Great lines and life lessons

So there were definitely a lot of really beautiful life lessons in it; it was really relatable how the different characters were shown — especially how introverts were portrayed. This is a drama that will make you think about life, about how you measure happiness, about family, and more. The cinematography is also just beautiful and it really made me look around me and be more observant of my surroundings and my place in the world.

Out of everyone, the two main leads (Mijeong, Mr. Gu) were undoubtedly my favorite, even though I felt like I didn't exactly feel that romance was necessary.

I do admit that the drama started to drag in the middle; I stilled like Gu and Mijeong scenes, but started to care less about the other two siblings. Gijeong (the other sister) especially started to grate on my nerves from the middle all the way to the end; I felt like her plot was so heavily reliant on a romance that I didn't really like — either she was with the love interest or talking about him — and her character never really developed aside from it.

The ending is something I don't really have strong feelings about; it's not necessarily satisfying and there are some scenes I wish I saw, but for a drama like this I felt like it couldn't have ended any other way. It's just about a bunch of characters learning to be happy. Life goes on.

Lire davantage

I felt like they started off really strongly with great backstories for everyone, a perfect combination of romance, school, and mystery...but then shot itself in the foot by focusing so much on the love triangle and simply unraveling at the end.

I honestly did not care much for the romance in this at all, though if I had to choose, I'd go for the second lead (like pretty much everyone else). The main lead just felt TOO tied to the twin sister, and it honestly never felt like he even liked LEB. When second lead found out she went back to Love House, he went all the way there and main lead...did nothing? Seriously — two sisters, two guys. The math could've worked out perfectly, come on.

Instead, I cared a lot more for the mystery part, but it felt like it just sort of unraveled by itself, with everyone suddenly doing things voluntarily and there not really being any repercussions for it.

Another thing I wanted badly was for LEB to get her satisfying ending with her new family and friends, but it felt like we never got the satisfying confrontation between her and the antagonist. Instead, it felt like GEB did all the heavy lifting there — which is helpful and fun to watch, but misses the entire point of LEB's character arc to finally stand up for herself now that she has a strong support system. I never felt like the antagonist hit rock bottom (usually the most satisfying moment) when her character could've had so much more personal growth.

And part of that is that the reveal of the twins to the class which I was anxiously waiting for turned into an "oops" moment. Upsetting, because I'm a sucker for a badass reveal scene.

It also felt like the show tried to handle too much — essentially it didn't FEEL like a school drama, which usually focuses a lot on school issues like day-to-day bullying, cheating, parental pressure. There was some of it but it was all in the side characters and I felt like I was watching two different dramas. There was also a serious lack of teacher-student sentimentality, which is one of my favorite parts of school dramas. I think this could've been explored in the sister of the student who died; her character was reduced to a catalyst in the plot, when I thought it could've been so interesting if she had actually started caring for the students who she was supposed to be getting revenge on and had to feel that internal conflict.

Lire davantage

I was super excited for this one. Even though I didn't like the "fate" aspect that much, I liked the concept of two opposites as the main lead. Most of all, when I first started, I loved that the main female lead was ACTUALLY a tomboy, from the way she dressed to her reputation at school.

But after the first episode, and after the male lead appeared, that practically disappeared, and the "tomboyishness" of the FL was completely dimmed down again. Her clothes became pretty "cutesy," and worst of all, the plot hit her with ALL—and I mean ALL—the damsel-in-distress cliches, from "girl with a hurt ankle needs guy to carry her" to "girl is about to get bullied and guy saves her." I just...the main lead started off so strong. What happened?

To add to that, I was never a fan of insta-love in the first place, and this just confirmed my disdain for it. The main character's personality completely did a 180 the second she laid eyes on the ML, and the amount of whining and crying she did afterwards pissed me off. I didn't see ANYTHING attractive at all about the male lead, and to be honest, the second lead was much more fun and caring.

