" & yet it leaves the arc of the royal princes battling each other hanging, with a 3rd prince frequently mentioned but never shown.

As a fan of the gods & demons genre, however, I found this drama overall very entertaining.

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Comic relationship adventure with odd editing, conflicting themes

Shim Jung Woo was the highest & youngest scorer civil service exam, highly reluctant prince consort, and naive straight shooter. "Those who marry matchmakers are destined to live short lives" is a saying taken to extremes as SJW's princess bride to be drops dead during the wedding ceremony, foretelling his own unrealized true destiny. Rowoon is very good at comic roles & hilariously portrays SJW as haplessly innocent in spite of his high intelligence & strong sense of justice.

Cho Yi Hyun plays Jung Soon Deok, a widowed noblewoman who moonlights as matchmaker under the pseudonym of Yeo Joo Daek, unafraid of any challenge, & is as free spirited as Jung Woo is rigid. Her talents are so natural it leads SJW to believe she is the incarnation of a matchmaking god.

No period drama is complete without palace intrigue as the Joseon king fights resistance from his own court to appointing the sickly 14 yr old crown prince's marriage and thus, by inference, his ascension. To lift a rumoured curse on the prince's future marriage (and political) prospects, the king orders SJW to marry off 3 "old maidens" whose unmarried status threatens the prosperity of the kingdom. SJW teams up with JSD in a funny and raucous ride to find the perfect bachelors for the maiden sisters. However, the journey gets rather dizzying with sudden flashbacks for mutliple characters, new characters introduced at different times, and complicated backstories with hidden identities. And there's one significant character, the king's second grandson & chief political threat to the crown prince, who's mentioned frequently but never shown during the entire show which is very odd.

Therefore it took me almost a 1/3 of the show to get into the story because of the mish-mash of flashbacks & jumping storyline, but eventually as the matchmaking for the maidens gets going I could just enjoy the comic moments & follow the development of the relationship between the leads. Then their matchmaking efforts fall apart as the politics heat up and past crimes come to light, turning the leads into detectives. There is also the prospect of a child marriage with a 10 yr age gap, presented as a fated true love match, which cannot be portrayed positively or realistically even if it was acceptable centuries ago. It's uncomfortable, actually, to see this in the storyline as no big deal & it conflicted with my enjoyment of the show. Finally comes the age old question of do you follow your heart or your fate? In the end, the good people are happy & the bad people get their due. The romance is light & funny, the politics heavy & perhaps unnecessarily tragic, but an entertaining watch overall.

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formula romance with good performance from Elaine Zhong

I get very skeptical watching C-dramas involving hospitals. It's rather jarring to see rich patients pay for what amounts to hotel service, in a hospital. Or getting an IV drip for a cold. Or getting an invasive diagnostic procedure just because. Or blatant violations of informed consent. Anyway, I now try to put all these things aside and try to enjoy the show.

Qin YunSheng, a young but soon to be widowed cardiothoracic surgeon, commisions a glass house on the beach from up-and-coming designer, Su Ying. The house is an oceanside refuge for YunSheng and his terminally ill fiancee to spend her last days. However, the controversial glass design proves unstable in build and, 6 years after his fiancee's passing, YunSheng and Ying are re-united in a bid to fix the deteriorating structure.

The show then follows the developing relationship between the grieving doctor and the designer who helps him fulfill his deceased fiancee's final bucket list wish, and move onto a new start for himself. The story progresses rather smoothly (and blandly) without any serious challenge until Ep16 when personal and professional issues come to a nasty mix. Then we get trope stew with sabatoging ex's (including an ex you didn't know you had), backstabbing colleagues, and misunderstandings piled on so thick you're actually glad to see the formulaic break up scene. Never was a ML given a more satisfying lambasting.

By the usual separation scene, however, I found myself more sympathetic to the characters and I realized this was due to the subtle and consistent performance of Elaine Zhong as Su Ying. Writing-wise, it was nice to have female characters that don't speak with high pitched baby voices, are assertive at work, and who get food delivered to their office desk by the boyfriend instead of the other way around. Ying is also surrounded by her competent staff working perfectly in sync. Even though the show barely passes the Bechdel test with some of the office scenes, Ying pulls through that final crushing mess with a quiet strength that doesn't waver.

A major attraction of the show for me was the tropical paradise backdrop of Haikou City on Hainan Island. Bright sandy beaches, winding seaside highways, beautiful modern view apartments and all the ammenities of a modern city, all to the tune of a catchy cha-cha-cha theme song. I kept watching just for the scenery and lifestyle. Although the actual location of the story was kept fictional, there were frequent shots of the landmark Haikou Century Bridge. I just Google image searched; please correct me in the comments if I'm wrong.

This show is otherwise a mildly dramatic romance with gorgeous scenic views, ending with the signature house that started it all. A nice fluff piece if you don't get too annoyed with the tropes.

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light and entertaining

Past and present collide in this rom-com about a city lawyer with a mysterious ancient curse and a civil servant with whom he shares an "unseverable destiny". If you are undecided on whether to watch a modern or costume drama, this show will deliver both.

While there are all the usual ingredients of a rom-com, this show is more entertaining than average. There wasn't the usual shy, denial of feelings, but rather a full on "Sorry - Not Sorry!" head first dive into love. Shin Yu believes he is under a love spell cast by Hong Jo and struggles to fight it. "You're not pretty, but you are to me!" It's a funny internal battle between a newly awakened heart and a seasoned analytical brain. A few scenes were too slow but, before you get too bored, the story manages to move along with hints into previous lives, dark magic, murder and suspense. However, the draggy scenes were during the modern portion of the show and I felt more time could've been spent on the historical back story. Rowoon and Jo Bo Ah change pace smoothly and maintain their chemistry between the two settings.

The overall cast is very funny and work well with each other. However, it was almost uncomfortable seeing Park Kyung Hye being very over the top; she has had better roles. The comic timing between the 2 ML's as they compete against each other in 1 of 2 intersected triangles is spot on. It's also nice to see two decidedly unglamorous people in their own romantic story arc; it counters the expectation that only young and beautiful people can fall in love. Rowoon, noticeably freakishly tall (his height is mentioned several times), is good at comic scenes and his fans won't be disappointed. He is maturing into a decent dramatic actor as well.

If you're not looking for anything too profound, this show is light and entertaining to watch.

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wild ride

Merchant's daughter & general's son climb the social ranks into the Imperial Palace. Crazy amazing Tang dynasty costuming with the most impressive wedding dress I've ever seen (ep 34). Starts light & silly but then turns into a dark & sordid speeding train with a full buffet of back stabbing politics, debauchery & revenge, peppered with moments of pure LOL camp, only to run over the cliff with half the characters being killed off. Main reason to slog through the last 10 eps is finding the answer to the question: will the ML/FL end up together? I like Xu Kai but he doesn't get much screen time in the 2nd half.

Lire davantage