Su mensaje es lindo: encontrar lo que te apasiona, convertirlo en tu sueño y luchar por hacerlo realidad, aunque otros te digan que es una pérdida de tiempo y a pesar de que el camino hacia él sea difícil.
Nami, la protagonista, es agradable y tiene un buen crecimiento a lo largo de los episodios. Así como los personajes a su alrededor, me sentí orgullosa de ella por lo que consiguió.
Mi parte favorita fue Reiko, no sólo por la presencia que tiene esta actriz, es el personaje más inteligente, aunque al inicio puede parecer un poco maldita, valora el trabajo y apoyo de los demás. Me encantó que pudiéramos ver otra faceta de ella con su crush.
Aunque el romance principal es adorable porque ambos personajes desprenden dulzura, no me hicieron sentir felicidad o tristeza por lo que les sucedía.
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sagittariusonfleek
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J-dorama version of The Devil Wears Prada
I'm almost halfway through watching this and it reminds me so much of The Devil Wears Prada: the FL who's not (initially) interested in her work (Anne Hathaway's character); the strong career woman boss (Meryl Streep's character), and the deputy editor (Stanley Tucci's character). I think it's meant to be motivational or something but the way it delivers (like the other J-doramas I've watched before) is kind of cheesy and cringey at times. In terms of acting, Nanao is definitely a standout. I like strong career woman characters like hers, which is a rarity in Japanese productions. Overall, it's a light watch, especially during these stressful times.Cet avis était-il utile?
Cette critique peut contenir des spoilers
A nasty review of the rookie race. Apologies. Plus spoiler.
The knobby little rookie Nami with the pancake face is confronted with the extraordinary appearance and great beauty of Reiko. This is all too much of a balancing act and completely off the mark. FL comes across as plain and provincial and is constantly played up against the wall.In other contexts, Mone Kamishiraishi might be appropriate and cute, but in this role, set in the fashion world? Her rapid development is also implausible, for instance from shy country bumpkin to assertive employee without fear. I also couldn't follow her private priorities, which consisted of orienting herself in completely opposite ways. She is probably just opportunistic.
In the end, you just want to feel sorry for the writer, who somehow slipped on the keyboard.
But the actress Nanao is a beautiful discovery.
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