Lastly, the plot was just...bad. I'm okay with a drama that revolves around the romance plotline, but it has to be good. The story for this entire drama was predicated on one misunderstanding after another, because the main characters refused to communicate at all.

The only characters that I really liked was Angelina, who started off annoying but quickly became the badass that I thought the main character would be. Honestly, the second pairing was so refreshing because she was so upfront and straightforward about her feelings.

Lire davantage

Political Strategy

For the record — this is my first saeguk, so I have to admit that some of the political positions, customs, and terminology was a little confusing at first. I don't think that necessarily has an impact on how much you might enjoy the show, but I just noticed that this was one of those shows that doesn't really explain itself.

I think the blurb that I read was a little misleading with how it was marketed as lovers to political enemies/rivals. While it's true that the leads are technically on opposing ideologies, I don't think that ever bled much into their emotions in the form of hatred or even as physical clashes. It was more about the political strategy, and for me I think I was definitely expecting something that was much more action-packed and fast-paced. Instead, the characters had plans, executed them, and had conversations about it.

And so I also really expected the main leads to reach an emotional hatred, but they never clashed much — it was more about keeping each other in check and conflicts of interest. And I think I was just hoping for something a little more harrowing and angsty, but something about the show felt very passive.

However, all that is not to say the show wasn't good — but rather it wasn't for me. Objectively I can tell the writing was solid and I really liked some of the relationships between the characters, particularly between Yoojung and her servant friend Ttongeum.

Plot and characters aside, the cinematography was beautiful and the OST was great as well.

Lire davantage

The only good part: the FL

I'd been waiting for this childhood-friends-to-lovers drama to come out for the longest time, but after watching it...I think the only good thing about it is the FL.

She's the very typical type of FL you see in Chinese youth dramas — not too bright but really optimistic and bubbly, but I absolutely love how Zhang Miaoyi plays her. She's endearing, chaotic, lovable, fun, but most importantly, stands up for herself when it counts. Which is why it was very disappointing that none of the other characters really matched her energy, and it was even more disappointing that the drama gave up on developing her character in exchange for tropey romantic scenes. For example: the FL is apparently good at martial arts but this is suddenly forgotten so that the ML can come and save her.

Just in general, the plot felt choppy. A lot of youth dramas have cookie cutter scenes; the better ones link them together well and make it seem like they're memorable moments in someone's life. In the more typical youth dramas, they remain recognizable tropes and it just feels like one scene after another, which is what this one felt like. In terms of the side characters, they were also very cookie cutter and I didn't really care for the friend group as a whole either. The plot and the characters all just felt like they were going through the motions.

Additionally, this is one of the dramas where the dubbing really negatively affected it. It was very obvious and made lots of dialogue seem off. For the FL, it was best when we got ZMY's original voice, but there were some lines that were dubbed and it was very jarring to see the mouth and sound suddenly not match up. For the ML, the voice didn't match the acting at all.

With that being said, the acting of the ML was...not good. He had very few expressions (and basically no microexpressions) throughout the show, and I just felt like it was very flat and bland.

And so: I don't think I really felt the romance. The hardest part about doing friends-to-lovers is transitioning from the platonic relationship to a romantic one, and that transition was very confusing and random. I wasn't sure when it happened and because of the lackluster acting and lack of well-paced plot progression, the leads felt better off staying friends.

My advice? Watch When I Fly With You instead. It's one of the few recent coming-of-age dramas that did everything right.

Lire davantage

Wholesome but short

There were some scenes in this short web drama that really hit me hard when it came to insecurity and family, and I was really surprised that this drama was so pure — its really just about two people who found each other and fit perfectly together like puzzle pieces.

There are some parts of it that kind of went in over my head though, where conversations were confusing and I wasn't really sure what was going on. And of course, since it's a short web drama, there are some subplots I wish they delved into and side characters I wish they explored but there was no time for. Other than that, though, this was still a really nice watch.

Lire davantage

It pains me to rate this so low because if the entire drama had been more like episodes 1-8, it might’ve gone into my all time favorites. But it has what you call car crash writing, when you’re in the car and the wind in your hair feels great and then you realize the breaks are broken and then things just SPIRAL.

