Tomorrow With You (2017)

Tomorrow with you is a drama for the patient. I really enjoyed this drama and even more so after I finished it. for me, the beginning was very humorous and lighthearted. It gets a lot more plot twists as it ferries down the episode but overall I believe there's a lot to unpack in this. I love the lessons and the overall feel they are trying to pass on to their audience and its to live in the moment and cherish time as a whole.

The drama centers around a CEO who has made his money by using his ability to travel through time and a woman who tries to find essence and success in her work. The performances were really great. I love Shin Min-A and Lee Je-Hoon I think they delivered to the best of their abilities. Their chemistry was balanced rightly through the context of the story.

If you're into action-packed genre and fast-paced storyline this drama is not for you, but a storyline that evolves with the love of both characters allowed a lot to shine through this drama and a lot more. watch it!!

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Tomorrow With You is a great Time -Travel Korean Drama

The time-travel concept was unusual, and the time-travel parameters were inventive.

Time-Travel was launched from a moving train. The time-traveler could only move forward in time and not backward. After a time period caught up with him, he could no longer go back to this time, even if he had visited this time period in the past. He could go forward to that time only if it was in the future. “This is not a spoiler”. Ultimately, his goal was to stop his death. He saw in the distant future how he would die. We all see this in the first minute of the drama. He spends the whole drama trying to avoid his death, trying to fix the problems. Will he ends up creating a bigger mess as he time-travels? Along the way, he realizes that the key to changing his future is tied up with this girl.

The ending is fantastic and there are lots of twists and turns.

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i really loved this drama so
it's really underrated

1st what encourage me to watch it without hesitating that i watched
(beyond the clouds) & i loved it so much,
so i searched for another dramas for the same writer (Heo Sung-hye)
& he didn't disappoint me at all
if u loved (beyond the clouds) drama then u definitely 'll love this one

the only thing that i couldn't understand well that at the beginning of the drama i thought that there were only 2 (Lee Je Hoon) the present & the future one, then i got surprised that there were 3 ..
past, present & future
i got confused a little by the dates & the 3 characters

but that didn't stop me at all to finish it

it's really smooth, simple & very heartwarming with lots of touchy moments

although there were not much events in this drama but definitely not boring at all (in the contrary)

it's talking about a time traveler man who wants to change his destiny
then he knew that his destiny was related with some woman he must find,
at the beginning he found that she is not his type at all
after a while he falls for her madly & struggling to save her & try to change what estimated for them

really highly recommended to those who love rom. drama
i really enjoyed it much

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Tomorrow with You is pure romance. Even if you do not really care about the time travel aspect at all and just love romance this could be a great drama for you. Right now I am forcing my siblings to watch it because I think it hit the spot so awesomely. So, far they enjoy it.


Time travel is at time a hard thing to get right. Sometimes, if you use time travel too much in a drama it will end up not being even suspenseful and the audience will get very tired of the fact that all situations can be solved with time travel. If on the other hand you use a lack of time travel it will become only the backdrop of the story and your story could have easily gone without that backdrop. Instead, you need to make sure that your story could not work without time travel but not everything can be solved by time travel. Make rules and stick to them. Do not change them at the last minute.

This story got time travel right. Plus, it had a creative way to put in certain elements that left us intrigued on what was happening next. The casting although at first I didn't understand grew on me and loved the romance. Overall, this is a drama I would watch again and again and never get bored. It's sweet romantic and has the element of time travel!

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I thought this would be a drama about time travel, however I did not think it was the main focus, but attention I think this isn't bad.

Let's face it, Tomorrow with you has a slow story at the beginning, but that all events will intersperse in the future and that everything, even everything in the drama has a reason, and it's worth being mentioned.

The romantic part of the story was really the most realistic I've seen to this day in dramas, I found a bit lame all their actions "where is my wife?? " But I laught so hard it was very funny, so I thought is not lame is cute they are cute. The drama dealt well with this relationship and its gradual development.
Aside from the problem that will lead to the action itself, I found that this drama speaks much more about the fact that we ourselves, who do not travel to the future, but are still worried about it, and that we will somehow forget the present, when we need to be happy.

The actors' work was very good, of all of them, the emotions were there and I loved it. The as the chemistry between the main, and everyone around them have a good relationship.

As for the soundtrack, yes, I liked it, it's composed of calmer but well-played songs.
Rewatch Value? Hum maybe with someone you have not seen.