I’m going to start with things I loved:

The entire mood of the show is really nice, and that includes the OST. I know a lot of people hated on repetitive music, but the songs fit the scenes perfectly and I loved the mellow atmosphere of the entire drama.

The chemistry is so good. There were so many scenes where I had to pause and just SQUEAL because they were so cute together.

But this show proves that chemistry isn’t everything. In fact, story probably is.

Nothing feels wrapped up at the end. So much of the drama hinged on Jin-ah needing someone to provide for her future, and that question was never really answered, especially with how annoying and haphazard the ending was.

With that being said, the plot entirely got very repetitive and it essentially ruined Jin Ah’s character. Every conflict was about someone hiding something from the other, and for Jin Ah they felt like nonsensical, selfish decisions.

That’s not to let Joon Hee off the hook — his decision to run away to America without discussing it with Jin Ah first was annoying, and it just felt like another avoidable miscommunication.

The sexual harassment plot was super real and I really enjoyed the heaviness of it. I kept waiting for the cathartic ending and the sismance where they all worked together to defeat the executives…but no, we never got it. It felt very open-ended and almost discouraging with the way everything played out — and though there might be an aspect of realism to that, it added to the feeling that we had watched 16 episodes and gotten hope, just to be told “why bother?”.

The sismance thus had so much potential, but because of the office plot, I never got what I wanted from it. The same could kind of go for Jin Ah and her bestie, who started off adorable and then became victims of the melodrama and had over ten years of friendship dissipate into thin air.

And lastly, the worst part: Mom. I’m already a hater of Disapproving!Parent trope, and I had braced myself for overbearing parents, but nothing like this. It honestly pissed me off that the drama treated it as parental love from beginning to end. At some point a middle-age woman should be able to make her own decisions and recognize the toxic people in her life. Every line out of the mom’s mouth was about marrying into a high-status family or about how worthless Joon Hee was…and honestly she just never got better. Her ending was out of the blue and by then she had gone too far for any redemption. She could’ve dropped dead and I would’ve thrown a party.

So. Long review, I know, but I had a lot of thoughts watching this.

Lire davantage

Half a tearjerker

The Somang/Hamin plotline was absolutely beautiful to watch and it totally made me cry multiple times; I absolutely loved the emotional development that we saw our characters go through, and the portrayal of grief and guilt was very visceral.

I enjoyed the other plotline as well, but I don't know if it's just the nature of a more light-hearted school plot, but this plotline really made the drama come across like the webdrama it was, while the Somang/Hamin part just felt like it went into much more depth.

I think the casting has to do with this as well — I had read the webtoon prior to watching the drama and Hamin's casting was really the only one that felt completely right. Sunhee and Somang were okay, but Bomi, Jaemin, and Jinyeong just felt off to me.

Overall, I still think this was a nice watch but part of me wishes it was a full-length TV drama because I felt like it just fell short of the source material.

Lire davantage

I am absolutely gobsmacked that this drama came out in 2019 and still had all the worst things about the dramas that came out ten years ago and still managed to do everything worse.

The writing is a mess. Taking every single trope in the book and just smushing them all together does not give you a story. It gives you needless drama and nonsense. And dumb miscommunications that could’ve been solved with a conversation.

A lot of rich man/poor woman tropes were used, and even though they tried to go for enemies-to-lovers, I felt like the main leads spent so much time arguing over basically nothing. The FL was especially annoying in this aspect as she was antagonistic for episodes for no good reason.

It also tried to do this makeover scene with the FL where every guy suddenly thinks she’s beautiful afterwards. It’s a cliche we’ve seen everywhere, but it flopped so bad here.

And that’s because it felt like the drama itself never bought into the ridiculousness of it all, whereas dramas like BoF did and you could at least enjoy the craziness and suspend your disbelief. This drama used all the crazy tropes and made them tedious to watch.

The characters are all very stereotypical and one dimensional. There’s practically no natural character development, and it feels like they’re just paper cutouts, going through the motions and the plot points the writer put them through.

It also relied on this lack of character development to reuse the same conflicts and have characters do things over and over again.

The only character I really enjoyed was the second lead (Ye Xing Yu), and the only ship I really enjoyed was the one with Yu Xi (boy-crazy roommate).

Lire davantage

Wholesome and heartwarming

This is the EXACT kind of drama I'd always been looking for — wholesome, friendship, romance, no frustrating evil scheming, and no dumb noble idiocy plot twist.

It's true that the girl is the very typical bubbly, bad-at-school type, while the male lead is smart and popular, but the way they did the roles wasn't cliche at all and they were both super likable. Honestly, the ML went soft for the FL very early on, and the FL tried very hard at school, was strong, independent, righteous, and just downright adorable in her optimism.

Second lead was very likable as well and I was pleasantly surprised at how respectful he was of the FL in the love triangle. It's honestly one of the best-executed love triangles I've ever seen and although I wouldn't say I had SLS, my heart hurt for him.

The second ship was honestly amazing and I was LIVING for it. It's the perfect friends-to-lovers kind that's my favorite trope, and they were adorable from start to end, with the way they teased each other and fought, and yet knew each other so well.

The romance was overall pretty subtle, and I was surprised that they pulled off the "childhood connection" trope so well.

The overall drama is so soft, which I loved, and the pacing of the entire show was really good and there was no unnecessarily dramatic drama. The friendships were really great and I liked how they never fought over dumb things. The only part that kind of tripped this part up for me in the middle was when the other girl returned from abroad and the main leads sort of miscommunicated, and it kind of annoyed me that the two main leads never learned how to deal with their feelings and balance friendship — the lack of ability to get the two girls to co-exist was kind of problematic for me.

But ultimately they resolved things naturally and I really liked how they didn't turn any second lead girl into a terrible person in order to push the romance through and make things angsty. The same could go for any character and it was really refreshing how even the guest characters were pretty good people who might've gone astray sometimes — much more realistic and relatable. Even the families weren't overly frustrating, which has happened a lot in school kdramas.

I definitely felt super nostalgic and cried while watching this — I honestly connected to the characters so much and I will forever be sad that I never grew up in such a tight-knit high school class. This is honestly the kind of drama I'd rewatch over and over again in my free time because it just makes me THAT HAPPY.

And the OST is honestly so good. It took me a while to actually start watching each episode because I'd just replay the opening sequence over and over.

Lire davantage

Better than BOF, but crappy ending

I had watched Boys Over Flowers before this—but none of the other versions, and right off the bat I knew I was going to like this better. ALL the characters were more likable, and that even includes FL's parents.

Of course, there were some things that were so ridiculous—like the parts where a bridge/poker game determined who got to stay in school—but there were dumb scenes in the original story, so I guess I had to let that go.

Compared to BOF, I felt like everything was more dimmed down, from the scariness of the mother to the social situation in school. I liked this, as it definitely felt more realistic.

Meteor Garden does suffer from something a lot of Chinese dramas seem to suffer from—the inability to focus on multiple plotlines at the same time. For the side characters, it felt like we were learning about one ship, and then moving on to another one after it had been wrapped up. Also, I didn't give a crap about Terence.

Sadly, the last few episodes of this show were just kind of a mess. Random drama was added in at the end, there was a sudden musical number, and I was so confused and disappointed that that was the ending we were going to get. Either way, I still quite enjoyed watching this.

Lire davantage

The first half was better, but I will forever love Dan-oh and Haru

The beginning of this drama was definitely the best part of it, but saying that I was disappointed with the second half is much too harsh, because I still love Haru and Dan-oh so much together. But it's true that there was a lot of mystery and intrigue in the beginning, and that our questions were answered as we asked new ones. The pacing definitely slowed down near the middle and there was a lot more fluff and repetition — but it's understandable considering the nature of the premise. Even so, I felt like there was a lot of meta and fourth-wall-building that was hinted at but never truly explored, which is sad because I had got so many theories in my head about the writer and about the outside world and we never got to see it.