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This is a really good watch. I loved the storyline. I wished I could be a time traveler. I love this kind of storyline. It had me confused so I really had to go back and rewatch some of the episodes a few times. I get it now. Going back to the past and then going to the future had me so confused. After I figured it out, I was into the story. This is one of those dramas you can’t skip any episodes, or you will miss important parts… or ask yourself “why did this happen?” I really loved the two main actors/actresses, Lee Je Hoon (Yoo So Joon) and Shin Min Ah (Song Ma Rin) did very well. I felt sad for Song Ma Rin… I cried somewhat. I have to applaud Shin Min Ah for taking a hard role to play. If you see this drama, you will understand why I said it. I applaud the writers, directors, supporting actors/actresses, and everyone else. Thank you!

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Ho incominciato questo drama un anno fà, ammetto di averlo interrotto non perché fosse brutto, semplicemente gli episodi sono talmente coinvolgenti da farmi venire la tachicardia ????. L’ho ripreso dopo un anno e devo dire che l’ho amato davvero tanto, il tema dei viaggi del tempo è sviluppato bene anzi meglio di tanti film americani, la crescita dei due personaggi è evidente durante lo svolgimento della storia e se anche Song Ma Rin non ti fa impazzire, nei primi episodi successivamente matura. Uno dei primi episodi, in cui lui la rifiuta brutalmente, senza neanche dirgli il suo nome è un momento terribile in cui pensi proprio che è uno s*****o. L’interpretazione di Lee Je Hoon è bellissima, non si può non amare il personaggio So Yoon, vedere per credere ????. Drama Incantevole, pieno di emozioni e di riflessioni su “vivere il momento”.

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Perfection!

I didn't have high expectations of this drama at all. I just had an instinct this would be really good because it's Shin Min-ah after all.

It is slow paced and melancholic and I love it just the way it was. Watching these kind of dramas makes you feel you are journeying with the characters and not just watching them. You feel every kind of emotion they invoke.

I never really noticed the soundtrack because I am so engrossed with their lines and acting. This is one drama I never skipped a second even once. I've seen hundreds of dramas now and even top grossing ones sometimes would have scenes that are repetitive or frustrating you just want to skip it but in this flick, I want to savor each and every scene. Even the flashbacks, are not tiresome, you actually wanted to re-watch it.

The last episode was amazing! The first few minutes will give you sad vibes feeling this will have a tragic ending. When Ma-rin's dad made the sacrifice, you'll feel really blue but then a few minutes after that you'll laugh out loud because they'll be talking about sperms the next scene.

Jee-hon and Min-ah's chemistry is perfect! 💕

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Lay It On The ♻ Line Time After Time °VG°

Is Tomorrow Another Day After all?

This drama is tense and could trigger anxiety in some - Fair warning. While it could (SHOULD) have been better, I would still say hop on the train and give TWY a ride. True, the ending wasn't that difficult to figure out. Despite that, the director still manages to set the tone with tension being a focal point. The pressure continues to gear up until the very end.

Ma-rin prefers to be behind the camera now, and in TWY her pain is framed explicitly; Shin Min Ah is superb. All the actors did a solid job, and the side vignettes are all enjoyable. Lee Jeong-Eun has such luminosity: She shines once again as Mar-in's mother. She is one of my favs. (Check her out in Oh My Ghost-10; odd title, amazing show - Some of her scenes are astonishing. Her portfolio has impressive depth of field and is jammed with highly rated shows and movies). The villain's storyline works well enough, with the actor delivering a tangible portrayal of his descent from a respected businessman-to-murderer with unfiltered evil saturation. Yes, he was originally a little crooked, but that wasn't in anybody's viewfinder.

I've noticed that Kdramas often show individuals who experience a marked character arc. Often these persons have a skewed aspect-ratio, and are initially cringeworthy in bursts of nervous awkwardness. Since these dramas are mostly 16+ hours, the characters may not start to improve for many episodes. The directors have a long time to build up or distort who the individual is. They can then put the focus on slowly developing protags from black-and-white to full RBG color.

Ma-rin is like this. Her over-exposed childhood kept her adult self shuttered in a darkroom. She had become so insecure that it was actually challenging to watch her in the first few episodes. In time, she has a wonderful transformation from dull to glossy. It is satisfying to see how she develops into the model of a confident and strong woman by the end. One might say she bloomed into a picture-perfect flower.

So-Joon also enlarges as a person. While he's clearly good-hearted, he is also a portrait of immaturity and laziness in the beginning episodes. He later becomes patient, caring, harder working, more responsible, and more loving. Since his time-traveling exploits make operating his business so easy, it's doubtful that his lazy streak will be completely edited out.