Something about the ending is both satisfying and really unsatisfying again at the same time — I DESPISE time jumps, but I appreciate that they both knew what was about to happen before Haru disappeared, and that they remembered each other at the end and it wasn’t one of those open-ended “let’s stare at each other, I think I know you from somewhere” scenes. Still though, I wanted something with more OOMPH. Maybe something to break the fourth wall more in which Dan-oh and Haru interact with the portals and the writer of the comic directly, some sort of confrontation. I thought that was the strongest part of this drama: the beginning, when they both actively pitted themselves against the writer. There was a lot of opportunity for something more meta, but the drama never explored that.

Ju-Da’s storyline also kind of tapered off for me, I thought there was so much potential in the contrast between her weak stage character and vengeful shadow self, but in the end she never did anything to break out of it. I know reasons were given, but it really just feels like lost potential. Going off of that — for a main role (in the drama), Nam Ju’s character did a whole lot of nothing. Even so, I’ve never found myself so invested in the first, secondary, tertiary, AND QUATERNARY ship.

The acting was honestly amazing by THE ENTIRE CAST. The blinking, tearing up, ephiphanies...you could see all the emotions on all the characters, EVERY TIME, and it HURT me. Extraordinary You tugged at all my heartstrings.

Also: Amazing OST.

Lire davantage

What could have been

The teasing male lead, the hilarious bickering, the girl pining over someone else while the male lead pines over her before she realizes who's been there for her all along...all this combine to form one of my favorite types of romance, so this drama starts with a winning formula...but it never actually uses it to its full potential.

While I enjoyed seeing the female lead deal with unrequited love, it should not have SO. DAMN. LONG. She's deep in it for 25 episodes and it lingers for a few episodes after that, and we're hit with scene after scene of the female lead never taking the male lead seriously. Meanwhile, the second male lead (Cheng Lang) pines for another girl, and those two are given wayyy too much screentime. I never cared about them and they kept getting slow motion scenes.

We sort of have the opposite issue with the third couple, Qiu Le Tao and Huang Jun, who also have a really interesting story, but they get together so fast that I found it difficult to care for them. And I even like the ending of her reconnecting with their childhood classmate, but the show tried to give it shock factor and left the reveal till the very end, despite it being pretty obvious. The result of that was no time to develop the actual relationship, and a situation where her supposed best friend Xiao Ju didn't even know she was marrying until the engagement party.

In fact, the last few episodes are just filled with misunderstandings and time jumps, and I feel like the leads really lose their spark. They're supposed to be grown-up, but they're still written like children, and the show opts for "fun bickering" scenes when a more serious conversation was long overdue. The ending, overall, feels rushed and makes no sense, which is sad because the early high school and even college days were still enjoyable to watch despite the flaws.

Lire davantage

Just fine

I felt like this drama had a really strong start — the female lead's spunkiness made her really likeable, the mystery was intriguing, and the time travel also made for really interesting parallels.

As the drama went on, I felt like it a lost a lot of its spark, opting for either humor or a modern-only plot, leaving the saeguk mystery and time travel element both really neglected until the last episode and not really tying the two timelines together well enough. It didn't make much sense what Yeon-woo's time travel had to do with the modern storyline, or why those parallels even existed. I think the stakes weren't established well enough for me to feel emotionally invested: I paid painstaking attention to the modern day characters to figure out how they were tied to their past lives, but by the end it felt like the modern day characters were the far more important ones. I really think this drama could've used a full 16 episodes to balance out the modern and historical plotlines and add some explanation for the time travel.

Other than that, I felt like the side characters were fine and occasionally funny but pretty unimportant to the plot, and the main romance was also fun but generally a cookie-cutter ship. It's a fun watch but for me, not very memorable.

Lire davantage