The two leads initially display a lack of chemistry. It actually seems that So-Joon is just using Ma-rin. His motives are blurry. He is an enigma, always with a matte look on his face. The director deliberately injected acidity and unease into their relationship so that we can watch it develop. The viewer is concerned for Ma-rin. Eventually, we can be happy for her. By the middle of the show their marriage is the image of warmth and love.

Ultimately, this story, and the love this couple shares, is quite charming. Like a photo in solution, TWY progresses from indifference and hesitation, to warmth, then love, and finally to sharply detailed commitment and intimate love. (Though they are adorably still too shy to strip in front of eachother.)

I adore stories about time travel. They are so much fun, but logically it's easy to encounter under-exposed plot points. The show is not without those. Why So-Joon would go near the subway on the day that he knows he'll disappear is grainy logic. I also don't know why he would take Ma-rin to the fireworks. It's not clear why his focus wasn't to get them out of town, or to not leave the house for a few days. It's a little frustrating, actually. It's understandable for the plot development of a time travel tale. A plethora of miscommunications and a catalog of flawed judgments are practically necessary, and fate always shadows Kdramas. If Mar-in's father, Doo-Shik, had jyst been more candid with So-Joon... if they had each opened their apertures a little wider, it would have been a panacea. I suppose, then, the show would have been wrapped up by episode 8.

The optics regarding time travel get distorted. In some scenes the future is pictured just as So-Joon observed from the past. Seemingly the message exhibited is that the future is set and laminated. In other scenes, though, they manage to change the future, suggesting that the future is a moveable pose. It's also unclear why So-Joon, after recovering from his coma, couldn't get back to the past when riding the subway, or why he was able to run on the tracks and get to the past. It makes no sense, at all, that the two men can time skip, while Ma-rIn cannot.

The very end displays a small snapshot of their lives 3 years hence. It falls flat with a dull thud. I didn't like the tone of their bickering, and how Ma-rin was nagging So-Joon. A little of it would have been okay if they had pushed by it right away. However, it's portrayed as entrenched behavior.

Earlier, when they had been fighting and later separated, Ma-rin concluded that she shouldn't have been so pushy towards So-Joon. She determined that she should reset her meter and back down from her insistence that he not ride the subway. To see her revert back at the close of the show is disappointing. And where's the kids? We were promised 3 kids!!!!! Instead of petty bickering they should have committed the 3 kids to film.

Now we'll point the zoom lens at one of the worst screw-ups. The director left the So-Joon who managed to get to the past hanging there. That tasty mystery should have been a resolved. So-Joon-in-the-past flashed by the screen twice - like a cartoon character - and then faded away. How could they not know that we would want to know how he got to the past! Something should have changed because of his presence there. Since he knows he somehow shot back to the past, it would make sense for him to work harder to get back there as it would have been easier to remedy their situation from the past.

Another thing they left out of focus was an explanation as to why So-Joon was in a coma. Per the doctor, there was no reason for him to be in one. The doctor shouldn't have said it if they didn't intend to explain it. (Shoot, did I miss it?)

As another reviewer so deftly put it: 'It took 16 hours to learn to not run into a busy road.' Mar-Rin shouldn't have been anywhere near that intersection at that time. Since they were there, So-Joon should have been holding on to her. If they had filmed the scene at normal speed, if she stopped and turned briefly when the certificate flew out of her hand, it would have played better. The way they chose to film it makes Ma-rin look very foolish.

The flaws might be more than minimal, but the good comfortably outweighs the bad. If romance is your thing, especially if romance and time travel are among your interests, than TWY should go on your watchlist. My "7" rating translates to "very good." It may not be picture-perfect, nevertheless, there is beauty to behold as time goes by.

IMHO...

🎬Directing 6
🎭Acting 8
🤔IQ 6
⚡Action/Excitement 6
💓Romance 7
🦋Flutters 5
🌞Warmth 7

Suggested Age 12& up.

Recommendations:

Oh My Venus-7.4 (same FL),
Love to Hate You-8.9,
Oh My Ghost 10 & Our Blues-8.7 (same director & supporting actress),
Familiar Wife-8.5 (time travel),
My Only Love Song -8.7 ~ excellent comedy & time travel,
Mr. Queen 8.5
Live Up To Your Name-7.6 (time travel),
Saimdang 8.5 (time slips),

The Romance of Tiger and Rose 9.8,
Sisyphus 8 + Tunnel 8.5 + Signal 8.6 (time travel),
Black 9 (time slips),

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